头顶

Except on the crown, which was raggedly bald, he had stiff black hair, standing jaggedly all over it, and growing down hill almost to his broad, blunt nose.

秃得乱七八糟的头顶周围的头发却长得又黑又硬，向四面支棱开，又顺着前额往下长，几乎到了那宽阔扁平的鼻子面前。

A forlorn , jailbird's face with a nobby forehead running back into a bald scalp, a crooked nose, and battered-looking cheekbones above which his eyes were fierce and watchful

他的脸是个绝望无援的死囚的脸，额角高突，头顶光秃，尖尖的鼻子，沉陷的双颊，上面两只眼睛却灼灼发亮，凝视着对方。

A large passenger jet airplane .A jet plane screamed past overhead.

一架喷气式飞机发着啸声从头顶掠过。

He got a great jump on that ball he caught over his head.

不论是防守、进攻、甚至数度在垒上时……他还逮住了ㄧ颗飞跃他头顶的球，噢，那真是经典的一跳啊！

She wore her hair loosely knotted on top of her head.

她在头顶上打了个松松的发髻。

Lantern fish When under attack, Mingkang fish will be used strictly as the head of the tentacles all the fish from the monster walk around with.

当受到攻击时，明康鱼会利用头顶那灯笼般的触须把所有的鱼儿从怪物身边引走。

They're on the ledge just above you.

就在你头顶的壁架上

A Single Man 's cast also includes Julianne Moore, playing a complex role as George's best friend and long-ago lover--one of the only people on the planet who can know all that George is going through, yet with vast vulnerabilities of her own.

一个单人的演员还包括朱利安摩尔，头顶上的复杂角色，乔治的最好的朋友，很久以前人们只在情人- 1地球谁可以知道所有的乔治正在经历，与她自己的巨大漏洞呢。

The long-eared owl can see and hear extremely well. The tufts on its head are not ears, they

长耳猫头鹰目明耳聪，头顶上的不是耳朵，而是它正在警觉时竖起的羽毛。

In other words ,any stag that can still display a fine set of antlers in the twilight of its years ,or an old peacock that can still rustle up a first-rate plumage –or an aging Lothario who can still sport a Rolex and a major catch .

换言之，垂暮的杜鹿仍能头顶一对玲珑的鹿葺，年老的孔雀仍能展开光彩夺目的屏，年迈的风流男子仍能戴着劳力士手表、住着环河公寓—必将被认为是值得一争的猎物。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。