头顶

Mwila women smear their hair with oil, mold it with mud and cow dung, and deck it with beads.

姆维拉妇女先是在头发上抹上油脂，再用泥和牛粪混合后扣在头顶来固定发型，最后点缀上一圈珠子。

You can even see drakes flying overhead, embarking on sorties to attack targets below

你甚至还可以看见飞龙从头顶掠过，俯冲着向下方的目标扑击。

You can even see drakes flying overhead, embarking on sorties to attack targets below

你甚至还可以看见飞龙从头顶掠过，俯冲著向下方的目标扑击。

You can even see drakes flying overheadembarking on sorties to attack targets below.

你甚至还可以看见飞龙从头顶掠过，俯冲着向下方的目标扑击。

You can even see drak es flying overhead , embarking on sorties to attack targets below

你甚至还可以看见飞龙从头顶掠过，俯冲着向下方的目标扑击。

Overhead in out-of-reach locations.

巴比特合金链轮轮辋，配置链条导轨和1/0驱动链条，使得安装在头顶上无法够到地方的齿轮操作机构阀门能够远距离操作。

In the later system the front ranks locked shields and presented a hedge of thrusting spears whilst the rear ranks kept up a continual barrage of missiles over the heads of the front rankers .

在晚期的作战体系中，前面几排使用盾墙和长矛，后面几排则不断地越过前排的头顶投掷箭矢。

I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude,substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head —— useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace,some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse,and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil,and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping.

我有时梦见了一座较大的容得很多人的房屋，矗立在神话中的黄金时代中，材料耐用持久，屋顶上也没有华而不实的装饰，可是它只包括一个房间，一个阔大、简朴、实用而具有原始风味的厅堂，没有天花板没有灰浆，只有光光的椽木和桁条，支撑着头顶上的较低的天，——却尽足以抵御雨雪了，在那里，在你进门向一个古代的俯卧的农神致敬之后，你看到衍架中柱和双柱架在接受你的致敬；一个空洞洞的房间，你必须把火炬装在一根长竿顶端方能看到屋顶，而在那里，有人可以住在炉边，有人可以往在窗口凹处，有人在高背长椅上，有人在大厅一端，有人在另一端，有人，如果他们中意，可以和蜘蛛一起住在椽木上：这屋子，你一打开大门就到了里边，不必再拘泥形迹；在那里，疲倦的旅客可以洗尘、吃喝、谈天、睡觉，不须继续旅行，正是在暴风雨之夜你愿意到达的一间房屋，一切应有尽有，又无管理家务之烦；在那里，你一眼可以望尽屋中一切财富，而凡是人所需要的都挂在木钉上；同时是厨房，伙食房，客厅，卧室，栈房和阁楼；在那里你可以看见木桶和梯子之类的有用的东西和碗橱之类的便利的设备，你听到壶里的水沸腾了，你能向煮你的饭菜的火焰和焙你的面包的炉子致敬，而必需的家具与用具是主要的装饰品；在那里，洗涤物不必晒在外面，炉火不熄，女主人也不会生气，也许有时要你移动一下，让厨子从地板门里走下地窖去，而你不用蹬脚就可以知道你的脚下是虚是实。

My days were not days of the week, bearing the stamp of any heathen deity, nor were they minced into hours and fretted by the ticking of a clock; for I lived like the Puri Indians, of whom it is said that "for yesterday, today, and tomorrow they have only one word, and they express the variety of meaning by pointing backward for yesterday forward for tomorrow, and overhead for the passing day."

我的一天并不是一个个星期中的一天，它没有用任何异教的神祗来命名，也没有被切碎为小时的细末子，也没有因滴答的钟声而不安；因为我喜欢像印度的普里人，据说对于他们，&代表昨天，今天和明天的是同一个字，而在表示不同的意义时，他们一面说这个字一面做手势，手指后面的算昨天，手指前面的算明天，手指头顶的便是今天。&

My days were not days of the week, bearing the stamp of any heathen deity, nor were they minced into hours and fretted by the ticking of a clock; for I lived like the Puri Indians, of whom it is said that " for yesterday, today, and tomorrow they have only one word, and they express the variety of meaning by pointing backward for yesterday forward for tomorrow, and overhead for the passing day."

我的日子并不是一周中的星期几星期几，没有被烙上异教徒神灵的印记，也没有被切分成一小时一小时，并且被时钟的滴答滴答声搅得心烦意乱。我喜欢像印度的普里人一样生活。据说，他们在表达昨天、今天、明天的时间概念时用的是同一个词，而在表达不同的具体时间概念时，他们就用手向后指来表示昨天，向前指表示明天，像头顶指表示正在过去的一天。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。