头顶

I came out of the gray drizzle through the glass door with the old Fishback Appliance Repair sign still stenciled on it, a copper cowbell clanging above me, and the store was cold, the lights weren't even on.

我从灰蒙蒙的毛毛雨中冲了出来，穿过玻璃门，门上依旧还印着以前锯齿板修理店的标志，我的头顶一串铜制铃铛在叮当作响，店铺里冷清清的，甚至连灯都没开。

Monkey of Central and South America having a cowl of thick hair on the head.

中美和南美的猴子，头顶有类似风帽的一簇毛发。

The planes have no seats and no overhead compartments, and are all designed for creature comfort.

机上没有座椅和头顶的行李架，一切设计都是为了动物能乘坐舒适。

Overhead streetlights highlight the hues of the costumes and banners intricately designed and patterned from minute strips of crepe paper of all colors glued to clothing, cardboard and wood.

头顶的街灯映衬着服装的光鲜，由各色绉纹纸细小条纹精心设计和装饰而成的旗帜粘贴到衣服，纸板和木头上。

And here some indistinct recollections of the black though ingenious Cromwellian thief Sir William Petty and his double-bottomed vessel were driven clear out of his mind, for lashed to the starboard stem was a carving some six feet high, a very lively carving of three men: the first had the second standing on his shoulders and the second the third; and these three were connected by the huge penis which rose from the loins of the first, towering past the second to a point above the third man's head and held by all three as it mounted.

这时候，他再也不去回想那个聪敏的、克伦威尔式的黑人盗贼威廉。佩迪爵士了，也不去回想他模糊记得的、佩迪的双底大船了，这是因为，他看见了绑在右舷艏柱上六英尺长的非常生动的木雕，上面雕了三个男人：第二个男人站在第一个的肩头，第三个则站在第二个的肩头；而这三个男人被一根巨大的阴茎连接在一起，这根阴茎从第一个男人的腿间升起，越过第二个男人，一直升到第三个的头顶，三个人都扶着它。

Wind suspended in my head, this is a cloudy day, I sit cross-legged.

风悬浮在我的头顶，这是个阴天，我盘坐。

He was leaning right across the table, brandishing his crucifix before my eyes.

他整个身子都俯在桌子上，差不多就在我的头顶上摇晃着十字架。

Above us is a crystal chandelier form the 17th century.

在我们的头顶是一盏十七世纪的水晶吊灯。

On top of her head is a flying phoenix with its tail curving upward.

她头顶上有一只腾空飞舞的凤鸟

Mechanically I obeyed, turned eastwards, and with my cutlass raised, ran round the corner of the house.

他大声地吼叫着，把他的弯刀举过了头顶，刀身在阳光下寒光四射。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。