太久

The problem is she will want to make both a straight AND a suit, but you can't, and when you hold on to the tiles too long you are dooming yourself to failure because you insure that you will have a couple of non usable tiles.

问题是她可以同时作&一条顺&和三张5的牌，而你却不能。当你持有这些牌太久时，你会输，因为到最后你手上只会有两张没用处的牌。

I have evaded it for a long time.

我已经逃避太久了。

I have evaded for a long time .

我已经逃避太久了。

I have evaded too long a time.

我已经逃避太久了。

But I have to face the past if I returned, and I have evaded for so long.

我已经逃避太久了。

I HAVE ALREADY EVADED TOO LONG.

我已经逃避太久了。

I know what I must do, but coming back means facing the past, I have already evaded too long.

我知道我必须要做的事情，但回去意味着要面对过去。我已经逃避太久了。

I see what i need to do ,but going back means to face the past and i have been evaded for a long time.

我知道我必须要做的事情，但回去意味着要面对过去。我已经逃避太久了。

I have evaded so long.

我已经逃避太久了。

My mind expunges out and comforts their ice-cold mind because to survive too long time in the cold circumstance.

我的心灵延伸开去，抚慰着他们因在冰冷环境里生存太久而形成的变态心灵。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。