太快

And the little girl ran so fast that she was thrown off balance and fell over.

那小女孩跑的太快，身体一下失去平衡，跌倒了。

The little girl ran so fast that she was thrown off balance and fell over.

那个小女孩跑的太快，身体一下子失去平衡，跌倒了。

The little boy ran so fast that he was thrown off his balance and fell over.

那个小孩跑得太快了，身体一下失去了平衡，跌倒在地。

He oke so rapidly that we could not clearly understand him.

他说得太快了，使我们不能了解他的意思。

Remember, if you **oke after sex you're doing it too fast.

直译：记着，如果你在嘿咻后冒烟了，证明你整得太快了。

Remember, if you **oke after ** you're doing it too fast.

记着，如果你在嘿咻后冒烟了，证明你整得太快了

He oke o fast that I couldn\'t follow him.

他讲得太快，我跟不上。

Remember, if you **oke after sex youre doing it too fast.

直译：记着，如果你在嘿咻后冒烟了，证明你整得太快了。

Remember, if you 文明用语oke after * you're doing it too fast.

直译：记着，如果你在嘿咻后冒烟了，证明你整得太快了。

I've got to put this baby on the ground.

飞机速度太快，我要把这个宝贝安全降落到地上！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。