大艺术家

Among the artists who gathered in Hollywood for the announcement was comedian George Lopez, who named the nominees for Female Pop Vocal Performance."Christina Aguilera for 'Candyman,' Feist for '1234,' Fergie, for 'Big Girls Don't Cry,' Nellie Furtado for 'Say it Right,' and Amy Winehouse for 'Rehab."

与这些艺术家一起加入到好莱坞格莱美提名的是喜剧演员GL，他宣布了女性唱功奖的候选人CA的歌曲'糖人'，F的歌曲'1234'；F 的歌曲'女孩大了不哭'，NF的'把它说对，还有AW的'Rehab

Those femme fatale and dolls, seems right, quite real, but not entirely, or perhaps not at all. It's the artist's own interpretation, irrelevant to others, although if he didn't want to argue with others, it would be irrelevant.

那些美女与玩偶们，是那回事，很本真，但又不完全是，或者不都是那回事，这是艺术家的个人理解，与别人有关系，但如果他不想与人争论的话，就没有太大的关系。

For the sake of a harmonious world, and coexistence between people and nature, Andersen constructed a beautiful and idealistic homeland that transcends national boundaries, and at the same time, in the work of Chinese artists, this same sort of childlike innocence can be seen everywhere, some of which draw on direct experience of the wondrous and moving aspects of life, and also express the simplicity and forthrightness of nature.

安徒生的童话又是包含着对自然和人生普遍大爱的诗篇，为世界的和谐和人与自然的共处营造了美丽的理想家园，同样，在中国艺术家的作品中，这种童话般单纯的情感也随处可见，其中有体会生命的惊奇与感动，也有表达自然的朴素与率真。

The challenge is in the choice of the subjects: on a big canvas is often represented one big object, extrapolated from daily life as a newspaper, an airplane, a car… In different occasions art has helped simple objects to become "great". In this case the artist can accomplish this with a more personal touch, hinting mysteriousness, suspense typical of thrillers, as in the portrayal of a broken ATM screen, of a watch abandoned on the grass or of a cutter with traces of blood.

画布上往往呈现一个大的物体，它通常来自日常生活中，如一张报纸，一架飞机或一辆汽车……艺术可以使简单东西变得很奇妙，而这里，艺术家以更个性的方法，有时甚至是神秘的暗示，一个悬念，有如惊险小说中一样，比如取款机打碎的屏幕，被丢弃在草地中的手表以及带有血迹的刀。

The challenge is in the choice of the subjects: on a big canvas is often represented one big object, extrapolated from daily life as a newspaper, an airplane, a car… In different occasions art has helped simple objects to become "great". In this case the artist can accomplish this with a more personal touch, hinting mysteriousness, suspense typical of thrillers, as in the portrayal of a broken ATM screen, of a watch abandoned on the grass or of a cutter with

画布上往往呈现一个大的物体，它通常来自日常生活中，如一张报纸，一架飞机或一辆汽车……艺术可以使简单东西变得很奇妙，而这里，艺术家以更个性的方法，有时甚至是神秘的暗示，一个悬念，有如惊险小说中一样，比如取款机打碎的屏幕，被丢弃在草地中的手表以及带有血迹的刀。

The challenge is in the choice of the subjects: on a big canvas is often represented one big object, extrapolated from daily life as a newspaper, an airplane, a car… In different occasions art has helped simple objects to become "great". In this case the artist can accomplish this with a more personal touch, hinting mysteriousness, suspense typical of thrillers, as in the portrayal of a broken ATM screen, of a watch abandoned on the grass or of a cutter with tra

画布上往往呈现一个大的物体，它通常来自日常生活中，如一张报纸，一架飞机或一辆汽车……艺术可以使简单东西变得很奇妙，而这里，艺术家以更个性的方法，有时甚至是神秘的暗示，一个悬念，有如惊险小说中一样，比如取款机打碎的屏幕，被丢弃在草地中的手表以及带有血迹的刀。

He is also Hawai'i's biggest Hip-Hop artist.

他也是夏威夷最大的嘻哈艺术家。

The gallery is holding 10 changing national and international one-man or group exhibitions per year, including one exhibition covering the period of the fourties to the sixties (Hofer, Tr?kes, Camaro and others).

拉普画廊位于北京大山子 798艺术区大库艺术中心一号，以德国拉普30年画廊经营经验以及与国内外众多媒体长期保持的良好关系为基础；以促进东西方文化交流、向国际文化市场推荐中国优秀的艺术家为己任；以加强东西方世界相互理解，相互学习借鉴、相互融合、相互和谐发展为长期目标。

Vinci is narcissistic, therefore, his own image is revealed in processing of his beloved works; Michelangelo is narcissistic and his works David and God Hand is filled with ineffable energy and vigor, presenting to be strong in inspiration and homoerotism sense "comprehension by the bosom friend" is revealed as well; Stein is narcissistic and her elaboration "when narcissism becomes to be a kind of virtue" could be called modern sutra; Magritte Duras is narcissistic, she admits frankly that "she is a complete narcissistic fascination"; Zhang Xiaogang is narcissistic, he could be called an artist living in his own world and his world is filled with narcissism; Clemente is narcissistic, who observes his own body with the view of a spectator and analyze his own inner world….

达芬奇是自恋的，因此在处理他心爱的作品时总会流露出自己的影子；米开朗基罗是自恋的，《大卫》与《上帝之手》充满了令人不可言喻的能量与活力，不仅感染力深，而且透露出"知者得其味"的同性恋情感；格特鲁特·斯泰因是自恋的，她的论述"当自恋成为一种美德"堪称巴黎艺术界的经典；玛格丽特·杜拉斯是自恋的，她坦承"自己就是个彻底的自恋狂"；张晓刚是自恋的，他是活在自己世界的艺术家，他的世界总有些自怜的情节；克莱门特是自恋的，他以旁观者的角色来观察自己的躯体，剖析自己的内心世界……。

The exhibited works of the three artists seem to be of no connections to each other: the works of Jin Feng are of individualism of idolization, while the works of Liangwei are new typed paintings under the background of industrial society, and the works of Ma Yongfeng are partial to studying the photography and the media science.

整个展览呈现了在混杂多样的当代艺术大背境下，并存于艺术生态圈内相似节点上的三位艺术家，在作品中所形成的个人概念，样式及思考，是完全不一样的。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。