声音的

Besides the Grados being a "neutral, detailed, and warm-sounding headphone overall, with extended frequency extremes, wide dynamic range, and the ability to sound natural at a wide range of volume levels," BJR found the SR125s "simultaneously musical and revealing of every nuance recorded," but never aurally or physically fatiguing.

"Bob使用SR125监听自己的录音时发现这只耳机的真正特色，除了具备Grado特有的"中性、精致、温暖的声音特质，加上优异的高低频延伸、宽广的动态范围与在任何音量下皆能发出自然的声音的能力"，"它同时地保有音乐性和能发掘出录音讯息中的细微差别，但决不会引起听觉或身体上的疲劳。

Esides the Grados being a "neutral, detailed, and warm-sounding headphone overall, with extended frequency extremes, wide dynamic range, and the ability to sound natural at a wide range of volume levels," BJR found the SR125s "simultaneously musical and revealing of every nuance recorded," but never aurally or physically fatiguing.

ob 使用SR125监听自己的录音时发现这只耳机的真正特色，除了具备Grado特有的"中性、精致、温暖的声音特质，加上优异的高低频延伸、宽广的动态范围与在任何音量下皆能发出自然的声音的能力"，"它同时地保有音乐性和能发掘出录音讯息中的细微差别"，但决不会引起听觉或身体上的疲劳。

Peng Zhao singing with medium bass outstanding, the tamber is more soft and mellow at present, have one special features more mature spontaneousness of the sing on stage of space, He sings to feel attracted place to be thick but not flighty, the enthusiasm make open but not grandiloquent, the singing is always so natural flowing freely, an each songs can give the person the mood which constructs a kind of gentle, appreciate by this kind of mood his to sing in the meantime, or pleased or sad, or grief or joy, voice of usage so freely , use him that the magnetism wonderful voice, go to the in the mind with hid sing,this is Pang's fascination place at present.

曾几何时，赵鹏以其首张个人发烧大碟"男声低音炮"而一炮打响，一炮走红，在 Hifi 乐坛引发巨大轰动，发烧友"粉丝"不计其数。以中低音出色的他，现今音色更为松弛、圆润，独具一格的演唱特色更为成熟自然，他的歌唱动情处沉实而不虚浮，激情处张扬而不造作，歌声总是那么自然流畅，每一首歌都能给人营造出一种平和的心境，同时以这种心境去欣赏他的歌唱，或喜或悲，或哀或乐，声音的运用都那么自如，用他那磁性般美妙的声音，把歌一句句地唱到你的心里去，大概这就是赵鹏现今的魅力了。

Then, focus on the "Alliance of synesthesia vocal in" this chapter fairly detailed briefing on...更多 the basic attributes of the different voices triggered by the joint synesthesia experience; anatomy of the joint synesthesia vocal learning process in every aspect of the application; The combination of different feel between the joint synesthesia triggered experience, as well as the joint synesthesia and vocal teaching.

随后，把重点放在了"联觉在声乐中的应用"这一章节，比较详细地介绍了由声音的不同基本属性引发的联觉体验；解剖了联觉在声乐学习过程的每个环节中的应用；分析了不同感觉之间的组合引发的联觉体验，以及介绍了联觉与声乐教学、联觉与建立声音概念之间的关系，最后对于联觉的培养进行了论述并最终得出结论。

I am GOD'S CHILD 悲伤的声音在背後留下爪痕 I can't hang out this world 这样的回忆到哪儿都无栖身之处=== Gekkou I am GOD'S CHILD kono fuhai shita sekai ni otosareta How do I live on such a field konna mono no tame ni umaretanjanai toppuu ni umoreru ashidori taoresou ni naru no wo kono kusari ga yurusanai kokoro wo akewatashita mama de anata no kankaku dake ga chirabatte watashi wa mada jouzu ni katazukerarezu ni I am GOD'S CHILD kono fuhai shita sekai ni otosareta How do I live on such a field konna mono no tame ni umaretanjanai "riyuu" wo motto shaberitsuzukete watashi ga nemureru made kikanai kusuri bakari korogatteru kedo koko ni koe mo nai noni ittai nani wo shinjireba?

不是为了如此而诞生在这个世上的埋没在强风中的步伐尽管就快不支倒下但这个枷锁却不允许将心敞开交付於你唯独你的感觉却还散乱着我却还无法将它好好整理 I am GOD'S CHILD 堕落在这个已腐败的世界里 How do I live on such a field？不是为了如此而诞生在这个世上的继续诉说你更多的「理由」直到我入睡为止虽然遍地都是无效的药这里却连声音也没有那到底要相信什麽呢？

I am GOD'S CHILD 悲伤的声音在背後留下爪痕 I can't hang out this world 这样的回忆到哪儿都无栖身之处=== Gekkou I am GOD'S CHILD kono fuhai shita sekai ni otosareta How do I live on such a field konna mono no tame ni umaretanjanai toppuu ni umoreru ashidori taoresou ni naru no wo kono kusari ga yurusanai kokoro wo akewatashita mama de anata no kankaku dake ga chirabatte watashi wa mada jouzu ni katazukerarezu ni I am GOD'S CHILD kono fuhai shita sekai ni otosareta How do I live on such a field konna mono no tame ni umaretanjanai "riyuu" wo motto shaberitsuzukete watashi ga nemureru made kikanai kusuri bakari korogatteru kedo koko ni koe mo nai noni ittai nani wo shinjireba?

