多音

On the basis of our work on monosyllabic Chinese speech recognition, this paper treated the recognition of large vocabulary multisyllabic Chinese words, with regard to its noisy robustness.

本文是在我们的抗噪声单音节汉语音识别工作的基础上进一步发展将其应用于连续发音的多音词的结果。

Suprasegmental : aspects of speech that involve more than single sound segments. The principle suprasegmental features are syllable, stress, tone, and intonation .

超音段：涉及了比单个音段更多东西的语音方面，主要的超音段概念有音节、重音、声调和语调。

The call developmental process of Psittacula agapornis consists of five instinct phases according to its call character. In the first phase （congenital cal1 phase, CCP, 0~12 day of age）, the juveniles only produce single syllable with short syllable length. The second phase（blank-model-forming phase,BMFP, 13~30 day of age） is important for formation of vocal learning pathways. During this phase, the calls characterized by more and longer syllables. In the third phase （call-model-forming phase,CMFP, 31~45 day of age）, the call development is guided by a model system for vocal learning, vocal learning is engendered so that some calls with multi-syllables with UP1 are produced, principal frequency has increased about by 920 cent, the number of note is double that of second phase. The short-term memories are transformed into long-term memories in the forth phase （call-feedback-learning phase,CFLP, 46~90 day of age）. The call of juveniles is a close match to tutor call which accompanied by double various sounds with BS and UP1, and more resonance components were formed. Second principal frequency has increased about by 970 cent, the number of note increases by 2.6~3.0 times. During the fifth phase （excellent call phase,ECP, after 91 d）, vocal motor pathway is developed and the calls are accompanied with most stable, harmonious vari-tone and complex repertoire.

牡丹鹦鹉的鸣声发育分为5个时期。0~12 d为先天性鸣声期，鸣声特征为以基本音为主音的单音节单音调声，声长短。13~30 d为空白模板形成期，鸣声特征为以基本音为主音的多音节单音调声，声长和音量显著性增加，表明发声学习通路开始形成。31~45 d为鸣声模板形成期，鸣声特征为以第1陪音（UP1）为主音的多音节单变调声，声长和音量显著性增加，主音频提升约920音分，涵盖的律音数增加1倍，表明发声学习模板逐渐形成，发声学习开始。46~90 d为鸣声反馈学习期，鸣声特征为以BS和UP1为主音的双变调声，声长和音量显著性增加，主音频涵盖的律音数增加2.6~3.0倍，第2主音频提升约970音分，表明稳定模板逐渐形成，短期记忆逐渐向长期记忆转化。91 d后为完美鸣声期，鸣声特征为以UP1为主音的复合变音调声，声长、音量、主音频的提升和涵盖的律音数都趋于平稳，鸣声稳定而和谐，表明发声运动通路基本形成。

Composers of the period alternated florid and discant organum (more note-against-note, as opposed to the succession of many-note melismas against long-held notes found in the florid type), and created several new musical forms: clausulate, which were melismatic sections of organa extracted and fitted with new words and further musical elaboration: which was a song for more voices to be sung rhythmically, most likely in a procession of some sort; and trops, which were rearrangements of older chants with new words and sometimes new music. All of these genres save one were based upon chant: that is ,one of the voice,(usually three, though sometime four) nearly always the lowest sung a chant melody, though with freely composed note-lengths, over which the other voice sang organum.

这个时期作曲家的作品中华丽的奥尔加农和迪斯康特交替出现note-against-note(应该是自由奥尔加农，与由许多连续的装饰音组成的旋律对抗，这些装饰音对应在华丽部分中出现的长音，他们还开创了几个新的音乐形式：clausulae，来自于奥尔加农的拖腔片段，并配以新的词和更富悦耳的细节；conductus，孔杜克图斯，一种基于圣咏之上的有节奏性的单声或者多声歌曲，很有可能是用于礼拜的行列。

Referencing a medieval polyphonic composition method, as well as bacon's famed treatise about our mis-readings of nature, this cgi short feature orchestrates an allegory about mutation and possibility.

参照中世纪的多音部作曲法，以及培根那篇著名的论文—对于自然的误读，这个计算机图形图像短片创作了一个有关蜕变可能性的寓言。

The author considers that the form of the instrumental music structure came from special opera shape in Shangdang area and its act with five tune-patterns together in the same platform, it is also due to the Shangdang phonic criterion in Yongzheng government of Qing dynasty, which objectively shaped its system and scale, and meanwhile accelerate its growth and creativity. Shangdang instrumental music absorbed broadly t...更多he instrumental music on experience of Kun opera, Luo opera, Juan opera and Huang opera on basis of instrumental music on the local tune, which contains with diversity, and generally became of the art matrix of Shangdang folk music and opera melody.

本文认为：上党梆子器乐结构的形成，主要来自上党地区独特的戏曲生态和五种声腔同台共演的历史经验；特别是清代雍正年间国家政策对上党八音的规范，客观上引发了上党梆子器乐在体制和规模上的定型，也促进了上党梆子器乐在此基础上不断发展、创新；上党梆子器乐是在梆子腔器乐结构基础上，广泛吸收了昆腔、罗腔、卷腔、簧腔在器乐结构中的经验，由此兼容并包，逐渐成为集上党民间音乐和戏曲音乐大成的音乐艺术母体。

How to deal with the polyphones is a challenge for the text to PinYin conversion.

字音标注主要解决多音字和多音词的注音问题。

First, in M. M. Bakhtin's views on self, community, heteroglossia, and dialogue, the former Russian critic has argued that one's self-invention depends on the dialogic relations with other consciousnesses.

首先，在巴克汀对於个人、社会族群、异质多音及对话的观点中，其指出个人的自我创造凭藉於与其他不同意识之间的对话关系。

Based on the analysis of clipping noise and quantisation noise in Discrete Multitone systems, criterions and methods to optimize the clipping rate in DMT systems are presented in this paper.

文章对于离散多音DMT系统中量化噪声和削波噪声进行了详细的分析，提出了DMT系统中进行削波率最优设计的原则和方法。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即&天人和一&、&弦外之音&以及&以象立意&等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

I can not make it blossom and suits me

我不能让树为我开花

When temperatures are above approximately 80 °C discolouration of the raceways or rolling elements is a frequent feature.

当温度高于 80 °C 左右时，滚道或滚动元件褪色是很常见的特征。