太快

I don ' t mean he blinked too fast.

我不是说他眨眼太快。

I didn't know what day it was when you walked into the room I said hello unnoticed You said goodbye too soon Breezing through the clientele spinning yarns that were so lyrical I really must confess right here the attraction was purely physical I took all those habits of yours that in the beginning were hard to accept Your fashion sense, Beardsly prints I put down to experience The big bosomed lady with the Dutch accent who tried to change my point of view Her ad lib lines were well rehearsed but my heart cried out for you You're in my heart, you're in my soul You'll be my breath should I grow old You are my lover, you're my best friend You're in my soul My love for you is immeasurable My respect for you immense You're ageless, timeless, lace and fineness You're beauty and elegance You're a rhapsody, a comedy You're a symphony and a play You're every love song ever written But honey what do you see in me You're an essay in glamour Please pardon the grammar but you're every schoolboy's dream You're Celtic, United, but baby I've decided You're the best team I've ever seen And there have been many affairs Many times I've thought to leave But I bite my lip and turn around 'cause you're the warmest thing I've ever found

我不知道哪一天它是的是什么时候你进入房间我说哈罗不被注意到的你说再见太快轻易通过纺是非常抒情的纱委托人我确实必须坦白就在这里吸引是体格检查纯正是我发生作用那所有的从一开始是的你的习惯是难以接受你的Beardsly加印的时尚感觉我把记在经验名下有荷兰人口音，其设法改变我的她的任意线是的观点的大bosomed女士被好让排练但是我的心脏迫切需要你你是在我的你是的在我的你将是的精神中心脏中我的呼吸是我应该变得老你我的你是的情人是我的你是的在我的精神中最好友我的对你的爱是无法估量我的尊敬你巨大你是长生不老的，永恒，系带子和纤细你是美和风韵你一狂想曲是一个喜剧你是你是的一交响乐和一玩耍每一个情歌曾经被写作但是加蜜于确实你在中看见我什么使甜你是一在魅力中文章请原谅语法但是你是每一个男生的你是的梦凯尔特人的是联合但是当作婴儿般对待我已经断定你是有史以来最最好的我已经看见的队已经有很多我向有想法的许可但是我咬住嘴唇和把原因往回转的你是有史以来最暖和的我已经找出的东西的多次事件

An approach of development of circumlittoral agriculture in Beihai

20世纪 90年代初的大开发使北海市区向南无序蔓延，空间扩展太快，地域结构零乱。

After take analyzed deeply for the opened magnet circuit with FEMM (Finite Element Method Magnetics) we find out the field distributing that is separated into three sections . One is the main area what we called as positive field section. Beside the main field there are tow areas that are called the inverted field sections. Loudspeaker arise a very serious distortion when the voice coil moving into inverted field areas. The direction of induced current in the coil part of entered inverted field area is same with the current driving into loudspeaker so that total currents increas largely and heat increase rapidly. With more coils moving into inverted area the voice coil will take on negative inductance properties. It is the main reason that voice coil is burned by heating with increasing current due to arise negative inductance. So opened magnetic circuit is not suitable for the woofers in which the voice coil have wider displacement range. When using this kind magnetic circuit design, the voice coil moving range should be less than the range of positive field to avoid loudspeaker arise serious distortion and heating. Even though voice coil moving range is in the positive area, loudspeaker will still arise more distortion because the field distribution is very cliffy at tow sides of the positive area and full range of magnetic field distribution is not parallel that will arise distortion. Base on above reasons, opened magnetic circuit is not an ideal magnetic circuit for low-frequency loudspeakers. But it can be used in mid-range or high-frequency productions.

开式磁路是由2片钕铁硼磁铁和主导磁板和导磁垫片组成，我们在实践过程中发现这种磁路结构不适合于低频扬声器的使用，我们通过使用FEMM（Finite Element Method Magnetics）软件包对该磁路进行了分析，该磁路的磁场范围被分成3个区域，其中在主导磁板附近形成一个正向磁场，在正向磁场的两边存在反向的磁场，音圈在工作时有很大一部分进入了反向磁场中，在反向磁场内线圈的感应电流方向与驱动电流方向相同，使得音圈呈现出负感抗特性，由于音圈的负感抗特性引起电流的增加导致音圈发热甚至烧毁，因此在扬声器中使用开式磁路时，音圈的运动范围应控制在正向磁场范围之内，否则音圈运动到反向磁场区域时将会产生很大的失真和发热，即使在设计时已经将音圈的运动范围控制在正向磁场范围之内，由于正向磁场的2个边缘磁场强度衰减太快，同时开式磁路中磁场的分布不是平行的，而是自由发散的分布，这样肯定会导致扬声器的非线性失真，因此我们得到的结论是：开式磁路并不是一个理想的磁路，它不适合于低频扬声器的使用，但它还可以应用于中高频扬声器。

