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It was the end of November,more than a month after ourreturn from Baskerville Hall.

已经是11月底,我们从巴斯克维尔庄园回来之后一个多月的时候了。

Looking Back It was the end of November,more than a month after ourreturn from Baskerville Hall.

已经是11月底,我们从巴斯克维尔庄园回来之后一个多月的时候了。

Beyond the series of "portraits" which serves as a record of the famous gatherings at the Bateau Lavoir, one can see references to the recent contributions of Cubism made in Picasso's studio in the same block of buildings: the fruit bowl, the landscape painted as large cross-hatched areas of mass unified by the reddening hue, the simplified "masks" of the faces, and above all, the placement of both groups of embracing and dancing women which call to mind the preliminary studies for the Demoiselles d'Avignon.

相比之下,这幅作品绘画得既审慎又野心勃勃,但整体来说是以一个表面和幼稚的方式模仿立体派。「肖像」系列除了纪录了于巴多拉夫瓦的聚会外,更间接地让我们瞥见,位于同一大厦的毕加索画室中充满立体派气息的东西:水果盘、以并行线相交的大片艳红阴影绘画之风景,以及简化如「面具」的脸孔,而更重要的是,结聚在一起相拥跳舞的女郎们,令人想起毕加索《阿维侬的少女》的初形。

As it invariably happens, history and memory can prove helpful: Leonardo's Vitruvian man is "the measure of all things", while the Renaissance man expands the static point of view of the project anticipating the crucial theme of individual well-being (as Leon Battista Alberti put it in his De re aedificatoria ,"In the choice of the environment it is best to mind that it is welcome by its inhabitants from every point of view").

要设计一项围绕人的实际需求的建筑项目同样意味着创新、价值与激情的构思与应用。创新乃为满足动态参考条件;价值乃为适应社会潜在的经济和结构的变化;激情乃为对于所有参与者以及他们的实际需求的关注。能够证明有效性的永远都是历史与记忆:莱昂纳多·达芬奇的维特鲁威人是"万物的尺度",同时文艺复兴时期的人发展了项目的静态观点,期望一个非常现代的焦点对象:即个人的康乐。("在选择环境之时,最好能确保它的方方面面都受到居住者的欢迎",阿尔贝蒂的《建筑学十书》)。

Daddy sits on a' front porch swinging Looking out on a vacant field Used to be filled with burley tobacca Now he knows it never will My Brothers found work in Indiana My Sisters a nurse at the old folks home Mama still cooking too much for supper And me I've been a long time gone Been a long time gone No, I ain't hoed a row since I don't know when Long time gone And it ain't coming back again Deliah plays that old church piano Sitting out on her daddy's farm She always thought that we'd be together Lord I never meant to do her harm Said she could hear me singin' in the choir Me, I heard another song I caught wind and hit the road runnin' And Lord, I've been a long time gone Been a long time gone Lord, I ain't had a prayer since I don't know when Long time gone And it ain't comin' back again Now me, I went to Nashville, Tryin' to beat the big deal Playin' down on Broadway Gettin' there the hard way Living from a tip jar Sleeping in my car Hocking my guitar Yeah I'm gonna be a star Now, me and Deliah singing every Sunday Watching the children and the garden grow We listen to the radio to hear what's cookin' But the music ain't got no soul Now they sound tired but they don't sound Haggard They've got money but they don't have Cash They got Junior but they don't have Hank I think, I think, I think The rest is a long time gone No, I ain't hit the roof since I don't know when Long time gone And it ain't coming back I said a long time gone No, I ain't honked the horn since I don't know when Long time gone And it ain't coming back again I said a long time, long time, long time gone Well it's been a long time Long time, long time, long time gone Oh, it's been a long time gone Long time, long time, long time gone Yeah yeah

爸爸坐在一个'前沿阳台摆动寻找出一个空置场用来填补与白肋烟tobacca 现在他知道这种情况永远不会改变我的兄弟们找到了工作,在印第安纳州我的姐妹的一名护士,老人们在家中妈妈还是烹调太多晚饭我和我已经很长时间了已经很久了不,我不是牺牲品一排,因为我不知道什么时候很长时间了这是不会回来再 deliah发挥老教堂钢琴坐月子,她爸爸的农场她一直以为我们会被一起主我从来没有意思做她的伤害说,她能听到我的声乐发声',在合唱团我,我听到另一首歌 i被风撞上路跑'和主,我已经很长时间了已经很久了上帝,我是不是有一个祈祷,因为我不知道什么时候很长时间了这不是comin '一拖现在我,我去纳什维尔 tryin '拍打大不了? playin '了百老汇发财'有硬办法生活,从群众举报瓦罐睡在我的车 hocking我的吉他嗯,我在哪里也成为明星现在,我和deliah歌唱每星期日看着孩子们和花园成长我们听收音机听到什么的乱打'但音乐是没有,没有灵魂现在,他们健全累,但他们并没有健全的憔悴他们已经获得的金钱,但他们并没有现金他们获得初级,但他们并没有汉克我觉得,我觉得,我觉得其余的是一个长的时间去不,我是打不到屋顶,因为我不知道什么时候很长时间了这是不会回来我说很长时间了不,我不是兄弟非洲之角以来,我不知道什么时候很长时间了这是不会回来再我说了很久,很久,很久了以及它的已经很久了长的时间很长的时间,很长的时间,经历了哦,这是一个漫长的时间去长的时间很长的时间,很长的时间,经历了嗯嗯

Fourth-grade teacher Elisabeth Beckwith wants her students at Fernbank Elementary School in Decatur, Georgia, to pay attention to a lesson on Greek mythology.

4年级老师依丽莎白·贝克维希望她在大克多,乔治亚的Fernbank名称,不译。要不就是音译咯。。

Written by Harry Behn, John VA Weaver, and director Vidor, from the latter's original story.

撰稿哈利本恩,约翰弗吉尼亚州韦弗,和导演金维多,从后者的原始的故事。

British bride and groom Kerry Bevan and Wayne Davies proved just how deep their love was - by getting married 500ft below ground in an old slate mine.

英国新人凯利·比文和韦恩·戴维斯证明了他们的爱有多深--两人在一个500英尺深的老地下板岩矿里结了婚。

British bride and groom Kerry Bevan and Wayne Davies proved just how deep their love was-bygetting married 500ft below ground in an old slate mine.

戴维斯用实际行动证明了他们的爱有多"深"----两人在一个500英尺深的老地下板岩矿里结了婚。

St. Isidore mentions them as the first two of the prayers of the Mass. In the Mozarabic the Bidding Prayer is called Missa, and is followed by "Agyos, agyos, agyos, Domine Deus Rex aeterne tibi laudes et gratias", sung by the choir, and an invariable invitation to prayer.

圣伊西多尔他们提到的第一个两个祈祷的马萨诸塞州在摩沙拉投标祈祷被称为弥撒,并其次是" Agyos , agyos , agyos ,主神獭aeterne蒂维laudes等gratias ",唱的合唱团和一个不变的邀请祈祷。

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