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The polyphonic style was developed between 1300 and 1500 by master composers such as Machaut, Dunstable and Dufay.

1300-1500年是复调音乐最为发达的时期,以Machaut, Dunstable以及Dufay等作曲家的涌现为标志。

In place of the intricate texture of the polyphonic works, music now tended to be more homophonic.

此时的音乐一扫复调作品中细密的织体,主调音乐逐渐占上风。

Composers to the old form into the Fugue sonata allegro structure, the so polyphony with homophony writing style has been an organic combination.

作曲家把古老的赋格曲形式融入到快板奏鸣曲结构里,使复调音乐与主调音乐写作手法得到了有机的结合。

It creates the skill novel, the melody is simple and honest beautiful, knit the ketone body clean meticulous, go together with the machine to pay attention to the tone color substitution, develop the complex to adjust the positive effect of the music, generate the tremendous impact to the future generations music creations.

其创作手法新颖,旋律纯朴优美,织体干净细致,配器注重音色效果,发挥了复调音乐的积极作用,对后世音乐创作产生极大的影响。

On the platform of polyphony theory ,we can discover the modernistic connotation of Hufeng's theory .

由复调这个新的视野,我们可以发现胡风文学理论未尽的现代蕴涵。

The monophonic counterpoint is a new and typical counterpoint texture pattern in the West modern music in 20th century.

单声复调是二十世纪西方现代音乐中最为新颖和最具典型的一种复调性织体形态,其中蕴含的理论意义和应用价值尤显突出,值得特别关注。

Nonreligious music was composed by wandering poets in the 12th and 13th centuries. at first the music was monophonic but during the 800's it became polyphonic .

世俗音乐是由工2至13世纪的游吟诗人创作的,最初为单声部,后来到公元9世纪时演变成复调音乐。

Most well-known from this period are Gregorian chant and Organum.

在宗教合唱中格里高利和奥尔加农是这一时期最为人们所熟知的合唱艺术形态,它们分别代表了欧洲早期单声部合唱与复调合唱的基本形态。

Well,the appearance of DSFBA mends it up, and makes it possible to perform Polyphony works with it.

今天双系统自由低音手风琴的出现打破了这种局限性,使其具备了演奏复调音乐作品的性能。

There was also French-influenced polyphony written in German areas at this time, but it was somewhat less sophisticated than its models.

这个时期的德国同样存在法国式复调音乐的写作,但还并不是很成熟。

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