多音的

Bryan strums dirtily, driving rhythm or fiddles fast melody, while holding lows on five-part harmonies. James hits the highs as he treads, tightrope tiptoeing on the bass line. Caitlin belts out the soul singing style piled high. Simon's sax floats over the fray, or floods the floor ringing with the strings."Pistol" Pete keeps the beats sweet, shivering skins as he taps feet.The blues, rock, country, jazz and folk are all genres they cross, but don't fit. Reaching into the past they have created something novel for the present, that can almost be squeezed into roots rock.

Bryan-一头长长的秀发加上多项才能，高超的拉小提琴技巧，弹吉他，，合音都难不倒他，James-一边飙高音另一方面他的手指在贝斯琴弦上游走弹奏，Simon-萨克斯风的忽高忽低的音符在人群中流串加上其他的乐器的音符将人群团团包围，快枪手Pete-手与脚下的鼓声震撼了大地也震撼了所有人的心。

Bryan strums dirtily, driving rhythm or fiddles fast melody, while filling out three-part harmonies. James hits the highs as he treads, tightrope tiptoeing on the bass line. Simon's sax floats over the fray, or floods the floor ringing with the strings."Pistol" Pete keeps the beats sweet, shivering skins as he taps feet.The blues, rock, country, jazz and folk are all genres they cross, but don't fit. Reaching into the past they have created something novel for the present, that can almost be squeezed into roots rock.Watch them here!

Bryan-一头长长的秀发加上多项才能，高超的拉小提琴技巧，弹吉他，，合音都难不倒他，James-一边飙高音另一方面他的手指在贝斯琴弦上游走弹奏，Simon-萨克斯风的忽高忽低的音符在人群中流串加上其他的乐器的音符将人群团团包围，快枪手Pete-手与脚下的鼓声震撼了大地也震撼了所有人的心。

Chinese composers and theorists have conducted great deal of exploration and systematic research on the "evolution of chromaticalization", which has been frequently used in the composition, but are considered by the theorists as chromatic chords, polytonality and pentatonic twelve-tone sequence, etc.. Seldom were the usages accounted for "chromaticalization" to which, consequently, little attention has been paid.

中国作曲家及理论家在对于西方音乐"半音化演进"方面做过大量的探索和系统的研究，"五声性半音化"在中国作曲家的作品中被频繁地使用，但大量的创作实践大都被理论家们总结为变音和弦、多调重叠以及五声性十二音序列等的使用方法，并没有从"半音化"的角度说明它们的规律，致使一直以来未引起人们的重视。

Chapter five looks at the mutation in language stream with contemporary philologic theories. The characteristics of mutation in changshan dialect are supposed to be show by tone changing , light syllable, r-suffixation, z-suffixation,etc.我每is possibly the r-suffixation of women我们;Some final varied pattern of suffix子is actually r-suffixation;Changshan dialect"s light syllable lies in every level of language and it has multifold forms; There is rich tone change of verbs which can present certain grammatical meanings in Changshan"s dialect.

第五章动态的描写了长山方言中的语流音变，利用当代语音、语法、语义理论从轻声变调、语法变调、小称变韵、子变韵等几个方面考察长山方言语流音变的特点，认为&我每&有可能是&我们&的小称形式；以闻喜方言为代表的&子变韵&并不是&子&音转变而来，而是&儿化&的一种形式；长山方言的轻声变调存在于词汇、短语、句子等多个语言层面，有三种表现形式；轻声助词&了&、&着&、&到&省略后，会引起前面动词的语法变调，等等。

I lie awake at night see things in black and white i've only got you inside my mind you know you have made me blind verse 2 i lie awake and pray that you will look my way i have all this longing in my heart i knew it right from the start chorus oh my pretty pretty boy i love you like i never ever loved no one before you pretty pretty boy of mine just tell me you love me too oh my pretty pretty boy i need you oh my pretty pretty boy i do let me inside make me stay right beside you verse 3 i used to write your name and put it in a frame and sometime i think i hear you call right from my bedroom wall verse 4 you stay a little while and touch me with your smile and what can i say to make you mine to reach out for you in time chorus bridge oh pretty boy say you love me too 下载: http://mp3.baidu.com/r?

MP3 第八首〈至少走得比你早〉，卢巧音和陆毅合唱的，是〈好心分手〉的国语版，觉得这首更好歌词：你没有想过我会说分手也许太习惯我在你左右虽然离开你有很多理由可看见你这样惊讶也足够我想得比你多陪你一起更寂寞我性格比你强怎样做你的绵羊我年纪比你小不信快乐找不到抬起头开了口最后我比你骄傲从此不坐你的牢想不到你的好记得和你的争吵想到老可到老可是和你做不到如果你爱得比我少至少我走得比你早你没有想过我会说分手除非以为我什么都忍受就算你这时候努力挽留不过是你不能接受我先走最后我比你骄傲从此不坐你的牢想不到你的好记得和你的争吵想到老可到老可是和你做不到如果你爱得比我少幸好我走得比你早轰轰烈烈地开口下载： http：//mp3.baidu.com/r？

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。