大众社会

They regard horse-race betting as immoral for the masses, a challenge to social stability and a throwback to colonialism: British merchants plying the Yangzi River set up racing in Wuhan in the early 1900s.

他们认为赌马是让大众道德沦丧，是导致社会不稳定的因素，是向旧社会的一种倒退：20世纪初，往来于长江的英国商人在武汉建立了赌马场。

In An Enemy of the People (1882), Ibsen went even further.

但社会本身失去了对其大众的控制。

But with the development of society, people gradually have more tine and access to touch the mass media, to notice the media and now almost immerge themselves into the media and rely on the media.

但是，随着社会的发展，人们渐渐有了更多的时间和机会注意并接触到大众传媒，并且现在几乎被媒体覆盖并依赖着它。

Furthermore, Taiwan's metal industry had lost its soul, not only becoming immutably making standard products and counterfeits, but also performing the mass production for foreign companies.

除了杨英风艺术大师的创作外，反观台湾在日据时代过后并未能见到金属工艺的长足精进，台湾本土的金属工艺品并未被社会所重视，大众总是偏爱外国产品，从贵重首饰、家俱摆饰到户外景观随处可见进口货，而台湾的金属工业也失去了自我的灵魂，除了一味地制造一成不变的标准品及仿冒外，要不就是成为外国厂商的代工者，而精致金属工艺则往往只能见於各个艺术家个人的表现。

This cultural background is implicative to cultural innovation of west China in that economy and culture should be interactive for mutual prosperity on the basis of system innovation.

这种文化态势对西部文化创新的启示是：以制度创新为保障，走经济与文化互动共荣之路；以科学、民主、法制和优秀人文精神为内容，完成东西文化互补；以人为中心，把文化繁荣与人的全面发展结合起来；以先进文化为目标，构建出符合西部民情、适应西部社会发展的民族的科学的大众的社会主义文化。

Especially when the idea of globalization is penetrating in, when pop culture and commercial society are revitalizing, when high technology and digitalized virtual space are developing, Chinese curators are spurred to change their value from the role of an all-round helper to a specialized intellect. Their vision has been more of an "international" macro-category and thus they have become a cultural explorer in the complex of indigenousness and exoticism.

尤其全球一体化思潮的介入，大众文化和商业社会的新兴，以及高科技的数字化虚拟空间的发展，都促使中国策展人的价值观念从一个"兼济天下"的士大夫情怀转向一个行业知识分子的角色，也使得他们的视角更趋向于"国际"的宏观范畴，进而成为本土情境和国际语境交错的文化探索者。

Mass media and sports industry have developed the indissoluble bound.

社会越发达，体育与大众传播媒介的关系就越密切。

Mass communication in human society is closely related to the development of the instrumental vehicles of communication.

人类社会的大众传播本身是和传播的工具性载体的发展密不可分的。

The close intergrowth and interdependent relation exist in mass media and social structure.

大众传播和社会结构存在着紧密共生和相互依存的关系。

The film theory of Alexander Kluge and Oscar Negt, drawing on the Habermasian concept of "the publu sphere,"helps us to understand the role of the film in the societal public as a creative force of enlightenment and as a new public sphere of production.

克鲁格和耐格特的电影理论发展了哈布玛斯的"公众空间"理论，使我们不仅可以认识电影这一大众文化形式在社会公众领域中的积极创造和启蒙作用，而且更可以把电影本身认识为一种生产性公众空间。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失