多石的

Four factors together caused this:(1) the insistence of the anti Gnostic fathers, particularly Tertullian, that the faithful are those who believe "the faith" as stated in the "rule of faith", ie, the Creed;(2) the intellectualism of Clement and Origen, to whom pistis was just an inferior substitute for, and stepping stone to, gnosis of spiritual things;(3) the assimilation of biblical morality to Stoic moralism, an ethic not of grateful dependence but of resolute selfreliance;(4) the clothing of the biblical doctrine of communion with God in Neoplatonic dress, which made it appear as a mystical ascent to the supersensible achieved by aspiring love, having no link with the ordinary exercise of faith at all.

有4个因素共同造成了这一：（ 1 ）坚持战斗在反腐败的诺斯替父亲，尤其是戴尔都良，即忠诚，是那些相信&诚信为本&的声明，在&法治诚信&，即，信仰；（ 2 ）知识分子的克莱门特和渊源，向谁信实的只是一个劣质的替代品，并踏脚石，预后的精神的东西，（ 3 ）同化的圣经道德斯多葛道德主义，伦理不是感激的依赖，但坚决自立；服装的圣经教义与上帝在neoplatonic着装，这使得它似乎是一个神秘上升到supersensible实现抱负的爱，没有结合一般意义上的演练的信念都没有。

It was of no avail that the pavements of Paris were there on every side, the classic and splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne and of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, and red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; and the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment and widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy and rapid insects; to cause to spring forth from the depths of the earth and to reappear between those four walls a certain indescribable and savage grandeur; and for nature, which disconcerts the petty arrangements of man, and which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as much rude force and majesty as in a virgin forest of the New World.

巴黎的铺石路白白在那一带围绕，华伦街上的那些典雅富丽的府第相隔才两步路，残废军人院的圆顶近在咫尺，众议院也不远，勃艮第街上和圣多米尼克街上的那些软兜轿车白白地在那一带炫耀豪华，驶来驶去，黄色的、褐色的、白色的、红色的公共马车也都白白地在那附近的十字路口交织奔驰，卜吕梅街却但是冷清清的；旧时财主们的死亡，一次已成过去的革命，古代豪门望族的崩溃、迁徒、遗忘，四十年的抛弃和寡居，已足使这个享受过特权的地段重新生满了羊齿、锦葵、霸王鞭、蓍草、长茅草，还有那种叶子宽大、颜色灰绿、斑驳的高大植物，蜥蜴、蜣螂、种种仓皇急窜的昆虫，使那种无可言喻的蛮荒粗野的壮观从土壤深处滋长起来，再次展现在那四道围墙里，使自然界？？阻扰着人类渺小心机的、随时随地在蚂蚁身上或雄鹰身上都肆意孳息的自然界，在巴黎的一个陋劣的小小园子里，如同在新大陆的处女林中那样，既犷悍又庄严地炫耀着自己。

On the third day, the themes began to emerge out of each group: the wind distortion on the unobstructed river embankment and sounds of stones striking objects, led into the man-made mechanical systems of the MRT at the Taipei Main Station, followed by the Madams speaking with a local twang in a alleyway off Huaxi Street, a young foreign woman whispering and teasing, passersby flipping through pirated DVDs that are encased in plastic cases, and karaoke, the modulated looping of non-melodic electronic effects. These environmental sounds become timeless ambiance and a cross-section of memory. We observe the world through sound, using point of sound as a capturing angel for imagery and through digital wave imaging to illustrate the soundscape.

第三天各组的主题渐渐地浮上来；河堤旁空旷的风阻声与小石击物的动作声，带进台北车站内火车捷运的人造机械系统，尔后，华西街小巷内的老鸨多操著本籍口音，暗暗私语的是外籍年轻小姐的笑骂，旁人翻动盗版DVD的塑胶壳与卡拉 OK，无音律的电子效果经过回路改造再制，转成大空永恒的环境音，切著记忆的片断，以声音去看世界，以发声点为摄像的角度，更透过电子波型图示音景自载的起承转合。

In YongKang,there is "No.1 Mount in ZheJiang",FangYan Mount,famous for magnificence and sheerness and DanXia landform;there is WuFeng School where ZhuXi and ChenLiang gave education and speech;there is ShiGuLiao TV City,which was built by government and people and have received film crews from"Dragon Story","Great HanWu","SongCi" and 100 other films or TV series;there is ShiCheng Mountain,the culture center of Emperor Huang in Southern China;there is folk-custom culture village,where you can enjoy "nine lions picture",taste"farmhouse foods" and play"dog husking rice";there is WuZhi Rock,which is described by "if looking from far distance,five mountains extend into sky,like a person reaches cloud by hand ";there is LingShan Lake Immortal Rock,which is said "mountains is like picture screen, waterfall sound is equal to thunder";there is XiJin Bridge,the longest stone pier,wood bridge,multi-eaves gallery bridge;there is gradually hot Special industry tour of "go famous garden to look renowned enterprise,visit famous city to buy hardware".

永康有以雄奇峻险、丹霞地貌著称的&浙东第一山&方岩山；有朱熹、陈亮曾讲学论理的五峰书院；有与民资共同开发已成功接待《天龙八部》、《汉武大帝》、《大宋提刑官》等100多部影视剧拍摄的石鼓寮影视城；有南中国黄帝文化中心石城山；有看&九狮图&、尝&农家饭&、玩&家狗舂米&的九狮沟民俗文化村；有&远望五峰插天，若人伸手探云&的五指岩；有&峰峦如画屏，瀑声赛雷鸣&的灵山湖仙岩，有全国最长的石墩木梁重檐廊桥西津桥；有日趋火曝的&到名园看名企、逛名城购五金&的特色工业游。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。