太大的

In this book, I have not actually had too great appraisal on it , I do not think either there is so good-looking what teachers said in this book , but actually there are two persons that people made me like in this book, that is this pair of brother and sister in Germany of Cuthbert.

在这本书中，我其实没有对它有太大的评价，我也并不觉得这本书有老师说的这麼好看，但是在这本书中其实有两个人令我喜爱的人，那就是卡斯巴德这对兄妹。

The great proof of madness is the disproportion of one's designs to one's means.

一个人的计划与实践存在太大的落差即是疯狂的表现。

The great proof of madness is the disproportion of one'sdesigns to one's means.

一个人的计划与实践存在太大的落差即是疯狂的表现！

Focus on what you can control, and don't stress so much about what you can't.

专注于你能够控制的事情，不要对于那些你无法控制的事情给自己太大的压力。

Not much to go into detail about, but here is lot's of pics.

没有太大的进入，详细了解，但在这里是有很多的的照片。

Though this model maybe still work well in many observations, it will bring about two insurmountable problems about Q and the group velocity.

虽然该理论能够比较好的说明某些观测现象，但仍存在两个无法逾越的困难：Q值问题和群速度太大的问题。

So when the gyrocar tilts sideways, the precession torque generated tilts the gyroscope in a fore-and-aft direction- not much use.

因此，当gyrocar倾斜，侧身，岁差转矩产生的倾斜，陀螺在一个前列和尾部的方向没有太大的使用。

I know the list is too big, but i m impressed by the range of products u hav.

我知道目录是太大的，但是被产品 u hav 的范围有印象的 i m。

Take Simulink, a tool for simulation in Matlab for instance, it shows its efficiency in theoretical analysis, but not inpractical project utilization.

例如Matlab软件中的Simulink仿真工具，适合理论上的分析，但在工程技术使用上没太大的价值。

Market agent is not much to the performance of the most typical source of income is subject to interdiction from the developer.

股市场没有太大的代理人的表现最典型的收入来源是受阻截从开发商。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。