声音的使用

In most of the ocean, turbid or murky waters force creatures to use nonvisual means of communication—smell, taste, touch, and sound.

在大部分的海洋，混浊或浑水的动物力量，使用nonvisual的信息手段－－嗅觉，味觉，触觉，和声音。

It happens more commonly in women, children, the elderly and those who use their voice a lot in their jobs.

它发生在较为普遍的妇女，儿童，老人和那些谁使用他们的声音在他们的许多工作。

The most effective way to use positive affirmations is with the individual's own voice.

最有效的方法就是使用积极的肯定与个体自己的声音。

For example ,if you use a telephone that changes a person's voice into ones and zeroes ,as a digital phone does ,you still think that be voice you hear is "real", don't you ?

比方说，如果就像数字电话那样，你使用电话时，说话声，转换成1和0的编码，你仍然认为你听到的声音是&真&的是吗？

Cage also notably used aleatoric music, and "found sounds" in order to create an interesting and different type of music.

他亦引目地使用了即兴音乐与&制造的声音&，为了镕铸一种新的有趣而不同的音乐类型。

The idea is to use the air to produce a direct sense of feeling that is stronger than what the sound can offer along, and to give the audients a sort of smooth yet humour attack.

直接使用空气作为一种相较於声音更有质量的感触，给与亲近的观众一种轻拂且幽默的攻击。

Black Africans used heavy drumbeats, a rough singing voice, and the calling of a melody and answer of a chorus.

非洲黑人使用重击的鼓声、粗糙刺耳的声音、喊叫的曲调和齐声应答。

There is some variation, however, in the way they are constructed: in the first and last fugues of BuxWV 136 the second voice does not state the subject as in enters during the initial exposition; in BuxWV 153 the second exposition uses the subject in its inverted form, etc.

有一些变化，但是，在它们的制造方式：在BuxWV 136秒的声音第一个和最后赋格曲没有说明这个问题在博览会期间首次进入，在BuxWV 153次博览会的主题使用在其倒等形式赋格曲某前奏科目可能与在弗罗贝格尔's和弗雷斯科巴尔迪氏 ricercars 和 canzonas（BuxWV 150，152等

The resource manager is a way of defining textures, sprites, sounds, and other items that your application makes use of.

资源管理器是一种定义纹理，精灵，声音，以及其他被你的应用程序使用的资源的方法。

Instead of using isorhythmic techniques in one or two voices, or trading them among voices, some works came to feature a pervading isorhythmic texture which rivals the integral serialism of the 20th century in its systematic ordering of rhythmic and tonal elements.

它的运用不再在一个或者两个声音上或者之间使用等节奏技法，有些作品开始具有充斥着等同节奏型特征，这种节奏型在节奏的系统定序和调性原理上与20世纪的序列音乐匹敌。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。