太空

Now, China has become the third nation to send people into space .

现在中国已成为第三个把人送入太空的国家。

China is the third country to send a person into space.

中国是第三个把人送入太空的国家。

China is now the third country to send a person into space.

现在中国是第三个把人送入太空的国家。

In the class, the professor taught the students how to use an adverb in the sentence.

下课， 他告诉学生们他在太空的冒险，并向他们展示一些空中拍摄的照片空中拍摄的照片。

And why Seraph single ships, craft designed for space combat, were bombing them.

为什么六翼天使这种专为太空战斗设计的飞行器会来轰炸他们。

Sergei, a man who's already logged more than a year-and-a-half in space...

Sergei，这位老兄已经开始在他长达半年的太空任务里进入角色了。。。

This metal alloy was the first step in the development of a series of space-age alloys.

这种金属合金，是后来所发展的一系列的太空时代合金的第一步。

The same goes for microwaves, 400mm (16) setdown space beside the microwave.

一样微波、400mm的(16)旁边坐太空微波。

Restricting himself to a palette of black, navy, white, silver, and shocking pink, and keeping the silhouette Edie Sedgwick–short, Lagerfeld came up with a graphic collection in which the space-age sixties and the sexed-up eighties played equal parts.

在色彩上，拉格费尔德恪守了对黑色、海军蓝、白色、银色以及亮粉色的应用；另外，他还沿袭了 Edie Sedgwick 式的短打外形轮廓；除此之外，他还在整个设计过程中引进了60年代的太空时代以及70年代标榜性感的图绘集锦，且两者在其设计中所占的份额相当。

Nicole Phelps的Fendi原文: Restricting himself to a palette of black, navy, white, silver, and shocking pink, and keeping the silhouette Edie Sedgwick–short , Lagerfeld came up with a graphic collection in which the space-age sixties and the sexed-up eighties played equal parts.

"而该位编辑的版本是："整个系列呈现出Karl Lagerfeld经典的黑色，海蓝色，白色，银色和一点亮粉色，服装大多是超短的，Karl Lagerfeld大大发挥了60年代太空装的形象，再加入了80年代性感元素。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。