奏

Illusively, the music turns to extreme quickness. In the contrary of the previous fearless heroics, it is firstly guided by the strong orchestra, and then the swiftly pinch and high-tone glissando play the incomparably cheerful mood of "Gibson" dancing.

随后如梦幻般，全曲由慢转快，急变为极快的快板，与前面豪迈气质鲜明不同，这部分以管弦乐的强奏作为先导，以小提琴右手的快速拨奏与高音的滑奏来演绎出"吉普赛人"能歌善舞时的无比欢快与欢愉的心情。

They are:1 Max-Reger's biography and creation synopsis2 A summary of the structure of Partita and Fuga3 Synopsis of Chromatische Polyphonie4 Creation background of(op 132)5 Linearity writing technique of(op 132)6 Partita inheriting with innovation and Parts analysis7 Fuga melody analysis

本文将分七个部分予以陈述，分别为：一马克思-雷格尔生平及创作简介二简述变奏曲与赋格及其它赋格音乐套曲结构三半音复音音乐简介四《莫扎特主题变奏与赋格》(op 132)的创作背景五《莫扎特主题变奏与赋格》(op 132)线性写作技巧六变奏手法的继承与创新及各变奏乐章分析七赋格曲分析

At advanced levels, sight reading involves the application of basic music theory, such as chord progressions and harmonies, and interpretation of the music.

在高一级的水平上我们能够把基本的音乐理论应用于视奏，这样的视奏结合了对音乐的高度理解。在视奏的每一个级别上一个钢琴手如何进行视奏显然是各不一样的。

The first Section begins from play slick and slily with staccato the first theme that echoes each other, then the variation is repeated.

第一段从圆滑奏与断奏相互呼应的第一主题开始，然后变奏着反复。

When it ends, from the beginning of violin pinches, the melody is composed of short 16notes, building the delight dancing atmosphere in an feeble gossamer. The next skilled pinches reappear the initial part of the forth section, gradually pushing the whole composite toward the climax and thunderously ending by a sequence of pinches, leaving a forever reverie

当其告一段落后，又以小提琴的拨奏开始，用由十六分音符的短奏来构成那如游丝般的充满舞蹈气氛的旋律；然后以更具技巧的拨奏在再现第四部分的最初部分，逐渐朝气蓬勃的趋于高潮，并在结尾闪电般以拨奏结束，留下令人无限回味的遐想。。。

Selected the skill of non legato, respresented the characteristic of metal timbre on piano in three basic playing techniques, as research object, through the software of VOICEBOX, The MATLAB toolbox for speech processing, by sampling and cutting contrastive analysis both of the same with different playing touch ways on KAWAI upright piano, proved the known proposition with the physical quantity and the trend line graph, the auther explored the influence on resonant frequency by different touch key in non legato playing.

在钢琴3种基本弹奏法中，选例最能代表钢琴"金属性"音色特征的非连奏法为研究对象，通过"VOICE-BOX，The MATLAB toolbox for speech processing"软件，在立式"卡瓦依"钢琴上用不同奏法和相同奏法下不同触键方式的采样、切割对比分析，用求得的物理量和趋势线形图对已知命题加以证明，探究非连奏法中触键方式的不同，对共振频率的具体影响。

Extremely richly, extremely has elastically low frequency, moreover is in no way muddy

奏、间奏、尾奏的韵律，在博采众长的基础上都有前所未有的创新。

The 24 viola players who come from Shanghai Conservatory of Music will present a multiple performance which including solo viola, duet viola, trio viola and the tremendous choir between 24 violas.

上海音乐学院的梦幻24人中提琴组合将分别呈现中提琴独奏、2重奏、3重奏，4、5、7重奏，甚至是包含近十个声部的24把中提琴的大合奏，一次性展现中提琴音乐的多样性与无穷魅力。

We can make it stand out by applying a different touch staccato, pear to be accenting the weak part of the bar; melodies played this Maintaining the same dynamic level for an entire group of notes legato, portato, or tenuto.

我们可能通过不同的触键断奏使音符显得突出，在一个小节的薄弱部分加重音符号使得音清亮圆润；这些保持同样活力的曲调的演奏是为了与一个运用连奏、断连奏或持续的演奏法的整个音符群等同。

Different forms of variations have been derived since the Baroque period, such as cantus-firmus variation, Double, ostinato variation, and constant-harmony variation. Further examples are continuous variation, sectional variation, single-theme variation, or hybrid variation in the Pre-classical era.

变奏曲於十八世纪由巴洛克时代的反覆变奏曲或定旋律变奏曲、成对舞曲的变奏、顽固低音变奏与固定和声变奏演变至古典时期的持续式变奏曲、段落式变奏曲与单一主题变奏曲、双主题变奏曲及混合式变奏曲。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。