处境的

Actually, if we want to seriously discuss about 'Modernity', we'll find out that this issue has an awkward situation in China. Let's forget about the sociological issues and let's simply start from visual arts. The old generation of artists who brought western arts to China, actually brought along western classic arts academism that is just small part of western classic art, and it's far of being exhaustive. Furthermore, what they brought along went through many changes due to the contact with revolutionary realism and local culture. The result of this process was what was called "Modern Art" in China. After having arrived in China, a part of the western artistic academicism became "Chinese Modern Arts" and this misplacement still exists. Perhaps it comes from a creative misreading, however whether it has the capability of becoming an independent system or not, still remains uncertain.

事实上，当我们想认真的讨论"现代性"时，就会发现这一问题在中国有着极其尴尬的处境，且不谈社会学角度，从视觉艺术这个很小的角度切入，将西方艺术带入中国本土的老一代艺术家们带来的其实是西方学院派的艺术，是西方古典艺术的尾巴或被革命现实主义化了的西方古典艺术，而被带入中国本土后却被称为"现代艺术"，直至今日当代艺术在西方的学理支撑到了中国本土变成了被断章取义的只言片语，这其间"错位"一直存在着，或许这是一种有创造性的误读，但误读的主体是否具有独立消化能力的系统值得商榷。

Results indicated the following: When selecting sites, location or transportation time was the most important factor, followed by the organization's professional resources or personal professional interests. After entering the sites, interns needed to define their roles as the placement position could be experienced as ambiguous, conflictual, powerless, alienating, and even nonexisting. Internship experience allowed interns to better understand the substance and ecological environment of the counseling psychology profession, as well as the roles and functions of counseling psychologists. These experiences have significant impact on the career development of interns.

研究结果发现：实习心理师选择实习机构时，首要考量地点或交通时间的因素，在优先考量此项因素后，机构的专业资源或个人的专业兴趣依序为两项最重要的影响因素；实习心理师在进到实习场域时有不同角色与位置的体会，包括：虽有位置，却是一个「不容易的位置」，其内涵含括角色位置的模糊、冲突、弱势、以及疏离、以及「没有位置」的位置；驻地实习经验让实习心理师更清楚谘商辅导的内涵、环境与生态，也更了解助人工作者的样貌、角色与处境，也因为这样的看清，对他们未来的生涯产生相当关键的影响。

Moreover, most of them have already eliminated the scary part of image and only maintains the good wife one. Chapter five "genderal cultures in hetero-type marriage stores" discuss sources of those concepts and criticize them from feminine perspectives. This chapter emphasizes three aspects: rules for traditional wives in those stories, female images in those stories, and the communicative patter of the two sex in those stories. This chapter intends to find sexual cultures in the stories, explores discrimination in the patriarchic society and shows sympathy of it.

第五章〈异类婚恋故事所蕴藏的性别文化〉，采取综合讨论方式研究异类婚恋故事，一方面从社会背景追溯某些思想观念的渊源，另方面也参照当代女性主义思想加以批评，分就「异类婚恋故事中的妇职规范」、「异类婚恋故事的女性形象」以及「异类婚恋故事中的两性相处模式」三方面入手，主要是对异类婚恋故事做一统整，尝试找出故事里所反映的性别文化，以了解父权社会中的性别歧视、男性中心等现象，从而揭发女性在父权社会里的处境，并对其有著关怀与同情；另外，也关注故事里突破传统性别文化之处，因其提供了关於女性的新思维，让读者透过故事里不同既往的性别刻画，跳脱传统性别文化的拘囿，得以重新解读、认识女性的多元面貌。

Baby girl You know my situation And sometimes I know you get impatient But you dont put to on a show to get ovations Take it to court and go through litagations And I respect ya gangsta Treat you like a princess And put something on your neck to thank ya Shes my pinch hitta When the startin lineup aint playin right I come off the bench wit her It might sound like im gassin ya But it took time to get from the back seat to the passenger We been creepin and sneakin Just to keep it from leakin We so deep in our freakin That we dont sleep on the weekend Wifey A little bit uptight Wonderin why he comin home in the middle of the night Itll be alright if yall bump heads itll be a fight But i said itll be alright Come on I really wanna be with you be with you But I gotta be real with you real with you I cant leave you alone lone And I know I live and grown But i cant let ya go Your the one i want in my life want in my life Already got a wife got a wife Cant leave you alone lone And I know I live and grown But I cant let ya go You aint ever step out of line Or get out a pocket So i made sure canary sent out your locket To protect you, ill get out and cock it And you know the barrel of my gun is big enough to spit out a rocket Oh, you gonna play dumb if cops do come through I gotta keep the top up if my drop do come through But i know the boutiques and the shops you run through So i cop her one, and cop you one too You always get a daily page, weekly ring Plus you aint too shy to do them freaky things I aint gotta put a band on your finger I worry about you tellin the whole world im your new allen springer At first you were somethin i denied Something I would slide Just do somethin in the ride But shorty Theres something that you provide Cause the entre pain is good without somethin on the side You know I really wanna be with you be with you But I gotta be real with you real with you I cant leave you alone lone And I know I live and grown But i cant let ya go Your the one i want in my life want in my life Already got a wife got a wife Cant leave you alone lone And I know I live and grown But I cant let ya go Uh oh, i might be leavin the earth soon My girl gonna kill me if she smells the scent of your perfume Its gonna be a clip towards if I go back With stains of your lip gloss on my throwback She wont care if im a platinum rapper If she catch me with an empty magnum wrapper So keep it on the down low call the carsely You seen what happened with Mr. Big and R Kelly You know I get from you Anytime this chick is there for you Feelings imma share wit you Which makes it a Lil Mo clear for you x2 I really wanna be with you be with you But I gotta be real with you real with you

