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多梦

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Mum always tell me to live my life freely and easily and no thinking so much,maybe it's ture,maybe I really should write poems for myself and intonate for myself,maybe it's necessary for me to be a dream catcher in the sun.

母亲总对我说,活,要洒脱点,别为太多事情所累,也许是真的,也许我真该为自己写诗,真该为自己吟唱,也许真该做一个无忧无虑的追梦人吧。

During 8 years, HAOSEN have been developed to possess three companies with ten brands, such as, European style with fabric"MADANNA", Teenager kids sofa"WIZARD", mattress"DLOVE" authorized uniquely by French Dlove and BAOJULE FURNITURE specialized in occidentally Neo-Classical sofa . HAOSEN covered an area of 100000 square meters, has more than 1000 employee, owned sophisticated equipment and technical staffs from Germany and Italy.

八年间,公司在中国大陆已发展至拥有旗下三大公司数十个品牌,其中有欧式布艺&麦当娜&,青少年儿童沙发&非凡人生&,法国Dlove唯一授权的&法国深爱&床垫,梦天使床垫以及专业生产美式、欧式新古典沙发的&宝居乐家具&,公司占地数十万平米,员工一千多人,并拥有德国、意大利引进的先进设备和技术人才。

Since it was unearthed more than a century ago, the hoard of documents known as the Oxyrhynchus Papyri has fascinated classical scholars. There are 400,000 fragments, many containing text from the great writers of antiquity. But only a small proportion have been read so far. Many were illegible.

被称为埃及奥斯莱卡浦草纸古卷的储藏文献已经出土一个多世纪了,它一直让学者们梦绕魂牵,有400,000片残片,其中很多写有古代伟大作家的文本,但到人们目前为止只能解读其中一小部分,大部分字迹模糊,难于辨认。

No cynicism is needed to assume that one goal of the exhibition is to publicly demonstrate that repairs to "Le Reve" have not had serious effect on its market value.

此次公开展出的目的之一,是证明对《梦》的修复并没有太多的影响到它的市场价值,对此,我们也无需冷嘲热讽。

You touch us in our dreams; we pray to be with you through rain and shinning days.

你多次都出现在我们的梦里,我们祈祷着能够永远和你在一起,无论明天是暴风雨还是晴空万里。

In approximately fifteen minutes of screen-time, Brigitte Lin managed to re-enact and play on so many characters she had portrayed in previous movies (including the cross-dressing swordswoman from \"Dragon Inn\", the powerful martial Asia the Invincible, the tragic lover from \"Dream Lovers\", the fatalistic tortured soul of \"Red Dust\", and the vengeful scorned \"Bride with White Hair\").

大约开演后的15分钟里,林青霞设法扮演在她以前那么多的电影中曾扮演过的角色(包括《新龙们客栈》里女扮男装的剑客,战神般的东方不败,《梦中人》里重历悲剧的恋人,《滚滚红尘》里辈受宿命折磨的灵魂,以及复仇心切而倍受非议的白发魔女)。

I love the amniotic fluid when it spills out of the bag. I love the kidney with its painful gallstones, its gravel and what not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul; I love the great rivers like the Amazon and the Orinoco, where crazy men like Moravagine float on through dream and legend in an open boat and drown in the blind mouths of the river. I love everything that flows, even the menstrual flow that carries away the seed unfecund. I love scripts that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I love everything that flows, everything that has time in it and becoming, that brings us back to the beginning where there is never end: the violence of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic, the priest with his rubber litany, the foul words of the whore, the spittle that floats away in the gutter, the milk of the breast and the bitter honey that pours from the womb, all that is fluid, melting, dissolute and dissolvent, all the pus and dirt that in flowing is purified, that loses its sense of origin, that makes the great circuit toward death and dissolution.

