失去力量

"Burning the midnight oil to see醉里sword, wind angle even梦回Camp" is "Ma Lu for fast, bow string, such as Thunderbolt scared" of the emotional scenes, such as the source of the fighting, in the absence of the word old enemy artificial country, defeat the outside of the Krupp desire and determination to fight behind the scenes that have lost the power of its rough, this first "破阵子" it lost its literary history in the historical status.

"醉里挑灯看剑，梦回吹角连营"是"马作的卢飞快，弓如霹雳弦惊"等战斗场面的情绪源头，如果没有老词人为国杀敌、击退外虏的渴望和决心，那后面的战斗场面也就失去了其豪放的力量，这首《破阵子》也就失去了其在文学史中的历史地位。

She was very fearful of the fact that her children may grow up and fall away from God and so she couldn't get up in the morning, she lost her hope, she lost her strength, lost her enthusiasm for life, even getting up was a chore, so difficult just to get up and go through the day.

她很担心子女是否能长大，是否会远离神，因此她早上都起不来，她失去了希望，失去了力量，失去了对生活的热情，甚至连起床都成了困难的工作，连起床与过日子都困难的不得了。

For the sake of our se indocile kidses, be sometimes connect oneself think of, oneself of do of but all don't think, just just is really not easy for the sake of the other people, I really feel good regret, the good heart be vexed, I when then can have 1:00 use, my in the mind really panic, sometimes want oneself really ridiculous, but sometimes is very strong and unyielding, I since the childhood have no oneself of heaven, I really don't know my later of day is what appearance, if when I remind of these matter of time, my tears with through continuously turn to move in the tears frame, I although have no too Gao of culture, my whole life in the middle I with lose two opportunity, I don't want to be losing, but when I want to do point what of time, my heart was really full of hope, but did some energy all have no, I very timidity, there is no strength yes, I don't know how to do, if the life really want me to have no position in the world here, why still make me on the hoof, I am exactly and when my life in the middle, greatest beginning

就是为了我们这些不听话的孩子，有时候连自己想的，自己的做的却都不想了，就只是为了别人而已，真是不容易啊，我真是感到好懊悔，好心烦，我什么时候才能有一点用啊，我的心里真的发慌啊，有时候想想自己真的很可笑啊，但有时候却有很坚强不屈，我从小就没有自己的天堂，我真的不知道我的以后的日子是什么样子的，如果当我想起这些事的时候，我的泪水就以经在泪框里不停的转动，我虽然没有太高的文化，但是我一生当中我以失去了两次机会了，我不想在失去了，可是当我想做点什么的时候，我的内心充满了希望，可是真正的做起来一点力气都没有，我很胆小，没有力量是的，我不知道该怎么办，如果人生真的要我在这个世界上没有地位，为什么还让我活着，我到底什么时候才是我人生当中，最伟大的开始

The Spry framework can be used by anyone who is authoring for the web in their tool of choice.

一旦失去或者不再可以成为自己的支撑点，那整个人就失去了信心和力量。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

By the name of religion, numerous paintings, sculptures, buildings, songs, poetries are created, and their worldwide honor and worship come naturally from the religious believers' piety. Ever since the decline of religious power, it seems that work of art loses also its honorable position. But, just as art is liberated from the shelter of religious crown, it can return to its own Being, recatch the inner value of beauty, and reconstruct the religious value deeply rooted in the work of art and aesthetic experience.

然而随著宗教力量的失势，艺术作品虽然一方面失去神圣崇高的宗教地位，成为一般的事物；但另一方面，正由於失去了宗教光环的遮掩，才得以从外表簇拥的灿烂繁华，重返存在本身的质朴，拾回其作为艺术作品本身所具有的光辉与神彩，并因而重现其内在本有的宗敎价値。

An elemental that loses its bracers also loses much of its power and might inadvertently return to the Elemental Plane.

