复调的

In the most general terms Ars Nova is used as a synonym for'14 th-century polyphony'just as Ars Antiqua stands for'13 th-century polyphony'.

一般而言，"新艺术"被认为是十四世纪复调音乐的同义词，正如"古艺术"代表"十三世纪复调"一样。

In this paper, complex valued harmonic conjugate function is defined, Cauchy Riemann equations of complex valued harmonic functions are considered.

定义了复调和函数的共轭复调和函数，给出了复调和函数的Cauchy—Rie－mann方程，同时讨论了它们与解析函数之间的关

In addition to fragmented structure, she also employs contraposition, juxtaposition, collage, flashback, and variation structure. She creates theatrical multi-dimension and complexity through open finish, fluxtion of time and space, multiple spectacles, polyphony, and deepens the connotation and influence of her plays.

在结构上除了片断式以外，还采用了对位式、拼贴式、回溯式、变奏式的结构，以悬置的结局、时空的自由转换、多重的视角、复调的呈现来实现戏剧的多维性与复杂性，大大加深了剧本的内涵和艺术的感染力。

Various works have been abelled "neo-baroque" for a focus on imitative polyphony, including the works of Giacinto Scelsi, Paul Hindemith, Paul Creston and Bohuslav Martin, even though they are not in the baroque style proper.

大量致力于模仿复调的作品已经被冠以新巴洛克的标签，其中包括Giacinto Scelsi， Paul Hindemith， Paul Creston 和 Bohuslav Martin的作品。即使他们的创作并没有遵守严格意义上的巴洛克风格。

As a major genre of polyphonic music, invention is short in composition.

创意曲是复调音乐的体裁之一，它是一种小型的复调乐曲。

Dostoevsky's contradictory understanding of the world and his outstanding artistic ability determine him to adopt the artistic conception of"dialogue"and the artistic form of"polyphonism" in his works.

陀思妥耶夫斯基对世界的矛盾认识和独特的艺术才能决定着他在创作中必然会采用&对话&的艺术构思和&复调&的艺术形式来构造自己的作品。

Therefore I want to analyze the characters of the composing techchnique of poly-phony in Bruckner"s "The 3rd Mass in this article,researching the sit-uation of compo-sing the western sacred music in 19~ century, emphasizing on the situ-ation and the rel-ationship of the creating technique between sacred music and polypho-ny music after 19~ century, and demonstrating the western polyphonous composing te-chnique help in developing the sacred music and the influence of sacred music on the western polypho-nous composing technique .

因此，笔者希望通过本文对布鲁克纳在其第三弥撒曲中的复调创作手法特征的论述，初探十九世纪西方宗教音乐的创作状态，并着重讨论十九世纪及其后的宗教音乐与复调创作手法之间的状况和联系，以期论证西方复调技法对其宗教音乐的发展，以及宗教音乐对复调技法创作的影响。

The sacred music gestates the technique of composing the polyphony, but the innovation of the technique of writing polyphony music also promotes the development of the sacred music.

可以说，复调音乐或复调音乐创作手法，在西方宗教音乐能够更为美感、更为广泛地传播中起着至关重要的作用。

This paper traces back the development of the meaning of the word "polyphony" from a music term to a fiction concept. It analyses and compares the main influences and differences on the polyphonic fiction theories and writings of Bakhtin, Genette, and Kundera.

本文回顾了&复调&一词从音乐术语向小说观念的借用及流变过程，分析并比较了巴赫金、热奈特及昆德拉在&复调小说&理论与创作上的承继轨迹及主要分歧。

This essay consists of three chapters, introduction, polyphony techniques in the Shostakovich' s String Quartets and the continuation, development, creativity in the polyphony by Shotakovich.

本文由以下三章组成：绪论、肖斯塔科维奇弦乐四重奏复调写作技术的研究分析以及肖斯塔科维奇对复调音乐的继承、发展与创新。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。