多色彩的

The various colours significant of various degrees of vitality (white, yellow, crimson, vermilion, cinnabar): their degrees of brilliancy: their magnitudes revealed up to and including the 7th: their positions: the waggoner's star: Walsingham way: the chariot of David: the annular cinctures of Saturn: the condensation of spiral nebulae into suns: the interdependent gyrations of double suns: the independent synchronous discoveries of Galileo, Simon Marius, Piazzi, Le Verrier, Herschel, Galle: the systematisations attempted by Bode and Kepler of cubes of distances and squares of times of revolution: the almost infinite compressibility of hirsute comets and their vast elliptical egressive and reentrant orbits from perihelion to aphelion: the sidereal origin of meteoric stones: the Libyan floods on Mars about the period of the birth of the younger astroscopist: the annual recurrence of meteoric showers about the period of the feast of S.

357显示出不同程度之生命力的缤纷色彩（白、浅黄、深红、朱红、银朱）；诸星之亮度；一直包括到七等星、以等级标志的诸星之大小；诸星的位置；御夫座；沃尔辛厄姆路；大卫的战车；土星光环；螺旋星云凝固后形成有卫星的恒星群；两重大阳相互依存的旋转运动；伽利略、西蒙。马里乌斯、皮亚齐、勒威耶、赫歇耳、加勒等人各自独立地同时所做的发现；波得和开普勒所尝试的距离的立方与回转次数的平方的体系化；多毛的众彗星那几殆无限的被压缩性，以及自近日点至远日点那广漠的远心的重返大气层的椭圆轨道；陨石的恒星之起源；年纪较轻的天体观测者诞生的那个时期火星上所出现的"暗波"现象；每年在圣劳伦斯节前后降落的陨石雨；每月都发生的所谓"新月抱旧月"现象；关于天体对人体的影响的假定；威廉。

Lawrence martyr , 10 august : the monthly recurrence known as the new moon with the old moon in her arms : the posited influence of celestial on human bodies : the appearance of a star 1st magnitude of exceeding brilliancy dominating by night and day a new luminous sun generated by the collision and amalgamation in incandescence of two nonluminous exsuns about the period of the birth of william shakespeare over delta in the recumbent neversetting constellation of cassiopeia and of a star 2nd magnitude of similar origin but lesser brilliancy which had appeared in and disappeared from the constellation of the corona septentrionalis about the period of the birth of leopold bloom and of other stars of presumably similar origin which had effectively or presumably appeared in and disappeared from the constellation of andromeda about the period of the birth of stephen dedalus , and in and from the constellation of auriga some years after the birth and death of rudolph bloom , junior , and in and from other constellations some years before or after the birth or death of other persons : the attendant phenomena of eclipses , solar and lunar , from immersion to emersion , abatement of wind , transit of shadow , taciturnity of winged creatures , emergence of nocturnal or crepuscular animals , persistence of infernal light , obscurity of terrestrial waters , pallor of human beings

显示出不同程度之生命力的缤纷色彩白浅黄深红朱红银朱诸星之亮度一直包括到七等星以等级标志的诸星之大小诸星的位置御夫座沃尔辛厄姆路172大卫的战车173土星光环螺旋星云凝固后形成有卫星的恒星群两重大阳相互依存的旋转运动伽利略西蒙马里乌斯174皮亚175勒威耶赫歇耳加勒176等人各自独立地同时所做的发现波得和开普勒所尝试的距离的立方与回转次数的平方的体系化177多毛的众彗星178那几殆无限的被压缩性，以及自近日点至远日点那广漠的远心的重返大气层的椭圆轨道陨石的恒星之起源年纪较轻的天体观测者诞生的那个时期火星上所出现的"暗波"现象179每年在圣劳伦斯节殉教者，八月十日前后降落的陨石雨每月都发生的所谓"新月抱旧月"现象180关于天体对人体的影响的假定威廉莎士比亚出生的时期，在斜倚却永不没落的仙后座那三角形上端，一颗不分昼夜散发着极亮光彩的星辰一等星出现了181这是两个无光死灭了的太阳因相撞并汞合为白热体而形成的灿烂的新太阳大约在利奥波德布卢姆出生时，出现在七星花冠星座里而后又消失了的一颗同一起源亮度却稍逊的星宿二等星182还有约于斯蒂芬迪达勒斯出生时，出现在仙女座中之后又消失，小鲁道尔夫布卢姆出生与夭折数年后出现于御夫座后又消失，以及另外一些人出生或去世前前后后出现在许许多多其他星座中而又消失了的假定是同一起源的实际存在或假定存在的星斗183 。

