多拉

The incidence of intussusception in radiation sickness was 0.61%(1/164 cases) and increaced...

肠套迭病例的照射剂量在137—4965拉德之间，其中265—1500拉德最多见。

Designed by artist Mauricio Cattelan, with hand painted porcelain figures representing people he admires and despises like "White King" Adolph Hitler and "Black King" Martin Luther King, surrounded by characters like Rasputin, Donatella Versace and Gandhi.

设计艺术家毛卡特兰，与手绘瓷器人物，他代表人民钦佩和鄙视，如"白王"希特勒和"黑王"马丁路德金，周围的人物像拉斯普丁，多纳泰拉范思哲和甘地。

That period of time I drink every day, about 1.5 kg of yogurt, that is, Mengniu yogurt carton box plus a big one box, At the same time stop the medication, which began 34 days is still very dry, it is necessary to squat on the half hour and 40 minutes to pull out, sometimes just a little, and sometimes not pull out, then we should pay attention can not be too hard, Italy kept the large intestine and anus good, otherwise, might give rise to terrorist Rectocele like symptoms, while attention should be paid to develop regular bowel habits,(I was as soon as possible after the stool), there is no feeling to have more help to digest food to eat, such as crude fiber, bananas what can also be assisted in other ways such as training, about a week later began to compare the laws of stool, it will not be dry, adhere to drink about a month you can gradually reduce, I drank two or three months now not to drink, and later stool has always been the law, no longer eaten medicine.

那段时间我每天都要喝1.5斤左右的酸奶，就是蒙牛纸盒装酸奶一大盒再加一小盒，同时停止吃药，开始的三四天还是很干，要蹲上半小时40分钟才能拉出来，有时还只是一点，有时还拉不出来，这时要注意绝对不能太用力，意存大肠和肛门就好，否则可能会引起脱肛之类的恐怖病症，同时要注意养成定时排便的习惯，，有没有感觉都要去，多吃些有助消化的食物，如粗纤维、香蕉什么的，还可以辅助其他锻炼之类的方法，大概一星期后大便就开始比较规律了，也不会很干，坚持喝一个月左右就可以慢慢减量，我喝了两三个月现在都不喝了，后来大便一直都很规律，没再吃过药。

I only visited Madrid, Toledo, Salamanca and vila.

我只拜访了马德里，托雷多，萨拉曼卡和阿维拉。

The author describes Della and the environment she is in exaggerately and satirically .

我们无从得知，但是我们可以看到德拉的每一个动作，抽泣等，每一个思考，多次出现的一元八角七分钱以及德拉对钱反复的盘算如何买一份礼物。

They were picked up in discussion, with Robbins and Friedrich von Hayek, with Roy Allen and Nicholas Kaldor, with Abba Lerner and with Richard Sayers - and with Ursula Webb, who, in 1935, became my wife.

在和罗宾思，菲德烈-冯-海叶克，罗埃-阿伦，尼古拉-卡尔多，阿拔-勒纳，李查-赛斯，还有和优素拉-韦柏讨论时提到它们。后者在1935年成为我的妻子。

Scotism appears to have attained its greatest popularity at the beginning of the seventeenth century; during the sixteenth and the seventeenth centuries we even find special Scotist chairs, eg at Paris, Rome, Coimbra, Salamanca, Alcalá, Padua, and Pavia.

Scotism似乎已达到其最大的流行开始时的17世纪；在第十六和十七世纪，我们甚至找到特别Scotist椅子，例如在巴黎，罗马，科英布拉，萨拉曼卡，阿卡拉，帕多瓦，和帕维亚。

