奥利

My eldest son Oliver (20) lost his father when he was 7 years of age.

我的大儿子奥利弗（20）在他7岁的时候失去了父亲。

Until Olivier Assayas, compelled by her "quality of elusiveness", wrote a script specifically for her.

直到奥利维耶阿萨亚斯被她"难以捉摸的特质"所驱动，专门为她写了一个剧本。

American doctor Oliver Wendell Holmes thought:"all medicines sunken into ocean, maybe it is evangelicalism to mankind, but a kind of curse to the fish."

著名美国医生和作家奥利佛·温德尔·霍姆斯就认为："若将所有的药品沉入大海底的话，对人类来说就是一大福音，不过对鱼却是一种诅咒"。

A biblical student and exegete of great ability, Origen produced the Hexapla text of the OT.

一个圣经学生和exegete的伟大能力，奥利产生文本Hexapla的加时赛。

Anyway, Fagin, I know your idea is for O liver to do the job.

不管怎样，费金，我知道你的心思。你是想让奥利弗去干这件事。

Suddenly O liver recognized the woman he had seen in Fagin's house.

突然，奥利弗认出了她就是在费金家见过的那个女人。

Re very glad to see you,O liver,'said Fagin.

"见到你很高兴，奥利弗。"

Fagin was the only other person in the room, and he was boiling coffee in a pan.

咖啡煮好后，他转身仔细看了一眼奥利弗。

Ann Sumner由奥利弗费尔克拉夫,安女士萨姆纳 Hudson Hills Press, 02/2009, 176 pages, English哈得孙山出版社,02/2009,176页,英语 Show synopsis 展览简介 In the early part of the twentieth century, two extraordinarily forward-thinking Welsh women, Gwendoline and Margaret Davies, amassed a collection of work by the most important names in the Realist, Naturalist, Impressionist, Post-Impressionist, and Fauvist movements at a time when modern art, especially French art, was largely ignored in Britain.

在20世纪初，两个非常有远见的威尔士妇女，格温多兰和玛格丽特戴维斯，积累了在现实主义，自然主义，印象派，后印象派，野兽派画家和运动的最重要的名字在时间的作品集当现代艺术，尤其是法国的艺术，在很大程度上忽略了英国。

FILM CLIP: And though I'm no Oliver, but if he fight Sugar Ray he would say, that the thing ain't the ring, it's the play.

电影短片：尽管我不是奥利弗，但如果他与苏格·雷对战，他会说这不是拳击场，这是游戏场。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。