So when we felt another kind of tetra-dimensional, extreme, music-like art made up of colors and lines in Malevich and Tatlin's experiment in the early of last century, people had to get used to the visional format from Kandinsky, Pollock, Mondrian and Roscoe. The brand-new artistic experiment is further rooted into experience of our religion, music, philosophy, life and other staffs not only from format to content, but also from theory to techniques. And the traditional plane paintings are used to annotate the art meaning of non-representation. But Chinese are unwilling. It is only the format product of powerful culture in expanding, rather that there are lots of differences between the western abstract and oriental "image".

所以当我们从上个世纪初在马列维奇、塔特林的实验中，体验到一种被称为四度的、极致的、音乐似的、或者说将色彩和线编制成为另一种艺术自由的端倪时，人们就不得不习惯由康定斯基、波洛克、蒙德里安和罗斯科所带给我们的视觉图式，它们从形式到内容、从理论到技巧，无不变本加厉地把这种全新的艺术实验根植于我们对宗教、音乐、哲学、生活以及诸多问题的体验中，并用传统的二维平面绘画来诠释出非具象的艺术意义，不过这些对中国人来说，很可能是不情愿的，它只是强势文化在扩张中的样式产物，更何况这些西方式的抽象与东方式的"意象"仍然有着极大的差异。

The factors, the spirit of Ferdinand Bac courtyard, the Mediterranean traditional culture, the way Chucho Reyes mastered the color and the Mexican traditional culture had been integrated into his own philosophy. And Luis Barragan had expressed them by his own poetical design language. Key Word: Luis Barragan, Formation of design philosophy, Mexican culture

费丁南德·贝克庭院的精神，地中海传统文化，瑞斯对色彩的理解，墨西哥传统文化等诸多的因素均被巴拉干融合在自己的设计思想当中，并以其自己的设计语言诗意的加以表达，形成自己独特的设计思想。

Dinkum colour and comparative and strong colour is the colour to ease the plane.

纯粹的色彩和对比强烈的色彩较平面上的色彩要缓和的多。

The various colours significant of various degrees of vitality (white, yellow, crimson, vermilion, cinnabar): their degrees of brilliancy: their magnitudes revealed up to and including the 7th: their positions: the waggoner's star: Walsingham way: the chariot of David: the annular cinctures of Saturn: the condensation of spiral nebulae into suns: the interdependent gyrations of double suns: the independent synchronous discoveries of Galileo, Simon Marius, Piazzi, Le Verrier, Herschel, Galle: the systematisations attempted by Bode and Kepler of cubes of distances and squares of times of revolution: the almost infinite compressibility of hirsute comets and their vast elliptical egressive and reentrant orbits from perihelion to aphelion: the sidereal origin of meteoric stones: the Libyan floods on Mars about the period of the birth of the younger astroscopist: the annual recurrence of meteoric showers about the period of the feast of S.

