太

By enchasing it into crystal glass is too cutesy and by sticking it to a brochure is too worldly.

把它镶嵌在水晶玻璃里面吧——太造作，把它贴在小册子里面吧——又太庸俗。

The cutter bar should not stretch out too long, and the cutting depth should not be too deep to avoid the damage of the plane blade.

刨刀须牢固地夹在刀架上，刀杆不得伸出太长，吃刀不可太深，以防损坏刨刀。

In such a world, we could find a lot of application of cyber space, like shopping online, and e-business. When people step in digital world, we are trying to make everything possible come true at this time.

在这样的虚拟世界里，有著太多太多的可能等著我们去发掘，如线上购物、电子商务等，人们渐渐的跨向了数位化的时代，在这个传统与科幻交叉的时间点上，我们正尝试著去化不可能为可能。

" "I think there is too much cynicism and too much intolerance, he said.

"我觉得有太多太多的怀疑和不容忍，"他说。

For Demas has gone away from me, for love of this present life, and has gone to Thessalonica: Crescens has gone to Galatia, Titus to Dalmatia.

4：9 你要赶紧的到我这里来。4：10 因为底马贪爱现今的世界、就离弃我往帖撒罗尼迦去了，革勒士往加拉太去，提多往挞马太去

For Demas, in love with this present world, has deserted me and gone to Thessalonica. Crescens has gone to Galatia, Titus to Dalmatia.

因为底马贪爱现今的世界，就离弃我往帖撒罗尼迦去了，革勒士往加拉太去，提多往挞马太去

Crescens has gone to Galatia, and Titus to Dalmatia.

革勒士往加拉太去。提多往挞马太去。

For Demas hath forsaken me, having loved this present world, and is departed unto Thealonica; Cresce to Galatia, Titus unto Dalmatia.

4：10 因为底马贪爱现今的世界，就离弃我往帖撒罗尼迦去了。革勒士往加拉太去。提多往挞马太去。

Light strong fish will because of ultraviolet ray excessive death too, light weak fish body have more unable to show colors also too.

光线太强鱼会因紫外线过量死亡，光线太弱鱼体的颜色又无法表现出来。

N \nLight strong fish will because of ultraviolet ray excessive death too, light weak fish body have more unable to show colors also too.

n\n光线太强鱼会因紫外线过量死亡，光线太弱鱼体的颜色又无法表现出来。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。