处境的

Because of the flux of individual and society, the characters of his novel are outside of their culture, and because they cant get rid of the conceptions their societies imposing on them they are also encaged by social barriers. Lengthwise they lose their relations with traditional culture, and breadthwise they lose their relations with other people, and therefore they are captured by loneliness.

他笔下的人物因为个人与社会的变迁而遭遇文化家园的放逐，因为社会观念的束缚而遭遇社会壁垒(如白人与黑人之间的壁垒)的囚禁；他们既失去了与传统文化之间的纵向联系，也失去了与他人之间的横向联系，并因而深陷孤独的处境。

In the cultural context of China, not only Benjamin's works , but also his background, just as his Jewish birth, the friendship with Gershom Scholem, Theodor Wiesengrund Adorno and Bertolt Brecht, the same status with Charles Baudelaire, the same personal passion of collection with Eduard Fuchs, the same dumpish contemplation with Kafka, and his suicide are all texts which can be interpreted endlessly.

在中国学者的视野中，不仅本雅明的著述，一切有关本雅明的背景：他的犹太家庭出身、他与朔勒姆、阿多诺、布莱希特等人的友谊、他与波德莱尔相同的&文人&处境、与爱德华·福克斯相同的&收藏家&嗜好、与卡夫卡相通的痛苦思索，以及他在纳粹迫害下于通往自由之路上的自杀行为等都是可被无限阐释的文本。

It brings out that the plight about choose live or death in life ethic of iatrology is a special probable and impuissant condition which can be settled by compreh...

它揭示出医学生命伦理中的生命选择困境是人的一种特殊的或然的无奈的处境，不是正常方法可以解决的，只能是从人的生命的内在价值角度去理解、宽容和体验

The idea of that dreary and endless melancholy, which the fancy naturally ascribes to their condition, arises altogether from our joining to the change which has been produced upon them, our own consciousness of that change, from our putting ourselves in their situation, and from our lodging, if I may be allowed to say so, our own living souls in their inanimated bodies, and thence conceiving what would be our emotions in this case.

死者要经历万劫不复的苦难，其实这种想法只是一种幻想，它的产生自然要归因于死者所处的环境，而且也完全是因为我们将死者经历的变化与我们本身对那种变化形成的意识紧紧相连，因为我们将自己置身于死者的处境，因为我们将自己鲜活的灵魂，附在死者了无生机的躯体上，如果我可以这样说的话，而后再去想象这种条件该为我们催生出怎样的情感。

The author thought Li He and Keats'similarity, lies not merely in the work content, the style and the rhetoric technique, looking from deeper one, they both have inherited and developed romanticism technique, also have advancing, have the symbol and only the beautiful tendency, but this is related with the psychology which created with theirs special situation , their unsimilarity, besides experience different, also is closely linked with the different cultural tradition they inherited.

本文从浪漫主义向唯美主义、象征主义转化的这一大背景出发看李贺诗歌在诗歌史上的地位和意义，并将其与济慈比较，认为李贺与济慈的相似，不仅仅在于作品的内容、风格和修辞手法上，从更深一层看，他们在继承和发展了浪漫主义手法的同时，又具有超前性，有象征和唯美的倾向，而这与他们的特殊处境所造成的心理状态有关，他们的不同之处，除了经历的不同外，也与他们所继承的文化传统息息相关。

My Condition began now to be, tho' not less miserable as my Way of living, yet much easier to my Mind; and my Thoughts being directed, by a constant reading the Scripture, and praying to God, to things of a higher Nature: I ad a great deal of Comfort within, which till now I knew nothing of; also, as my Health and Strength returned, I bestirr'd my self to furnish my self with every thing that I anted, and make my Way of living as regular as I could.

在这样治病的同时，我拿起《圣经》开始读起来。因为烟叶的体味把我的头脑弄得昏昏沉沉的，根本无法认真阅读，就随便打开书，映入我眼睛的第一个句子是：&你在患难的时候呼求我，我就必拯救你，而你要颂赞我。&①这些话对我的处境再合适不过了，读了后给我留下深刻的印象，并且，随着时间的过去，印象越来越深，铭记不忘。

In either kind of game, the most important aspect of strategy design is understanding your opponent's position, and correctly deducing the likely response to your actions.

无论是哪种形式的竞争，制定策略中最重要的方面，就是了解你的竞争对手的处境，并且正确的推断出你的对手对你的行为做出的可能的回应。

Centering on the general topic of new verse language there are three basic problems that cannot be avoided: 1 Language resources: how to seek the inherent resources of language for new verse in the dilemma of vernacular and Europeanized speech; 2 Quality of language: how to find "base material" that can promote self generation and renewal of language for new verse from the classics and pre...

围绕着中国新诗语言这一总的论题，有三个难以绕开的基本问题：第一，就新诗语言资源而言，如何在白话与欧化的历史两难处境中寻求适于新诗语言的内在资源；第二，就新诗语言质地而言，如何在古典与现代的现实张力中，在二者的差异性和延续性中摸索到促动新诗语言自我生成和更新的&基质&；第三，就新诗语言风格而言，如何在实行对口语与书面语的双重超越后，构建符合新诗语言特性的多样化风格。

They do not hear our whimpers or understand our pleas. We're miserable and it's scary here we all would rather die. But since we don't we do our best to run away and hide. I know you think my story too sad to leave me be. You want to take me home with you, a happy little puppy. But please, though it is fearful to live here against our will. If you take me that leaves a spot another pup will fill. You can stop our suffering but not by taking us home. You must be strong and leave us here, unsold and all alone. For if you do not take me, then another pup won't come. And maybe he will not be shipped so far away from home. Tho some of us may not survive the cycle 'ere it falls. If we don't sell they will not need more puppies in these halls. And if they need no puppies then the Man will not bring more. Eventually it can all stop! You CAN close the door. So when you see a puppy face so sad and sweet and small.

他把我们全部塞在这些小小笼子里，我们长途跋涉，只能睡在粪便里现在我们坐在宠物店里，接受小孩子们的戏弄和捏挤他们听不见我们的哀哭，不懂得我们的哀祈我们处境悲惨，这里这么恐惧真是生不如死但是我们死不了，所以只能尽力躲避我知道你觉得我的故事太凄惨你不想让我在此久居你想把带我回家让我做只快乐的小狗但是，虽然我们不情愿充满恐惧地待在这里如果你带我走，另外一只小狗将步我的后尘被带到这里你可以帮我们解脱痛苦，但是不是用带我们回家的方式你一定要坚强，坚决把我们留在这里，无人问津，孤独凄凉因为如果你不带走我，另一只小狗就不会来到此地他可能就不会被从遥远的家里运来虽然我们中间有些小狗不会生存到这个循环的终止但如果我们卖不掉，他们就不需要更多的小狗如果他们不需要更多的小狗，那个人也不会带来更多总有一天这个循环会完全停止！

The author depainted some lifelike character, because he was familiar with these character\'s prototype.

红楼梦》是以作者真实生活为原型的自叙性小说，作者之所以描写出不少个性鲜明的典型人物，是因为他对人物原型的熟悉与理解，能够同情人物的处境，理解人物的情感，客观上摆脱了当时社会道德对个体的要求，真实展现了人物丰富复杂的内心情感世界，从而在这些个性鲜明的人物身上体现出真实的人性，达到了写实主义要求的典型人物。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。