The opened magnetic circuit is composed as tow NdFeB permanent magnets and a top plate without U-yoke. After take analyzed deeply for the opened magnet circuit with FEMM (Finite Element Method Magnetics) we find out the field distributing that is separated into three sections . One is the main area what we called as positive field section. Beside the main field there are tow areas that are called the inverted field sections. Loudspeaker arise a very serious distortion when the voice coil moving into inverted field areas. The direction of induced current in the coil part of entered inverted field area is same with the current driving into loudspeaker so that total currents increas largely and heat increase rapidly. With more coils moving into inverted area the voice coil will take on negative inductance properties. It is the main reason that voice coil is burned by heating with increasing current due to arise negative inductance. So opened magnetic circuit is not suitable for the woofers in which the voice coil have wider displacement range. When using this kind magnetic circuit design, the voice coil moving range should be less than the range of positive field to avoid loudspeaker arise serious distortion and heating. Even though voice coil moving range is in the positive area, loudspeaker will still arise more distortion because the field distribution is very cliffy at tow sides of the positive area and full range of magnetic field distribution is not parallel that will arise distortion. Base on above reasons, opened magnetic circuit is not an ideal magnetic circuit for low-frequency loudspeakers. But it can be used in mid-range or high-frequency productions.

开式磁路是由2片钕铁硼磁铁和主导磁板和导磁垫片组成，我们在实践过程中发现这种磁路结构不适合于低频扬声器的使用，我们通过使用FEMM（Finite Element Method Magnetics）软件包对该磁路进行了分析，该磁路的磁场范围被分成3个区域，其中在主导磁板附近形成一个正向磁场，在正向磁场的两边存在反向的磁场，音圈在工作时有很大一部分进入了反向磁场中，在反向磁场内线圈的感应电流方向与驱动电流方向相同，使得音圈呈现出负感抗特性，由于音圈的负感抗特性引起电流的增加导致音圈发热甚至烧毁，因此在扬声器中使用开式磁路时，音圈的运动范围应控制在正向磁场范围之内，否则音圈运动到反向磁场区域时将会产生很大的失真和发热，即使在设计时已经将音圈的运动范围控制在正向磁场范围之内，由于正向磁场的2个边缘磁场强度衰减太快，同时开式磁路中磁场的分布不是平行的，而是自由发散的分布，这样肯定会导致扬声器的非线性失真，因此我们得到的结论是：开式磁路并不是一个理想的磁路，它不适合于低频扬声器的使用，但它还可以应用于中高频扬声器。

As per density, looseness and colloidality, the slurry shall take the larger value. This is for successive construction.

预防措施：粗砂层中钻进速度不宜太快；泥浆根据密度、松度、胶体率取较大值：保证施工连续进行。

Conor: Okay.Well, if it's too fast, I guess we can always just...

好吧，如果这样太快了，我猜我们总可以。。。

EDUARDO: Because they work so fast?

因为他们的节奏太快？

Qianshou pumpkin juice contains plenty of pectin fibre, it will enhance viscosity of gastric content, regulate extinction of the food on our stomach, make carbohydrate assimilate slower when it mixed with starch 类 food, thereby it can postpone the time of gastricemptying and change the speed of enterocinesia,so the blood sugar will not heighten quickly after dinner.

&牵手&南瓜汁含有大量的果胶纤维，与淀粉类食物混合时，会提高胃内容物的粘度，并调节胃内食物的吸收度，使碳水化合物的吸收减慢，从而推迟了胃排空的时间及改变肠蠕动速度，使饭后血糖不至于升高太快。

All these changes are happening so fast that it is only possible to guss at what they mean.

所有这些变化都发生得太快了，这是唯一可能的铸造在他们。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。