大海的

Across the sea,a pale moon rises.

穿越大海，惨白的月亮升起

Across the sea a pale moon rises -- The ships have come to carry you home. And all will turn to silver glass A light on the water Grey ships pass Into the west.

穿越大海一轮银月升起船已到达来带你回家而一切将如银色的水晶般闪耀一束光芒照在水上灰船前行

He was a good swimmer, and nothing exhilarated him like a rough sea.

没有什么能象汹涌的大海那样使他欣喜若狂。

China and Japan are close neighbors, separated only by a narrow strip of sea.

中国和日本是近邻，相隔只有一窄条的大海。

Parents not to mention the efforts we have not just "drop", but a vast ocean.

更何况父母为我们付出的不仅仅是"一滴水"，而是一片汪洋大海。

Comprised of superior standards, a few group originals and three Ornette Coleman tunes (including the classic "The Blessing"), this set is quite accessible and finds all of the musicians in top form.

据说Serra为作这出配乐，还被吕克贝松每天拉着去潜水，硬是被逼得从旱鸭子变成了潜水好手，也许正因为如此Serra才会写出如大海般湛蓝忧郁的音乐。

Additionally, many of the landing craft and amphibious tanks foundered in the rough sea.

此外，许多登陆艇和水陆两用坦克在汹涌的大海中沉没。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即"天人和一"、"弦外之音"以及"以象立意"等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

Just like a frog dragged by the crab from the East Sea out of the deserted well, facing such a vast ocean, I was much shameful for having been content and proud to live in so narrow a well, for the real endless ocean was what I had longed for, so my heart got boiling and swelled by the surfing sea...

我像是化为了一只井底之蛙在东海之螯的牵引下跳出废井，面对大海，我惭愧不已。回想自己满足于如此狭小不堪的枯井还自以为是，然而真正的博大，浩瀚无垠的海洋才是我的向往。我的胸中沸腾了，弥漫着鼾息声的大海将我的心膨胀。。。。。。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即&天人和一&、&弦外之音&以及&以象立意&等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。