357显示出不同程度之生命力的缤纷色彩（白、浅黄、深红、朱红、银朱）；诸星之亮度；一直包括到七等星、以等级标志的诸星之大小；诸星的位置；御夫座；沃尔辛厄姆路；大卫的战车；土星光环；螺旋星云凝固后形成有卫星的恒星群；两重大阳相互依存的旋转运动；伽利略、西蒙。马里乌斯、皮亚齐、勒威耶、赫歇耳、加勒等人各自独立地同时所做的发现；波得和开普勒所尝试的距离的立方与回转次数的平方的体系化；多毛的众彗星那几殆无限的被压缩性，以及自近日点至远日点那广漠的远心的重返大气层的椭圆轨道；陨石的恒星之起源；年纪较轻的天体观测者诞生的那个时期火星上所出现的&暗波&现象；每年在圣劳伦斯节前后降落的陨石雨；每月都发生的所谓&新月抱旧月&现象；关于天体对人体的影响的假定；威廉。

Japan to time Tainan prefectural city Nanmenwai area, because under Japanese government's government order, starts large-scale changing burial sites, because changes burial sites namely the Taina metropolis plan which implements for the Japanese government, divides into three times, the seed time, the development time, launches the time, gradual expands Taina's metropolis scope, therefore in obtains the land in the process, an item of suburb generation of development, the Tainan prefectural city Nanmenwai's grave area becomes the date to the time Taina southing development center of gravity, after undergoing the grave migration the land, passes through plans, traveling schedule education, movement facility special-purpose, Japan to the time Tainan prefectural city Nanmenwai's grave picture, is penetratingUnder Japanese government's political power's changing burial sites, after as well as changes burial sites the construction, transforms the school and the athletic field, vital region.

日至时期的台南府城南门外地区，因为在日本政府的政令之下，开始大规模的迁葬，迁葬之因即为日本政府所实施的台南市都市计画，分为三个时期，萌芽期、开拓期、展开期，逐步的扩张台南市的都市范围，因此在取得土地的过程中，项城郊一代发展，台南府城南门外的墓葬区成为日至时期台南市南向发展的重心，经过坟墓迁移之后的土地，经过重新规划，行程教育、运动设施的专用地，日至时期台南府城南门外的墓葬景象，在透过日本政府的政治力量的迁葬之下，以及迁葬之后的建设，转变成学校与运动场，充满活力的区域。战争期间，因为战争需要，在台南府城南门外墓葬区的南侧建立台南军机场，因此在战争期间，台南府城南门外地区又带入军事的色彩，战后国民政府接收日本人撤退之后的所有建设，将空军后勤补给对进驻台南军机场，随之而来的眷属则占据日本人的宿舍，另外在新建多处的眷村，战后初期的眷村文化即进入台南府城南门外地区。

Besides, the technique used by Mao Yan was to free the expressive force of the oil language itself. The arrangement of brushworks, the selection of colors, and the depicting of facial expression etc. all served to present accurately the spirit nature of the object.

此外，毛焰在技术处理上也更多地释放了油画语言本身的表现性力量，无论是笔触的安排、色彩的选择和神情的处理，还是作品的构图、视角的选择，等等，都是为了更准确地对应人物的精神特点。

Of Chu of department of phlegmy grave of evade of Cang Longbao ammonia of head of frequency of Gua of Bao Ao of brighting cut up with a hay cutter of grandma of bag of a square-shaped fishing net with pole as supports and the picture with beautiful artistic conception, add harmonious music, the student cannot refrain from plaint, much more beautiful night!

如教学《少年闰土》一文，先出示：月下海边瓜地&深蓝的天空&&金黄的圆月&&碧绿的瓜地&，色彩美和意境美的画面，加上和谐的音乐，学生不由自主的感叹，多美的夜晚啊！

They are of especial interest historically on account of the glimpses they afford us of the great mythological and legendary material in the folklore of ancient Iran used so effectively by Firdausi in his great epic of the Persian kings, the "Shah Namah".

他们是历史上的特殊利益就到瞥见他们使我们的伟大的神话和传奇色彩的材料在古代民间传说，以便有效地利用伊朗的菲尔多西在他的伟大史诗的波斯国王的&沙赫那玛哈&。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。