不是为了如此而诞生在这个世上的埋没在强风中的步伐虽然就快不支倒下但这个枷锁却不允许将心敞开交付於你唯独你的感觉却还散乱着我却还无法将它好好整理 I am GOD'S CHILD 堕落在这个已腐败的世界里 How do I live on such a field？不是为了如此而诞生在这个世上的继续诉说你更多的「理由」直到我入睡为止虽然遍地都是无效的药这里却连声音也没有那到底要相信什麽呢？

Peng Zhao singing with medium bass outstanding, the tamber is more soft and mellow at present, have one special features more mature spontaneousness of the sing on stage of space, He sings to feel attracted place to be thick but not flighty, the enthusiasm make open but not grandiloquent, the singing is always so natural flowing freely, an each songs can give the person the mood which constructs a kind of gentle, appreciate by this kind of mood his to sing in the meantime, or pleased or sad, or grief or joy, voice of usage so freely , use him that the magnetism wonderful voice, go to the in the mind with hid sing,this is Pang's fascination place at present.

曾几何时，赵鹏以其首张个人发烧大碟&男声低音炮&而一炮打响，一炮走红，在 Hifi 乐坛引发巨大轰动，发烧友&粉丝&不计其数。以中低音出色的他，现今音色更为松弛、圆润，独具一格的演唱特色更为成熟自然，他的歌唱动情处沉实而不虚浮，激情处张扬而不造作，歌声总是那么自然流畅，每一首歌都能给人营造出一种平和的心境，同时以这种心境去欣赏他的歌唱，或喜或悲，或哀或乐，声音的运用都那么自如，用他那磁性般美妙的声音，把歌一句句地唱到你的心里去，大概这就是赵鹏现今的魅力了。

The playfulness of "Digital Cubes" does not try to disguise its symbolic parallel to meaningful social interaction; while "Wave Bubble" examines the boundaries of privacy in a conglomerated, technologically intrusive environment,"Freedom Flies" proposes alternative models for social awareness and provides new ways for information freedom and democratization. In the same vain is a suit of software tools called "Open Government Information Awareness" designed to monitor government performances allowing everybody to access official data sets and build profiles of those in the government, reversing the course of big-brother's control on the individuals. Also included in MIT's exhibit is "ScreamBody", a wearable space for screaming. ScreamBody silences the screams so the person may feel free to vocalize without fear of environmental retaliation, and at the same time records these for later release where, when, and how the person chooses.

趣味十足的&数字立方&并不掩饰其社会互动的象征意义；而&飘动的泡沫&则检视了在科技日益无所不在的环境里个人隐私的存在界限；作品&自由飞翔&无疑为民众的信息自由意识和民主化提供了新的选择模式；同样，为监督政府行为而设计的以便于民众获取官方数据的成套软件工具&开放政府信息的觉醒意识&则是个人对政府信息强权控制的反叛；当然还有麻省理工学院的&呐喊的身体&，一个可佩带的用于呐喊的装置，&呐喊的身体&能够对喊叫进行消音处理，能够让喊叫者不必担心周围环境受到呐喊声音的打扰而自由地放声喊叫；并且能够同时记录这些声音，用户可以根据自己的需要任何时间、任何地点都可以再次释放这些喊叫声。

Features that remain constant throughout recorded language history are identical with language universals encountered in modern languages. Thus, we find changing inventories of phonemes but complete constancy in the basic phonematic mode of signaling. All languages are and have been phoneme-language throughout the documented past. Sound analogy or sound imitation is never encountered un-phonematized.

在历史的纪录中，恒定的特徵在所有语言中是普遍相同的，现代语言也不例外，因此我们发现音素的存留虽有改变，但是在发出信号的基本音位调式上是完全恒定的，由历史纪录可知，所有语言都是以音素为本的语言，声音的类比和声音的模仿永远都是音素化的。

If the rough-edged quality of Dylan's voice in the later selections betrays the hand of time, his intensity and commitment on each of these classic tracks seems undiminished.

假如迪伦这种粗犷的声音特性在他后来的作品中被判了岁月，然而他的声音的那种张力和致力于这些经典歌曲的那种责任感是没有消失的。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。