奥利

Roman general under Julius Caesar in the Gallic wars; repudiated his wife for the Egyptian queen Cleopatra; they were defeated by Octavian at Actium (83-30 BC).

中'。''，朱利叶斯凯撒将军领导下的罗马将军；为了埃及王后克利奥帕特拉而拒绝了他的妻子；他们被''。

Then, from the borders of Illyricum even into Gaul, all the nations banded together against us - the Marcomanni, Varistae, Hermunduri and Quadi, the Suebians, Sarmatians, Lacringes and Buri, these and certain others together with the Victuali, namely, Osi, Bessi, Cobotes, Roxolani, Bastarnae, Alani, Peucini, and finally, the Costoboci.

然后，从伊利里亚的边界，甚至到高卢，所有的国家一起联合反对我们--马科曼尼人，瓦利斯泰人，赫姆杜里人，奎代人，苏比安人，萨马提亚人，拉克林格人和布利人，其他跟威托利人联合的还有奥斯人，贝斯人，克伯特人，罗索兰尼人，拜斯塔奈人，艾兰尼人，珀西尼人，最后还有克斯托伯希人。

When you get to Pieria, you will find posters everywhere, which read as:"We kindly ask you to VOTE Mount OLYMPUS in all ways……" The background for the poster is undoubtedly the beautiful silhouette of Olympus, either in flourishing spring, or in splendid autumn.

来到比爱利亚，到处可以看到这样的宣传海报：&亲爱的朋友：请拿起电话，为奥林匹斯山投上关键的一票……&海报的背景自然是奥林匹斯山的丽影，或韶华盛极，或霜林尽染。

In the 8th to 7th B.C., Pieria became the second largest province of the Kingdom of Macedonia and helped the ancient kingdom to achieve one of its glorious chapters.

他们在奥林匹斯山脚下茂密的灌木丛中、在佩涅奥斯河和哈利阿科门河之间肥沃的冲积平原上安顿下来，无尽的大海赋予他们梦想，深邃的群山赐给他们希望。

In the second half of the 15th century, the spirit of the age spread to Germany and the Low Countries , where the development of the printing press (ca. 1450) and early Renaissance artists like the painters Jan van Eyck (1395-1441) and Hieronymus Bosch (1450-1516) and the composers Johannes Ockeghem (1410-1497), Jacob Obrecht (1457-1505) and Josquin des Prez (1455-1521), predated the influence from Italy.

15世纪后半叶，时代精神传播到德国和低地国家，在这些地方印刷机与文艺复兴早期艺术家，如画家扬·范·艾克，希罗尼穆斯·博斯，作曲家约翰内斯·奥克冈，若斯坎·德普雷，雅各布·奥布雷赫特的发展早於来自义大利的影响。

Theodoret undoubtedly avoided the excesses of Theodore and Nestorius, and his doctrine was accepted at last by St.

theodoret无疑是避免过度的西奥多和nestorius ，他的学说被接受，最后由圣利奥为东正教徒，尽管他先前持续的辩护

Although Otlet spent his entire working life in the age before computers, he possessed remarkable foresight into the possibilities of electronic media. In 1895, the 27-year-old Otlet met a kindred spirit in the future Nobel Prize winner Henri La Fontaine, who joined him in planning to create a master bibliography of all the world's published knowledge.

奥特雷在世时，电脑虽然尚未问世，他却能洞烛机先，看出电子媒介前途不可限量。1895年，年方27的奥特雷和后来荣获诺贝尔和平奖的亨利E拉方丹志趣相投，共同计画为全球已印行的书籍建立一套「总目」。

At St Peter's, on Christmas day in 800, Leo III placed an "imperial" crown on Charlemagne's head, hailing him as Caesar, the new augustus

800年的圣诞节，利奥三世在圣彼得大教堂把&帝国&的皇冠戴在了查理曼的头上，拥他为恺撒新奥古斯都。

At ST Peter's, on Chri ST mas Day in 800, Leo III placed an "imperial" crown on Charlemagne's head, hailing him as Caesar, the new augu ST us

800年的圣诞节，利奥三世在圣彼得大教堂把&帝国&的皇冠戴在了查理曼的头上，拥他为恺撒新奥古斯都。

The decrees and other acts of the council were first published in Rome shortly after the council ended, namely on 31 July 1521 by cardinal Antonio del Monte, acting on the orders of pope Leo X. The title of this edition is: SA.

该法令和其他行为的安理会首次公布在罗马后不久会结束，即于1521年7月31日，由红衣主教安东尼奥Del Monte的，对代理的命令，教宗利奥十称号，这版是： SA公司。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。