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Walter Gropius(1883-1969), initiator of German Bauhuas, is strongly sustaining mass production. During his employment in Peter Behrens's architectural design institute, he had already experienced clear design concept, which is Architecture must serve the masses; therefore, budgeting will be the primary consideration.

批量化生产的另一坚定支持者来自大名鼎鼎的德国包豪斯设计教育学院的创始人格罗庇乌斯(1883~1969),他在另一个现代主义建筑设计先驱贝伦斯设计事务所工作的期间,已形成了自己清晰的设计思想,即建筑应该考虑服务对象,如果建筑的对象是大众的话,那么首先要考虑的重要因素就是预算,因为如果使用大量装饰来美化建筑,其成本增高,从而造成普通大众无法接受。

Combined with modern media, the traditional culture of chivalrous conducts goes to the public, occupying more and more readers compared to the belles-lettres, reflecting the massespurchase of individual freedom, imagination about and escape from the reality, and keenness on heroic complex.

传统的武侠文化与现代传媒的结合,使武侠文化真正走向了大众,并对传统的"雅文学"起到了很大的消解作用,折射出大众对个性自由的追求、对现实的虚拟与逃避、对"英雄情结"的留恋。

Combined with modern media, the traditional culture of chivalrous conducts goes to the public, occupying more and more readers compared to the belles-lettres, reflecting the massespurchase of individual freedom , imagination about and escape from the reality, and keenne.

传统的武侠文化与现代传媒的结合,使武侠文化真正走向了大众,并对传统的"雅文学"起到了很大的消解作用,折射出大众对个性自由的追求、对现实的虚拟与逃避、对"英雄情结"的留恋。

The development of chronicle play is controlled and leaded by the government at one hand; on the other hand, it is impacted by market economy and mass culture under the ground of Chinese feature.

它的发展处在具有中国特色的市场化与国有性双轨运行的背景下,一方面受到国家的控制、干预和引导,同时又受到市场经济、大众文化的强力冲击,体现着大众文化场、国家意识形态场、商业场等几大场域的冲突与共谋。

There has always been, however, a critical tension between Sontag's aesthetic ideas and popular culture as she never allows herself to follow the trend in a blind way. For example, she defined the "camp" style as a marginalized cultural phenomenon between high culture and avant-garde culture, which aimed at maintaining the "dandified" and "defamiliarized" aesthetic taste in avant-garde and popular arts, in order to counter "automation" and long-standing binary opposites of elite and popular cultures.

桑塔格的美学思想并非是随波逐流,而是与流行文化始终保持着一种批判性的张力,如她把"矫饰"风格定义为高雅艺术与前卫艺术之间的"边缘"文化现象,其作用是在前卫艺术中保持"花花公子"的审美趣味,在大众文化中凸显反常化的姿态以抗拒"自动化",从而消弭精英文化与大众文化的长期二元对立的格局。

The "May 4th" New Literature Movement established the standpoint of elite literature of didacticism, after this, didacticism literature and popular literature supplemented each other and formed an interactive paradoxical system. Chinese popular literature of the 21th century presented different ideas and shapes in different h...

五四新文学确立了启蒙主义的精英文艺立场,此后的启蒙主义文学与大众文艺相反相成,构成一个互动的矛盾体系。20世纪中国大众文艺在不同的历史时期呈现出不同的观念和形态,当代文艺美学应该对此做出理论上的概括与总结。

Zhang Tao, the publisher of Z-Survey , a popular series of guidebooks for restaurants in China, said that confusion about technique and the mangling of dishes can travel both ways, as can even an occasional improvement on the original.

中国的流行美食指南——大众点评(嘻嘻,查了半天,好像真的是大众点评!)的创始人张涛表示:关于不同的烹饪方法和菜式的相互影响的理解,见仁见智,有的时候甚至可以说是在原菜基础上的发扬光大。

This paper reveals a trend of consumption culture, i.e. in the scope of popular vogues it will topple over the masses culture and contend with authoritative consumption practice and styles for its uncertainty.

消费文化在大众时尚的范围内对同质性的大众文化整体相颠覆,消费文化的个性不确定性使其与权威性的消费实践和风格相抗衡,注定了未来社会的发展趋势。

The vigorous growth of popular culture not only develops the large spare for promoting culture production and consumption, but also apparently enriches culture life and greatly arouses the populars strong interest and passion , even the most directly goes into the most popular life.

大众文化的勃兴,不仅为促进文化生产与消费开拓了广阔的空间,也明显丰富了文化生活,极大地激发了大众对时代文化强烈的参与愿望和体验热情,最直接地切入了最大众化的社会生活。

Folk art's heritage and dissemination from the family to the public and its function from God and the pursuit of self-entertainment become fashionable of experience and economic interests,or even the expression of cultural connotation it also condensed into a symbol of cultural symbols,and these changes Dongba are in the post-modern art in the context of modern encountered by the results,and has shown a mass culture characteristics.

民间艺术的传承与传播由族内转向大众,其功能也由祭神与自娱变为追求时尚化体验和Economic经济利益;甚至它所表达的文化内涵也凝缩成民族文化的象征符号,而这些变化都是东巴艺术在后dangdai现代语境中所遭遇的现代性结果,并呈现出大众文化的特色。

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