复心的

In the theory of human nature, FengQi overcomed the conflicts between rationalism and experimentalism, and assimilated the reasonable factors of theory recovering nature and theory of chieving nature.

冯契以历史实践唯物主义为基础，克服了"心即性"的理性主义和"生之为性"的经验主义对立，吸取了中国哲学史上的成性说与复性说的合理因素，把人性理解为从天性到德性的自由发展过程。

The first, as regards theory, Vijnaptimatrata regard that all the dharma (including material world and inner world) are created by the eight vijinana of citta-dharma, and the reason that vijinana can create all the dharma, is the bijas be hide in alayavijnana, this bijas can create all the dharma under some condition. And this dharma will vasana vijnaptimartata, enables its seed to be mature, like this continual create dharma, dharma vasana the bija, the bija turns round presently, This is the possible theory condition of transform vijnana into wisdom to be able.

首先就理论方面而言，唯识学认为世间万法(包括物质世界和精神世界)，都是由心法八识所变现生起的，而识之所以能够变现世间万法，就在于在阿赖耶识中潜藏有万法的种子，该种子在一定条件会生起变现出世间万法，而生起的万法又熏习阿赖耶识，使其种子得以成熟，如此无间地生起现行，现行复熏习种子，种子复起现行，这是转识成智得以可能的理论条件。

Dusk Looking into the sunset I can't help but notice that despite her beauty, a sense of struggle and hopeless surround the sky . Deep inside you realize that this day is gone, and everything that It had brought is lost forever. Every thought,every action,every dream,every hope, every sight,every sound is gone. There is no chance of every being returned the same, exactly the same. For every moment has a limit to what it can capture, Every memory has a limit to what it had retrieve. And the colours in the sky try to entertain us. one last act with painted smiles, for they too know that nothing can be done to save the day. So futile their attempt to comfort our fear of the night. our horror as we try to find our way, like children who wander into a forest and never return. I am ingratiated by the sunset because of her sensitivity as she tries to push the darkness back for just a moment more. But like so many times before....to no avail!

黄昏 凝望夕阳，我无法抑止地看到，无论她是如何的美丽动人，挣扎和绝望依然萦绕天幕，内心深处，你明白今日已逝，它所带来的一切也永远消失了，每一脉思想，每一次行动，每一个梦想，每一线希望每一幅景象，每一缕声音，都消逝而去，一切都不可能还复如初，和原来一模一样，只因每一个时刻所能捕捉的东西是有限的，甚至每一段记忆所能缅怀的一切也是有限的而天空中的绮丽色彩努力让我们快乐起来，最后上演的是五彩缤纷的微笑，因为它们也知晓，做什么都无法留住时日，它们想安慰我们对夜的恐惧，而又如此徒劳无益，虽然恐惧，我们依然寻找出路，宛若在林中的孩心，彷徨不知归路，我满心欢喜，只因夕阳的敏感，她竭力将黑暗推回，仅仅为了再多驻留一刻，可却犹如以往，一切都无济于事。。。。

During the first, shall we say, perhaps 150 to 200 of your years as you measure time, a mind/body/spirit complex is going through the process of a spiritual childhood, the mind and the body not enough in a disciplined configuration to lend clarity to the spiritual influxes.

在开始的，容我们说，150到200年之间，一个心/身/灵复合体正走过灵性童年的过程。心智和身体还不足以形成有序的配置，提供明晰状态给灵性汇流。

It requires the conscious awareness of the spiritual nature of reality, if you will, and the corresponding pourings of this reality into the individual mind/body/spirit complex for healing to take place.

这需要有意识地觉察实在的精神本质，如果是你的意愿，和这实在相应的浇灌进入个体的心/身/灵复合体，治疗就发生了。

South Back Street on both sides of this talented three-Square and Qi Xiang, lived inside many of the celebrities, like "Granny Bing Xin","Lin","Yan Fu","Shen Pao-chen","Tsung-Yi" This South Backstreet is their principal place of childhood play play.

这条南后街两旁是人才济济的三坊和七巷，里头居住过许许多多的名人，像&冰心奶奶&、&林则徐&、&严复&、&沈葆桢&、&林聪彝&这条南后街也是他们童年玩耍嬉戏的主要地点。

This paper discusses design and realizable methods of remote test output interface from logical design angle.

本文从逻辑设计的角度讨论遥测输出接口的设计及实现方法。

This also 星体投射plies to buildings, structures and geological features.

这也适用于建筑物和地质特征。