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This, on the one hand, indicats that polysyllable get a further increase in the Warring Period; on the other hand, it has something to do with the antithesis and the parallelism of the words and sentences of Han Fei Zi.

语法方面,复音词虽然结构类型上没有新的发展,但数量上发展较快,这一方面表明战国时期汉语词汇的复音化有了进一步发展,另方面也与《韩非子》用语的骈偶有一定关系。

The introduction deals with these pieces composed before Beethoven so as to get the conclusion about the historical background of how specific color of C minor came into being. Chapter One studies three C minor piano pieces composed by Beethoven (Sonata No.5, Sonata No.8, Piano Concerto No.3), analyzes these first movements in detail from the perspective of the binary conflict, dotted rhythm, diminished seventh chord and the use of repeat notes. Chapter Two focuses on the similar backgrounds concerning compositions, general idea, theme design, heroic characters, etc. All of these characters could explain that how Beethoven understood and used the to...更多nality of C minor.

随后选择贝多芬1800年之前创作的三部C小调钢琴作品(《第五钢琴奏鸣曲》、《第八钢琴奏鸣曲》、《第三钢琴协奏曲》)进行研究,并着重第一乐章,从二元冲突、附点节奏、减七和弦、重复音的运用等方面进行具体分析,归纳三部作品在创作背景、总体构思、主题设计、英雄性格等方面的相似之处,从而解释贝多芬对C小调调性的理解与运用以及这三部作品对贝多芬英雄主义风格形成的影响。

Furthermore, the technique of linear progression is also applied in this work. Combined with polyphony and heterophony it created an amazingly rich sonority.

此外,线性音乐思维结合了多样的复调音乐手法以及东方音乐的枝生复音法,更创造了丰富的音响层次。

According to their syllabic numbers, color words can be divided into two categories: monosyllables and disyllables.

根据汉语颜色词所包含的音节数量,将其分成单音颜色词和复音颜色词两大类。

There are two ways to perform the traditional songs: Parutavak and Tutti in the monophonic ones; Cemikem and Zemingrav in the polyphonic ones.

传统歌谣的歌唱运作上,可分为单音歌唱时Parutavak与众唱,以及复音歌唱时的Cemikem与Zemingrav。

In the polysyllabic negatives part, the phenomena of lexical poly-syllabification during this period is exemplified by means of some compounds and the special usage of negatives, such as A-not-A question and resultative verb compounds.

在复式否定词部分,藉由一些复合词可发现变文中词汇复音节化的趋势,而有些特殊用法,如正反问句及动辅结构复合词,也都始于变文所属的时代。

In this section, the dissertation discovers that Zhu Fahu's Chinese-translated Buddhist Scriptures reflect that the Chinese language located in the period that ancient words and new words were exchanging and replacing each other rapidly. The vocabulary richness in Zhu Fahu's Chinese-translated Buddhist Scriptures is achieved by the way of compounds, synonym combination, tong-su-yi-xu synonymic words.

第三部分竺法护译经词汇的特点通过语词来源、构词和用词特点等几个方面,结合六组常用词相关的数据统计,指出竺法护译经词汇反映了魏晋南北朝时期汉语词汇处于新旧质替换共存的状态;竺法护译经中的词汇丰富和常用的表现方式通过复音化、同义连用、同素词、同素逆序词等几个途径实现。

Read to the end of Chars 2. Review Units I and II, tone combos, etc.

阅读识字课二的最后一部分,复习单元一和单元二、复音音节等等。

In this part, we introduce the relationship between the synonym and complex of Chinese words, the relation between the synonym and the comminuting of semantic.

第六部分是同义词与词汇系统的关系,我们主要从词汇系统性方面论述同义词与汉语词汇复音化、语义分割细度之间的关系。

The advanced AIF sound source provides 128 note polyphony providing you with full musical expression where notes reverberate naturally without being cut off during high-speed passages and during performances that require intensive damper pedal operations.

先进的殷声源提供128复音提供充分的音乐表现你自然而这些纸币回荡在没有被削减的高速通道,掀起了演出过程中需要大量弱音踏板操作。

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