大写的

Capital letters are used for the names of people and places (john smith, paris, oxford street, new south wales, the black sea, the iron duke); the names of peoples and languag-es and derived words directly relating to them (englishman, austrian, french, swahili, americanize); the names of institutions and institutional groups (the crown, the government, the british museum, the house of representatives, the department of trade); the names of religious institutions and denominations and their adherents (judaism, nonconformism, methodist, protestants) and of societies and organizations; the names of months and days; abstract qualities personified the face of nature, o death!

人名、地名用大写字母(如约翰·史密斯、巴黎、牛津大街、新南威尔士、黑海和铁公爵)；民族、语言及其直接相关的派生词要大写(如英国人、奥地利人、法语、斯瓦希里语和使美国化)；机构和机构团体的名称要大写(如王国政府、内阁、大英博物馆、众议院和贸易部)；宗教机构、教派及其教徒的名称要大写(如犹太教、不信奉国教、循道宗信徒和新教徒)；协会和组织的名称要大写；月份和重要日子的名称要大写(如星期二、三月和复活节日)；人格化的抽象概念要大写如大自然的面容和啊，死神！

Describing, contemplating, and interpreting the unique modern life became the tasks of the emerging science and social sciences at that time. Sociology in particular devoted itself to that History, depicting the incorporation of nation, state and society, and illustrating the arrestment and freezing up of individual creativity by the rigid social system and structure.

对独一无二的现代生活的描述、构想和解释成为了这一时期新兴科学和社会科学的一项任务，社会学更是倾力表达了这段"大写的历史"，刻画了民族国家社会的一体化形貌，也反映了社会系统及其结构的刚性状态对个人活力的禁锢、封冻。

Those persons who wish to gain a clear idea of the battle of Waterloo have only to place, mentally, on the ground, a capital A. The left limb of the A is the road to Nivelles, the right limb is the road to Genappe, the tie of the A is the hollow road to Ohain from Braine-l'Alleud.

希望清楚地了解滑铁卢战争的人，只须在想象中把一个大写的A字写在地上。A字的左边一划是尼维尔公路，右边一划是热纳普公路，A字中间的横线是从奥安到布兰拉勒的一条凹路。A字的顶是圣约翰山，威灵顿所在的地方；左下端是乌古蒙，雷耶和热罗姆·波拿巴①所在的地方；右下端是佳盟，拿破仑所在的地方。

Capital A great A many medieval manuscripts are in majuscule script .

大写a；大写a；许多中世纪的手稿都是用大写字母写的。

Under the influence of those conception , modern art appears a tendentiousness of pursuing"newest art"and self-expression.

在这种观念的影响下的现代艺术明显地产生出一种对"新"的追求和强烈的自我表达欲，呈现出了一个从作品到人的行为到概念的逻辑进程，而二元论世界观导致的存在论层面上的"大写的艺术"的消逝，是现代艺术产生这样的变化的最主要原因。

Usage Note: The transition from World Wide Web site to Web site to website seems to have progressed as rapidly as the technology itself. The development of website as a single uncapitalized word mirrors the development of other technological expressions which have tended to evolve into unhyphenated forms as they become more familiar.

从World Wide Web site 到 Web site 再到 website 的转变表现了科技本身取得的迅速进展。website作为一个单独的不用首字母大写的词，它的发展反映了其他科技词汇表达形式的发展，这些发展往往将专有名词演变成未加连字符的形式，这样更能为人们所熟悉。

Those persons who wish to gain a clear idea of the battle of Waterloo have ssbbww.com to place, mentally, on the ground, a capital A.

希望清楚地了解滑铁卢战争的人，只须在想象中把一个大写的A字写在地上。A字的左边一划是尼维尔公路，右边一划是热纳普公路，A字中间 www.8ttt8.com 的横线是从奥安到布兰拉勒的一条凹路。A字的顶是圣约翰山，威灵顿所在的地方；左下端是乌古蒙，雷耶和热罗姆·波拿巴①所在的地方；右下端是佳盟，拿破仑所在的地方。

More and more I've come to realize that it was Scharmer's Theory U that I liked, and that the rest of the book (notably Peter Senge's apparent insistence on putting "institutionalization" at the end -- top upper right -- of the U, presumably to make it more appealing to business executives who want theory to be actionable in traditional command-and-control measurable-results terms) actually detracted from Scharmer's theory.

事实上我越来越感觉到，我所倾慕的查默尔的理论，加上书中的其他部分的理论（值得注意的是，在书的结尾处彼特·森格所明确表示坚持的设立有关的以大写的 U 来强调的&研究机构&，并推测其将大程度地引起商业界的执行人士对于本曲线的作用的兴趣，例如在激活传统的执行操控及有关重要的事务的结果预测上的帮助）实际上却是在减损查默尔的这个理论。

The most important parts of the whole thesis are the post-modern textual features of the Chinese contemporary avant-garde fiction, the textual features consist of the artistic form of writing and the textual content of writing. The artistic form includes three aspects, i.e. metafiction, anti-plot and linguistic play. The textual content includes four aspects, i.e. deconstructing "Grand history", deconstructing social reality, deconstructing human social values and deconstructing textual theme etc.

先锋小说的后现代文本倾向主要表现在形式和内容两方面：就形式而言，它包括元小说特征、反情节特征和语言游戏特征等三个方面；就内容而言，主要表现在对&大写的历史&的消解、对现实质感的消解、对人物质感的消解和对主题思想质感的消解等四个方面。

There are 12 disciples, not 10. We don't refer to the Cross as the 'Big T. We don't refer to our Savior Jesus Christ and his Disciples as 'J.C. and the boys.

我们有十大戒律，不是12条，耶稣有12个门徒，不是10个，我们不说十字架是大写的T，我们也不说我们的拯救者耶稣基督和他的门徒为'J.C'和他的孩子们。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。