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夏娃

与 夏娃 相关的网络例句 [注:此内容来源于网络,仅供参考]

By animadverting on male's power system,and discovering feminine experience, particularly molding young girl's images which be placed in the growing node,female writing is developing, just as the Eve in the growth.

通过对男权体制的批判,对女性体验的发掘,尤其是对处于成长节点的少女形象的塑造,女性写作的发展正如同一位成长中的夏娃

Meanwhile, Eve suggests to Adam that they work separately for awhile, so they can get more work done. Adam is hesitant but then assents.

同时,夏娃建议亚当分头工作,如此一来,工作方能尽早完成,亚当犹豫了一下,但之后也同意了。

When Adam deled and Ee span, who was then the gentleman?

&当亚当和夏娃在伊甸园里缠绵时,谁又是绅士了?&

When Adam delved and Eve span, who was then the gentleman?

&当亚当和夏娃在伊甸园里缠绵时,谁又是绅士了?&

Forthwith from every Squadron and each Band The Heads and Leaders thither hast where stood Thir great Commander; Godlike shapes and forms Excelling human, Princely Dignities, And Powers that earst in Heaven sat on Thrones; [ 360 ] Though of thir Names in heav'nly Records now Be no memorial blotted out and ras'd By thir Rebellion, from the Books of Life. Nor had they yet among the Sons of Eve Got them new Names, till wandring ore the Earth, [ 365 ] Through Gods high sufferance for the tryal of man, By falsities and lyes the greatest part Of Mankind they corrupted to forsake God thir Creator, and th' invisible Glory of him that made them, to transform [ 370 ] Oft to the Image of a Brute, adorn'd With gay Religions full of Pomp and Gold, And Devils to adore for Deities: Then were they known to men by various Names, And various Idols through the Heathen World.

各队的队长,各班的班长,都匆匆地奔向他们的大司令站立的地方;一个个雄姿英发,形貌非凡人能比,有王者的威严,都是天上有座位的诸掌权者;虽然由于叛逆,他们的名号已从生命册上被删除了,在天上群生的记忆中,如今已渐渐被淡忘,在夏娃的子孙中也没有得到过新的名号,一直到后来,在天神的允许下,得以游历人间来试探世人,用各种的诡计、谎言去腐蚀他们,使他们背叛天神,他们的创造者,并且把创造主无形的光彩,转化做兽类的形像,用浮华的装饰,打扮得金碧辉煌,用淫乐的仪式,把魔鬼尊为神明。

"I have you both beaten," the lawyer gloated."Before Adam and Eve, before the Garden of Eden, before all creation, there was a state of chaos, and who do you think could have created that?"

&你们俩的都不如我的早,&律师得意地说:&在亚当和夏娃之前,在伊甸园之前,在所有这些创造之前,有个混沌的世界,你们知道,是谁制造了那个混沌的世界吗?&

Then Eve hearkened to Adam, and went, she and her daughter.

14夏娃听从了亚当的话,与她的女儿去了,亚当仍然留在财富洞中。

After Adam and Eve steals the food forbidden fruit, the world then for this reason inverts.

亚当和夏娃偷食禁果以后,世界便为此颠倒。

Therefore, this article main research mentality is, divides into the Shakespeare tragedy in multitudinous feminine image Mary with the Eve two kinds, demonstrated these two kind of females in male power society behavior and the unfortunate bitter experience, thoroughly analyzes them the reason which persecutes, thus discusses obtains, formulates in the male power society under feudal morals and standard, female no matter is wants to the male power society to meet as an equal, or obeys the morals under the shackles actually unfortunate to consider has violated this moral standard, similarly is all difficult to run away the destiny which is punished by the male power society, Thus manifests the male power consciousness to the feminine deterrent strength and the lethality.

因此,本文的主要研究思路就是将莎士比亚悲剧中的众多女性形象分为圣母型和夏娃型两种,展示这两种女性在男权社会中的行为和不幸遭遇,深入分析她们受迫害的原因,从而探讨得出,在男权社会制定的封建道德和规范之下,女性不论是欲与男权社会分庭抗礼,还是顺从于这种规范之下却不幸被认为违背了这一道德规范的,都同样难逃被男权社会惩罚的命运,从而体现出男权意识对女性的威慑力和杀伤力。

Therefore, this article main research mentality is, divides into the Shakespeare tragedy in multitudinous feminine image Mary with the Eve two kinds, demonstrated these two kind of females in male power society behavior and the unfortunate bitter experience, thoroughly analyzes them the reason which persecutes, thus discusses obtains, formulates in the male power society under feudal morals and standard, female no matter is wants to the male power society to meet as an equal, or obeys the morals under the shackles actually unfortunate to consider has violated this moral standard, similarly is all difficult to run away the destiny which is punished by the male power society, Thus manifests the male power consciousness to the feminine deterrent strength and the lethality.

笔者认为,只有通过对莎士比亚的4大悲剧作总结和归类,进而得出结论,才能够对莎士比亚的女性观作深入系统的解释,对女性的地位和生存状况加以进1步的阐述和研究。因此,本文的主要研究思路就是将莎士比亚悲剧中的众多女性形象分为圣母型和夏娃型两种,展示这两种女性在男权社会中的行为和不幸遭遇,深入分析她们受迫害的原因,从而探讨得出,在男权社会制定的封建道德和规范之下,女性不论是欲与男权社会分庭抗礼,还是顺从于这种规范之下却不幸被认为违背了这1道德规范的,都同样难逃被男权社会惩罚的命运,从而体现出男权意识对女性的威慑力和杀伤力。

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Do you know, i need you to come back

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