复活节

Most people agree that the word "Easter" comes from the Anglo-Saxon4 Goddess Eastre, a symbol of Spring.

多数人认为&复活节&一词源于盎格鲁撒克逊人所信奉的女神EASTRE，她是春天的象征。

As it happened, the pagan festival of Eastre occurred at the same time of year as the Christian observance of the Resurrection of Christ.

就这样，复活节在同年出现了，而且被当作耶稣复活的基督教仪式。

Most people agree that the word "Easter" comes from the Anglo-Saxon4 Goddess Eastre, a symbol of Spring.

多数人认为&复活节&一词源于盎格鲁撒克逊人所信奉地女神EASTRE，它是春天地象征句号。

The early name, Eastre, was eventually changed to its modern spelling, Easter.

而复活节早期的名字Eastre，最后也被改成流传至今的拼法Easter。

The early name,eastre,was eventually changed to its modern spelling,easter.

而复活节天下美食菜谱的名字eastre，最后也被改成流传至今的拼法easter。

The early name, Eastre, was eventually changed to its modern spelling, Easter .

而复活节早期的名字&Eastre&，最后也被改成流传至今的拼法&Easter&。上一篇：这已经是第一篇。

Easter takes its name from Eastre ,the pagan goddess of dawn whose annual spring festival signaledthe end of the dark days of winter and a waking up to new life.

复活节的名字来源于太平洋帕甘岛上的黎明神&伊斯特&。它象征着每年春天的开始，预示着漫长严冬的结束和万物又得以复苏。

Saint Bede (673-735), the English historian and theologian, discussed how the secular concept of Easter originated from a heathen festival held at the vernal equinox in honor of the Teutonic goddess of dawn, called Eostre, from which the Old English word eastre derived.

据英国史学家兼神学家圣毕德(Saint Bede， 673-735)考证，复活节其实起源于异教徒在春分之际举行的一个世俗的，膜拜条顿民族的黎明女神艾欧丝特Eostre的节日。

Gammy: This is like an Easter egg hunt.

奶奶：这就像在找复活节彩蛋。

It was some days, however, before they received any invitation thither, for while there were visitors in the house they could not be necessary; and it was not till Easter-day, almost a week after the gentlemens arrival, that they were honoured by such an attention, and then they were merely asked on leaving church to come there in the evening.

不过，他们已经有好几天没有受到罗新斯那边的邀请，因为主人家有了客人，用不着他们了；一直到复活节那一天，也就是差不多在这两位贵宾到达一星期以后，他们才蒙受到被邀请的荣幸，那也不过是大家离开教堂时，主人家当面约定他们下午去玩玩而已。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。