女婴 你知道我的处境有时候，我知道你不耐烦但你dont提出对表演获得掌声是否向法院经过litagations 我就帮遐把你像公主并提出一些对你的脖子谢遐畲族我捏hitta 当做起阵容并不是playin权我来替补，她风趣它听起来像即时几率遐但花时间从后座向乘客我们已经和creepin sneakin 刚刚把它从渗漏我们这么深的年freakin 我们dont睡上周末 wifey 有点紧张 wonderin为什么他搭档的家中半夜 itll予以好吧，如果男子跳车元首itll被扑灭但我说itll予以好吗来我真想与你与你但我干真正与你真正与你着我离开你独自独行我知道我的生活和成长但我让着去遐你的一个，我想在我的生命中希望我的人生已有一个妻子了妻子着离开你独自独行我知道我的生活和成长但我让着去遐你是不是有史以来走出线还是走出了口袋所以，我作了肯定的金丝雀寄出你的头发为了保护你，生病走出它公鸡你知道枪管的枪，我是足够大吐出火箭哦，你再拖扮演哑巴，如果警察不来，通过我干随时补足，如果我落不来通过但我知道，专卖店和商铺，你流经所以她的缔约方之一，并缔约方之一，你太你总是得到页每日，每周响另外你是不是太害羞做事情freaky 我并不是干把带手指我担心你tellin全世界即时你的新阿伦螺旋藻起初你somethin本人否认我将下滑刚做somethin在坐但shorty 照片theres东西，你提供造成entre痛是好的无somethin对方你知道我真想与你与你但我干真正与你真正与你着我离开你独自独行我知道我的生活和成长但我让着去遐你的一个，我想在我的生命中希望我的人生已有一个妻子了妻子着离开你独自独行我知道我的生活和成长但我让着去遐呵哦，我可寄至地球快我的女孩再拖杀了我，如果她的气味香，你的香水其再拖剪辑走向，如果我回去污渍与你唇光泽我倒退她で照顾，如果即时白金唱片如果她追上我用空枕包装所以保持对低下来致电carsely 你看到发生了什么大先生和r凯利你知道我从你随时这只小鸡有你投书感受分享您智慧这使它成为莫律清楚，你χ2 我真想与你与你但我干真正与你真正与你但我干真正与你真正与你着我离开你独自独行我知道我的生活和成长但我让着去遐你的一个，我想在我的生命中希望我的人生已有一个妻子了妻子着离开你独自独行我知道我的生活和成长但我让着去遐我真想与你与你但我干真正与你真正与你着我离开你独自独行我知道我的生活和成长但我让着去遐你的一个，我想在我的生命中希望我的人生已有一个妻子了妻子着离开你独自独行我知道我的生活和成长但我让着去遐

He had a brilliant position in society, thanks to his intimacy with Countess Bezuhov; a brilliant position in the service, thanks to the protection of a great person whose confidence he had completely won; and he was beginning to make plans for marrying one of the richest heiresses in Petersburg, plans which might very easily be realised.

他因与伯爵夫人别祖霍娃有密切关系，所以他在社会上的处境十分美满，又因他有一位要人庇护他，所以他的职位十分显赫，他完全博得这位要人的信任，他于是打算娶一个彼得堡的最富有的及笄的姑娘，他的这种打算在当时是很容易实现的。

This paper attempts to from love, the marriage, family angle obtaining, the analysis to study the new time female writer writing love and marriage writing to be able to find out by secret inquiry the contemporary feminine writer to present thoroughly in the text the feminine experience, since through various stages has had the representative feminine writer work analysis to the new time, summaries in the contemporary feminine writer novel text both gender relations evolution path and initiates these changes the reason; Inspects the feminine consciousness which under the male power tradition fetter clear appears day by day, the female while breaks through the male power bamboo fence to own value to refute the localization; Clearly recognized the female in the modern society the real survival situation and the stress disorder which causes facing the social environment vicissitude turbulent, time the self-value choice confusion.