Galloping horse fx) [01:27.79]Come on [01:28.22]I wonder if I take you home [01:30.31]Would you still be in love baby [01:32.93] In love baby [01:35.53]I wonder if I take you home [01:37.63]Would you still be in love baby [01:40.34] In love baby [01:42.84]No, no, no, nooo [01:44.43]Don't phunk with my heart [01:46.28] [01:46.64]Girl you had me once you kissed me [01:48.85]My love for you is not iffy [01:50.39]I always want you wit me [01:51.90]I play Bobby and you play Whitney [01:53.83] [01:54.28]If you smoke I smoke too [01:55.98]That's how much I'm in love wit chu [01:57.79]Crazy is what crazy do [01:59.56]Crazy in love I'm a crazy fool [02:01.11]No, no, no, nooo [02:02.62]Don't phunk with my heart [02:04.52] [02:04.99]Why you so in-sa-cure [02:06.90]When you got cash and you're love herre [02:08.73]You always claim that I'm a cheata [02:10.50]Think I'll up and go leave ya [02:12.35]For another senorita [02:14.08]You forgot that I need ja [02:15.91]You must have caught amnesia [02:17.83]That's why you don't believe uh [02:19.86]Wha'- Yeah - Check it out [02:22.27] [repeat 2X] [02:30.07][02:22.93]Don't ja worry about a thing baby [02:33.62][02:26.31]Cause ya know ya got me by a string baby [02:37.06] [02:41.21]Baby girl ya make me feel… [02:44.65]You know you make me feel so real… [02:48.03]I love you more than sex appeal… [02:51.01]Cause ya [02:51.51] [repeat 6X] [03:01.08][02:59.30][02:57.46][02:55.62][02:53.93][02:52.18]That-that-that-that-that-that-that-girl [03:02.94]No, no, no, nooo [03:04.75]Don't phunk with my heart [03:06.67]No, no, no, nooo [03:08.28]Don't phunk with my heart [Chorus - repeat 2X] [03:24.94][03:10.19]I wonder if I take you home [03:27.17][03:12.71]Would you still be in love baby [03:29.76][03:15.19] In love baby [03:32.00][03:17.89]I wonder if I take you home [03:34.44][03:19.83]Would you still be in love baby [03:37.06][03:22.52] In love baby [03:38.76] [repeat 2X] [03:46.75][03:39.62]Don't ja worry about a thing baby [03:50.20][03:42.99]Cause ya know ya got me by a string baby [03:53.92] Instrumental Exits off

走马盘来我带你回家不知你依然在爱男婴爱情婴儿不知我带你回家，你仍是婴儿在爱情爱情婴儿不，不，不，nooo不phunk少女心情我只要你爱我，我吻你，我总想你不是iffy智慧和你玩我我玩波比惠如果你吸烟烟我太那我就是爱智慧珠疯疯疯在这样一个疯狂的傻瓜不爱我，不，不，nooo不phunk在心里，你为什么那么在飒治愈当你的现金和你的爱你总是宣称herreCHEATA的我想我会一起来，走到另一个小姐离开雅你忘了我需要茉莉失忆，你一定要听的，你为什么不相信wha'嗯-嗯-一下它并不担心茉莉亚知道事情原因婴儿雅拉去了一串男婴女婴雅你知道你让我体会真正使我感到我爱你那么多骚事业娅-----------无女，不，不，不nooophunk在心里不，不，不，nooo不phunk在心里不知我带你回家，你仍是婴儿在爱情爱情婴儿不知我带你回家，你仍是婴儿在爱情在婴儿不爱茉莉担心的事情造成婴儿娅娅知道拉去了一串婴儿我是用在线翻译翻的凑或一下吧

In a society deferential toward elders, the UK minister repeatedly addressed Pranab Mukherjee, India's septuagenarian foreign minister, by his first name while Mr Mukherjee scrupulously addressed his younger counterpart as 'Your Excellency', or 'Mr Miliband'.

在一个敬重长者的社会，这位现年43岁的英国外相一再称呼70多岁的印度外交部长普拉纳博·穆克吉为"普拉纳博"，而穆克吉倒是认真地称呼比自己年轻的来宾为"阁下"或者"米利班德先生"。

Since men are more likelyto be left-handed than women, that makes oprah doubly impressive.she''s in good company: other show-biz ladies of the southpawpersuasion include whoopi goldberg, julia roberts and angelinajolie (her husband brad pitt is also a lefty).

由于左撇子男性本身要比女性多，这无疑使奥普拉更为引人注目。其他与她同为女性左撇子的名人也都非常出众，包括乌比·戈德堡、茱莉亚·罗伯茨和安吉丽娜·朱莉(朱莉的老公布拉德·皮特也是左撇子)。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。