大姐

Louisa Mebbin adopted a protective elder-sister attitude towards money in general, irrespective of nationality or denomination.

路易莎·梅宾在花钱的事上总是采取一种大姐式的保护态度，不论是花哪一国的钱，不论花多少。

Momma said,"That'll do. See here, Sister Flowers, I French-seams around the armholes."

行了，你看看这儿，弗劳尔斯大姐，袖孔这儿我用的是来回针。

I guess, sometimes she's a little ditzy, you know?

有时候…她有点像傻大姐

Rachel: Kind of ditzy?

&有点傻大姐&？

We have seven words that will change your lives forever, Gleeks: Sue Sylvester in a cone -shaped bra. It's true!

欢乐合唱团》死忠们注意了，重大消息重大消息：邪恶滴女魔头Sue Sylvester戴着麦当娜大姐经典的圆锥状胸罩回来了，千真万确！

My big sister is seventeen and she's only half-crazy.

约翰尼说，&我的大姐是17岁，而她有一半疯狂。&

My big sister is seventeen and she's only half-crazy.

约翰尼说，&我的大姐是17岁，而她广州雅思考试报名有一半疯狂。&

Quot;My big sister is seventeen and shes only half-crazy.

约翰尼说，&我的大姐是17岁，而她有一半疯狂。&

In China's cultural context, is representing lucky, the wealth and the propitious jubilation red, but in westerner's idea, red is blood's color, indicated that the impulsion, the provocation and the turmoil, we saw the Spanish matadors are taking the scarlet cloth are to the cow challenge, red may enrage the bullfight, therefore, the Chinese likes in jubilation's holiday putting on the red clothes, but the westerner chooses the blue color generally, because they thought that the blue color represents is calm and is calm.

在中国的文化背景里，红色代表着幸运、财富和吉祥喜庆，而在西方人的观念里，红色是血的颜色，表示冲动、挑衅和动乱，我们看到西班牙斗牛士拿着红布就是向牛挑战，红色可以激怒斗牛，所以，中国人在喜庆的节日里喜欢穿红色的衣服，而西方人一般选择蓝色，因为他们觉得蓝色代表冷静和沉着。哪位大哥大姐帮小弟翻译一下下面这段文字''谢谢谢谢！！

At7:00pm the Dec 12 th, our Shandongnese neighbor Old sister Li called us, to invite us out for visitings, I and wife went to her home happyly, and knew that she asked her son-inlaw to drive us for watching the downtown night sights, a little pity was I had not btought my camera..

12月15日晚7时，我们的近邻山东李大姐来电话，说是要和我们夫妇出去逛逛，我们夫妇就到她家去了，去了之后才知道，原来她安排她女婿开车要让我们到市中心去看夜景，我们心里好高兴，只后悔没带相机。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。