失败

It was first employed by the Milanese in 1038, and played a great part in the wars of the Lombard league aginst the emperor Frederick Barbarossa .

如果由敌人缴获将被看做是无法挽回的失败和耻辱。1038年第一次由米兰人使用，在伦巴人联盟对抗 Frederick Barbarossa 的斗争中担任重要角色。

His second novel, Barbary Shore, was a critical and financial failure.

他的第二部小说，《芭芭拉海岸》在评论界和商界都很失败。

His second novel Barbary Ashore was a critical and financial failure.

他的第二步小说'北伊地区'却遭受了批评以及销量的失败。

Barbour had helped a few friends and coworkers with the accounting sections of their business plans, but that was about it.

包柏的几个朋友和同事过去有个生意上的计画，但最后失败了，而她曾经帮忙记过帐，就只有这样。

Do you really want to bargain basement gear sounds lame, and may fail in that situation?

你真的想用齿轮讨价还价地下室听起来蹩脚的，并可能在那种情况下失败？

Tosummarize what I have said: aim for the highest; never enter a barroom; do not touch liquor, or if at all only at meals; never speculate;never indorse beyond your surplus cash fund; make the firm's interestyours; break orders always to save owners; concentrate; put all youreggs in one basket, and watch that basket; expenditure always withinrevenue; lastly, be not impatient, for as Emerson says,"no one cancheat you out of ultimate success but yourselves."

把我的话归纳一下：要志存高远；不要出入酒吧；要滴酒不沾，或要喝也只在用餐时喝少许；不要做投机买卖；不要寅吃卯粮；要把公司的利益当作自己的利益；取消订货的目的永远是为了挽救货主；要专注；要把所有的鸡蛋放在一个篮子里，然后小心地看好它；要量入为出；最后，要有耐心，正如爱默生所言，"谁都无法阻止你最终成功，除非你自己承认自己失败。"

Barrymore Do not, for one repulse, give up the purpose that you resolved to effect.

不要只因一次失败，就放弃你原来决心想要达到的目的。

J. Barrymore Do not, for one repulse, give up the purpose that you resolved to effect.

不要只因一次失败，就放弃你原来决心想要达到的目的。

On this score, I'm afraid to say, my new friend Bart falls down.

在这方面，我恐怕得说，我的新朋友巴特失败了，他只追随了 9 个人。

Alcano oppressed Irish snooker pro Paddy McLoughlin 11-3 and will have road man Chris Bartram next, the Columbus, OH, gambler making his mark with a second-round 11-5 defeat of Paul Potier.

alcano压迫爱尔兰斯诺克亲稻田的女友科琳11月3日将有路名男子克里斯bartram接下来，哥伦布，哦，赌徒，使他的马克与第二轮11月5日的失败，保罗

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。