当一个元素生物失去它的护腕的时候也就失去了它的大部分力量，并且会无意中回到元素位面。

A voidwalker that loses its bracers also loses much of its power and might inadvertently return to the Twisting Nether.

一个虚空行者失去护腕就意味着它失去大部分力量并且要返回扭曲虚空。

1A3 Need a list that shows both national and local applicable laws 1A8 Accident record must include personal injury,reason for accident Corrective action and the police summary of injuries 4A1 Comment-add the date that the list was last updated 5A3 No training 5A4 Cleanup of shekow maintenance area 5A5 License and disposal receipts missing 7A2 Firefighting equipment missing in some trucks-self assessment 7A4 Require training records 8A1 Training should include all topics listed in IWAY document 8D1 Each truck should have small first-aid box 8F1 Comment –Existing safety belts in trucks must be used 9A2 Personal washing facilities must be improved,separated from the kitchen and washroom area 10A1 All workers do not have a contract 10A2 Need to keep accurate records of working hours for each worker 10A3 National law states that workers must be paid within 30days 10A4 Can not be verified 10A5 Working hours can not be verified 10A6 Working hours can not be verified 10A7 Working hours can not be verified 10A8 Working hours can not be verified 109 Can not be verified 10A10 Insurance is not fully covered 11A1 Require a labour force registry 11A2 Require a labour force registry 11A3 Require a labour force registry 12A1 No deposit allowed 13A1 Can be no restriction age 15A1 Cooperation contract rules must follow the law on the limits of fines

眼泪 1 A3 需要一本表示的目录既国家的且地方可适用法律 1 A8 意外事件记录一定包括个人的受伤，意外事件的理由纠正的行动和受伤的警察摘要 4 A1 意见-增加日期目录最后被更新没有训练的 5 A3 shekow 维护区域的 5 A4 清除不见的 5 A5 执照和处理收据 7 A2 枪战仪器在一些卡车-自己的评估中失去 7 A4 需要教育记录 8 A1 教育应该包括在 IWAY 文件中被列出的所有主题 8 D1 每辆卡车应该有小的急救盒子存在卡车的安全带子的 8 F1 意见–一定被用个人的 9 A2 洗濯设备一定被改良，从厨房和盥洗室区域分开所有的 10 A1 工人没有一份契约 10 A2 需要为每个工人保存工作时间的正确记录国家的法律工人一定在 30 天内被支付的州 10 A3 10 A4 不能被查证 10 A5 工作时间不能被查证 10 A6 工作时间不能被查证 10 A7 工作时间不能被查证 10 A8 工作时间不能被查证 109 不能被查证 10 A10 保险不完全被复盖 11 A1 需要一个劳工力量注册 11 A2 需要一个劳工力量注册 11 A3 需要一个劳工力量注册没有的 12 A1 存款允许 13 A1 可能是限制年龄 15 A1 合作契约规则一定遵从在罚款的极限上的法律

Strangle your hold Don't let me go Until I want what you want Pray for the strength keep it in place Promise to God you won't I've got faith in you to lose yours in me Like you say though before you go "I should probably be letting you go" Acting the part never that hard Memorize the lines on your face now I've got faith in you to lose all of mine Like you say though before you go "I should probably be letting you go" We know things always happen for no reason at all You say though before you go "I should probably be letting you go" I've got faith in you to lose yours in me You say though before you go "I should probably be letting you go" Well, I should probably be letting you go

掐死你的人不要让我走直到我想你想要的祈祷的力量随时到位承诺上帝你不会我有信心，你失去你我但像你说你去之前&我也许应该让你去&代理的一部分从来没有那么难记住你的脸就行现在我有信心，你失去所有的地雷但像你说你去之前&我也许应该让你去&我们知道，事情总是发生的没有理由你说你去之前，尽管&我也许应该让你去&我有信心，你失去你我你说你去之前，尽管&我也许应该让你去&好吧，我也许应该让你去

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。