大众的

Surrounds them, ready to jump in and snatch away their bargain.

卖贵点。买家和卖家都会感受到周围大众的压力，大众随时会抢夺他们的交易机

A seller wants to sell as expensively as possible.

买家和卖家都会感受到周围大众的压力，大众随时会抢夺他们的交易机会。

It is a huge crowd of people acting in accordance with the imperfect laws of mass psychology.

市场是大众的心理行为，而大众心理学本身就不完美。

VW has the state of Lower Saxony as a big shareholder and a special law to protect it from takeovers.

大众的大股东是下萨克森州，同时有一条专门的法律保护大众免受并购。

Chinese fine arts could not make achievements in a self-inclusive way any more because it had been endowed with the quality as an instrument featuring strongChinese fine arts with the instrumental and political connotations has been commencing to deal a profound impact upon the development o f Chinese contemporary fine arts.

在美术大众化思潮兴起的过程中，从五四前后"化大众"的启蒙性质的美育，到2、30年代美术的成为大众斗争武器的美术"大众化"运动，美术已经不能在内部自足发展，而是被社会精英分子赋予了明显"工具化"特征，带有四川大学硕士学位论文明显的政治化倾向。从此，带有"工具化"、"政治化"特征的大众化美术思潮，对后来中国现代美术的发展开始产生深远的影响。关键词：美术化大众大众化

System change is the fundamental approach to push the system from nonequilibrium to equilibrium.

在地方政府与当地社会大众的博弈中，社会大众力量难以与地方政府抗衡。

The American entertainment is based on highly developped economic technology, entertainment is purely entertaining. The general public is willingly and passionately immersed in the sensual pleasure, the danger of"amusing ourselves to death"predicted by Portsman is real. The situation in China looks like that in the United States, but in fact, the technical development in China is not as overwelming as that in the States, the political element is still deeply involved in the individual life environment. Simplity of technology and complicity of psychological feelings stand out as main features of Chinese entertainment culture. People are using the forms of entertainment but refuse to be purely entertaining or entertained this is so called"amusing ourselves not to death".

就对大众的普遍影响力而言，美国娱乐文化的基于经济技术高度发达、享乐单一的现实，大众兴高采烈、心甘情愿地沉溺于感官刺激，面临波兹曼担心的&娱乐至死&的危险，而中国的娱乐文化表面上看起来趋同于美国，但一方面，中国的经济技术没有发达到统领一切的地步，另一方面，中国政治因素依然深入的渗透在的个人生存环境中，因此，中国的娱乐文化则更多地集中在技术简单、感受复杂的心理空间中，大众自觉不自觉以娱乐方式，却为不甘成为娱乐工具而抗争，可谓&娱乐不死&。

A fundamental analyst must keep an eye on the crowd, as it shifts its attention from market share to technological innovation to whatever else preoccupies it at the moment.

基本面分析师必须关注大众，因为大众的注意力会转变，从市场份额转变到技术革新，再转变到其它方面。

Their "pessimistic mass society thesis" reflected the authors' experience of the breakdown of modern Germany into fascism during the 1930s, a breakdown which was attributed, in part, to the loosening of traditional ties and structures--which were seen as then leaving people more "atomised" and exposed to external influences, and especially to the pressure of the mass propaganda of powerful leaders, the most effective agency of which was the mass media.

他们的悲观大众社会论题在 1930 年代期间反映现代的德国崩溃的作家经验进法西斯主义之内，是归于的崩溃，一部份，对传统的关系和结构的放松--被看到当然后正在留下人较多的&atomised&而且对外部的影响力暴露之时，和尤其对有力的领袖大众的宣传压力，最有效的代理是大众传媒。

Fiske drawed a analogy between modern mass media and the bard of Middle Ages, then, pointed out that mass media has a function which moulds collective culture. Under the influence of Gramscis's theory of """" hegemony"""", he thinks that media text is open space with diverse meaning and regards media text as popular producerly text through using the concept of """"open/ciosed"""" text of Eco and """"writerly/readerly"""" text of Barthes. On the basis of inheriting the theory of """"encoding and decoding"""" of Hall, he also absorbs the theory of """"resisting"""" of Decerteacc. Then, he thinks that audience don't simply passively absorb while contacting media, but have a kind of strong positive initiative, can """"produce"""" and """"consume"""" the meaning from the text according to their own demand.

费斯克将现代的大众传媒与中世纪的&吟游诗人&进行类比，指出大众传媒具有塑造集体文化的功能；在葛兰西文化霸权理论的影响下，他将媒介文本视为一个意义开放的空间，并借鉴艾科的&开放式／封闭式&文本及巴特的&作者式／读者式&文本概念，进一步将媒介文本界定为一种&大众的生产者式文本&；他在继承霍尔编码／解码理论的基础上，又吸收了德塞图的&抵抗理论&，认为受众在接触媒介时不是一味消极被动的&吸收&，而是具有一种强烈的积极主动性，能够按照自己的需求从文本中&生产&和&消费&意义。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失