本论文试图从爱情、婚姻、家庭角度入手，分析研究新时期以来女作家笔下的婚恋书写，更加深入地探知当代女性作家呈现于文本中的女性经验；通过对新时期以来各阶段具有代表性的女性作家作品的剖析，归纳总结出当代女性作家小说文本中两性关系嬗变的轨迹及引发这些变化的原因；从中考察男权传统束缚下日益彰显出的女性意识，女性在冲破男权藩篱的同时对自身价值的偏颇定位；认清女性在现代社会中真实的生存处境和面对社会环境变迁引起的精神心理动荡、自我价值选择时的困惑。

Among tragic novels,at first,by creating Unbalanced People,Hardy proved that at that time people were in division with society,nature,other people and theirselves,therefore,he made a new definition about """"people"""" and depicted the modern's basic outline:lonely,broken and pessimistic.Secondly,by courting persistently to """"Paganism Spirit"""",he not only criticized a great deal of drawbacks of Englightenment Modernityrdecrepit ethics,rigid reason,etc,but also drew the """"aesthetic""""prescription for the modern in predicament and called people to get back to t heir own existence,resume due status of perceptuality,impules and desire,etc.Thirdly,by profoundly conveying of pessimism,he revealed people's miserable situations under the violences of civilization and undependence after losing the God.Thus he refused the deformities of Enlightenment Modernity and enlightened people to look for new way of existence.At last,though dominated by realism,through the unique use of """"coincidence"""" and """"psychological depiction"""",his creation ,hi form,was somewhat similar with the modernism novels in the 20th century.

哈代在他创作的悲剧小说中，首先，通过对&非平衡性人物&的塑造，反映了当时的人们正处在与社会、自然、他人和自我的四重分裂状态中，由此他对&人&进行了重新的定义，描绘出了现代人的基本轮廓：孤独、破碎和悲观；其次，通过对&异教精神&的执着追求，他不仅批判了启蒙现代性的诸多弊端：衰朽的伦理道德、僵化的理性等等，同时，亦为困境中的现代人开出了&审美&的药方，呼唤人们回到自身的存在，恢复感性、冲动、欲望等的应有地位；第三，通过对&悲观主义&的深刻表达，他揭示了现代人的悲惨处境和失去上帝后的无所归依，从而拒绝了启蒙现代性的畸形规划，启示人们寻找新的存在之路；最后，虽然为现实主义所主宰，但通过&巧合&和&心理描写&手法的独特运用，他的创作又在形式上与20世纪的现代主义小说一脉相通。

By changing their sociality mode, the media focused the journalists, whose similar career, position, idea, interest brought very strong inter-identity and new-model community which more intellectual took part in as a giant intellectual group in virtue of the media.

近代媒体改变着传统文人的交往方式，媒体的效应使报人成为中心人物，相近的身份、处境、观念和趣味使报人之间产生强烈的认同感，从而形成新型的交际圈，他们广泛的社会关系和媒体的便利使更多的文人加入其中，构成庞大的文人群体。

If you will try to form a notion of yourself, of the sort of a something that you suspect to inhabit and partially to control your flesh and blood body, you will encounter a walking bundle of superfluities: and when you mentally have put aside the extraneous things—your garments and your members and your body, and your acquired habits and your appetites and your inherited traits and your prejudices, and all other appurtenances which considered separately you recognize to be no integral part of you,—there seems to remain in those pearl-colored brain-cells, wherein is your ultimate lair, very little save a faculty for receiving sensations, of which you know the larger portion to be illusory.

确实，一个容易上当受骗的认知，暂时地生存于一堆难解的奥秘里，这真不是一个可羡的处境。但是，这个人生——这个我执著依恋的人生——不会再来。与此同时，我常听人谈起&真理&，他们甚至为自己的对真理的了解大下赌注：但我更愿与&善戏谑的彼拉多&为伍，响应他丢弃的至今未被解答的关于什么是真理的疑问。

She looks as if she were thinking of something beyond her punishment -- beyond her situation: ofsomething not round her nor before her. I have heard of day-dreams -- is she in a day-dream now? Her eyes are fixed on the floor, but I am sure they do not see it -- her sight seems turned in, gone down into her heart: she is looking at what she can remember, I believe; not at what is really present.

而她看上去仿佛在想惩罚之外的什么事，与她处境无关的事情，某种既不在她周围也不在她眼的的东西，我听说过白日梦、难道她在做白日梦，她的眼晴盯着地板，但可以肯定她视而不见，她的目光似乎是向内的，直视自己的心扉。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。