我爱从羊膜中溅出的羊水;我爱生着引起痛苦的的结石、肾砂和诸如此类东西的肾脏;我爱撒出的热呼呼的尿和久治不愈的淋病;我爱歇斯底里的疯话、像拉痢疾一样一泻而出的句子和灵魂全部病态的映像;我爱亚马逊河和奥里诺科河这样的大河,那儿摩拉瓦基乃之流的狂人在一只无顶的小船上漂过了梦和古老的传说,淹死在瞎眼的河口中;我爱流动的一切,甚至爱女人来月经时流出的血,它冲走了生育能力不强的精子;我爱会流动的手稿,不论它们是用象形文字写的、深奥的、反常的、多形体的或是单边音的;我爱流动的一切,一切其中有时间的和适当的东西,它们把我们带回永远不会结束的开始中,即先知们激烈、令人狂喜的猥亵,宗教狂的智慧,牧师和他的橡皮连祷文,妓女的下流话,从排水道里漂走的唾液,乳房里的奶汁和子宫里流出的带苦味的蜜水,以及一切流质的、溶化的、放荡的和有溶解力的,所有在流动中得到静化的脓和脏物,那些失去其出身意识的东西和那些将大循环驱向死亡和瓦解的东西。

I love the amniotic fluid when it spills out of the bag. I love the kidney with its painful gallstones, its gravel and whatnot; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul; I love the great rivers like the Amazon and the Orinoco, where crazy men like Moravagine float on through dream and legend in an open boat and drown in the blind mouths of the river. I love everything that flows, even the menstrual flow that carries away the seed unfecund. I love scripts that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I love everything that flows, everything that has time in it and becoming, that brings us back to the beginning where there is never end: the violence of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic, the priest with his rubber litany, the foul words of the whore, the spittle that floats away in the gutter, the milk of the breast and the bitter honey that pours from the womb, all that is fluid, melting, dissolute and dissolvent, all the pus and dirt that in flowing is purified, that loses its sense of origin, that makes the great circuit toward death and dissolution.

我爱从羊膜中溅出的羊水;我爱生着引起痛苦的的结石、肾砂和诸如此类东西的肾脏;我爱撒出的热呼呼的尿和久治不愈的淋病;我爱歇斯底里的疯话、像拉痢疾一样一泻而出的句子和灵魂全部病态的映像;我爱亚马逊河和奥里诺科河这样的大河,那儿摩拉瓦基乃之流的狂人在一只无顶的小船上漂过了梦和古老的传说,淹死在瞎眼的河口中;我爱流动的一切,甚至爱女人来月经时流出的血,它冲走了生育能力不强的精子;我爱会流动的手稿,不论它们是用象形文字写的、深奥的、反常的、多形体的或是单边音的;我爱流动的一切,一切其中有时间的和适当的东西,它们把我们带回永远不会结束的开始中,即先知们激烈、令人狂喜的猥亵,宗教狂的智慧,牧师和他的橡皮连祷文,妓女的下流话,从排水道里漂走的唾液,***里的奶汁和子宫里流出的带苦味的蜜水,以及一切流质的、溶化的、放荡的和有溶解力的,所有在流动中得到静化的脓和脏物,那些失去其出身意识的东西和那些将大循环驱向死亡和瓦解的东西。

While it is so far that I am afraid what I see is only a dream, more could be expected is the loneliness after wakening...

但它却那么遥远而飘渺,就像一个梦。也许,更多是醒来后的孤独。。。

Dream up the guest list all by yourself, with no consultation with anyone else at all, but remember to invite all your single friends who also enjoy ooohing and aahing over teeny weeny baby grows and vaguely recall meeting the Mother once at a work do you once took them to.

梦最多的嘉宾名单,所有由你自己,没有谘询与其他任何人在所有,但请记住,邀请所有您的朋友单一谁也享有ooohing和aahing超过teeny weeny婴儿成长和依稀记得,会议的母亲曾经在一个工作,你一旦带他们到。

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歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车,和一双合并为一移交&整个lotta爱&。

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