奥利

It is said that there is one firefly hiding inside the follower that nobody but Oliver could find it out.

据说有一只萤火虫深藏在其中的一朵花中，而只有奥利弗能够找到它。

As you might expect -- as his fans surely expect -- Mr. Depp's mincing, flouncing Mad Hatter bears more than a passing resemblance to Jack Sparrow, though Hatter's faint lisp and gap-toothed grin also suggest Laurence Olivier's Archie Rice in 'The Entertainer,' or a young Boris Karloff doing Humphrey Bogart.

你可以想象得到──也正如德普的影迷所期望的那样──"疯帽匠"絮絮叨叨，骂骂咧咧，这一点虽然和电影《加勒比海盗》中杰克船长一角有类似之处，但"疯帽匠"说话口齿不清，笑的时候露出大豁牙，让人不由地想起劳伦斯·奥利弗在影片《艺人》中扮演的日薄西山的歌舞艺人阿尔奇·赖斯，或是扮演《科学怪人》的青年鲍里斯·卡洛夫在演绎《卡萨布兰卡》中男主角亨弗莱·鲍嘉的那种风格。

Oliver Evans, the inventor of the automated flourmill, was born a farm boy and learned what he could of machinery andscience by reading what books he could find on the subjects.

奥利弗埃文斯发明的自动面粉厂，是一个农场出生的男孩和他的经验可以机械和科学读什么书，他能找到的主题。

On August 8, beijing Olympic Games will full-dress come on stage, in the Chinese netizen that the network moves back and forth in fictitious world, will with vivid expression, receive the Bin Peng that comes from world each district with endless enthusiasm and bright smile, still will with their peculiar means inheritance Ollie be equal to gram spirit.

8月8日，北京奥运会就将盛装登场，在网络虚拟世界里穿梭的中国网民，将以生动的表情，用无尽的热情和灿烂的笑脸迎接来自世界各地的宾朋，还将以他们特有的方式传承奥利匹克精神。

This is Irving's appraisal of Oliver Goldsmith.

这是欧文对奥利弗·戈德史密斯的评语。

Oliver Gosling's art is not primarily concerned with issues of representation, materiality or direct self-expression.

奥利文·高斯林的油画不是对物象的刻画，不是对质材的彰显，也不是对自我的直接表达。

Oliver Gosling also has experienced such difficult time, but not as same as anyone else, he tried subtraction as the resolution.

奥利文·高斯林的绘画同样经历了艰难的过程，但与许多人不一样，他一直在做减法。

Oliver Gosling learned why space had to be existed through traditional Chinese paintings and Japanese paintings, which seemed full of power in silence.

在对于传统中国画、日本画的研究中，奥利文·高斯林感悟到了虚空的存在，一种宁静致远因而充满活力的存在。

Oliver Gosling didn't spent time on the reality or materials, nor a direct self-expression.

奥利文·高斯林的油画不是对物象的刻画，不是对质材的彰显，也不是对自我的直接表达。

If David Greybeard blurred the line between humans and chimpanzees by fishing for termites, you can imagine all the evolutionary issues raised when a chimp named Oliver started mixing his own Highballs.

如果说"白胡子"大卫用工具"钓"白蚁的行为模糊了人类和黑猩猩的界限的话，你就可以想象当一只名叫奥利佛的黑猩猩竟然会为自己调制威士忌饮料时，关于进化论的讨论会变得激烈起来也就毫不奇怪了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。