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As for Ukiyo-e prints, Suzuki Harunobu reached his prime time at his late years. For example 《Romantic Voluptuous Little Pretty》,《the Eight Scenes of Beauty's Chamber》《Romantic Beauty Mirrors》, this group of three of beauties are very famous. Kitagawa Utamaro had unique aesthetic appreciation, presenting women's charming and grace. Another artist Toshusai Sharaku didn't created many works. He appeared only for a short period of time, just like a shooting start crossing the sky. Katsushika Hokusai's "the Thirty-six Scenes of Fuyue" was the beginning of the popularity of Ukiyo-e prints. His work absorbed the factors of western world. Many of his works presented grandeur in front of people. The works of Utagawa Hiroshiga were also outstanding. His works revealed a sort of " Japanese complex".

浮世绘方面,铃木春信的创作旺盛期是在晚年,《风流艳色小豆人》、《风流闺室八景》和《荡女鉴镜图》三组美人画非常著名;喜多川歌磨有着独到的审美意识,展示女性的妩媚动人和优雅神态;役者绘大师东洲斋写乐的作品不多,仅仅出现在一个极短的期间,犹如历史夜空中一闪而过的彗星;葛饰北斋的"富岳三十六景"是浮世绘风景画流行的开端,作品吸取西洋的绘画元素,大多雄伟壮丽;歌川广重的"名所绘"出类拔萃,画中流露一种"日本情结"。

The broidered and dentated cordon of the eight and twenty royal niches; the immense central rose window, flanked by its two lateral windows, like a priest by his deacon and subdeacon; the frail and lofty gallery of trefoil arcades, which supports a heavy platform above its fine, slender columns; and lastly, the two black and massive towers with their slate penthouses, harmonious parts of a magnificent whole, superposed in five gigantic stories;--develop themselves before the eye, in a mass and without confusion,with their innumerable details of statuary, carving, and sculpture, joined powerfully to the tranquil grandeur of the whole

那镂刻着二十八座列王雕像神龛的锯齿状束带层,那正中巨大的花瓣格子窗户,两侧有两扇犹如助祭和副助祭站在祭师两旁的侧窗,那用秀丽小圆柱支撑着厚重平台的又高又削的梅花拱廊,还有两座巍巍、黝黝的钟楼,石板的前檐,上下共六大层,都是那雄伟壮丽整体中的和谐部分,所有这一切,连同强有力依附于这肃穆庄严整体的那无数浮雕、雕塑、镂錾细部,都相继而又同时地,成群而又有条不紊地展现在眼前。注意,注意力集中

The broidered and dentated cordon of the eight and twenty royal niches; the immense central rose window, flanked by its two lateral windows, like a priest by his deacon and subdeacon; the frail and lofty gallery of trefoil arcades, which supports a heavy platform above its fine, slender columns; and lastly, the two black and massive towers with their slate penthouses, harmonious parts of a magnificent whole, superposed in five gigantic stories;--develop themselves before the eye, in a mass and without confusion,with their innumerable details of statuary, carving, and sculpture, joined powerfully to the tranquil grandeur of the whole

那镂刻着二十八座列王雕像神龛的锯齿状束带层,那正中巨大的花瓣格子窗户,两侧有两扇犹如助祭和副助祭站在祭师两旁的侧窗,那用秀丽小圆柱支撑着厚重平台的又高又削的梅花拱廊,还有两座巍巍、黝黝的钟楼,石板的前檐,上下共六大层,都是那雄伟壮丽整体中的和谐部分,所有这一切,连同强有力依附于这肃穆庄严整体的那无数浮雕、雕塑、镂錾细部,都相继而又同时地,成群而又有条不紊地展现在眼前。

As for Ukiyo-e prints, Suzuki Harunobu reached his prime time at his late years. For example 《Romantic Voluptuous Little Pretty》,《the Eight Scenes of Beauty's Chamber》《Romantic Beauty Mirrors》, this group of three of beauties are very famous. Kitagawa Utamaro had unique aesthetic appreciation, presenting women's charming and grace. Another artist Toshusai Sharaku didn't created many works. He appeared only for a short period of time, just like a shooting start crossing the sky. Katsushika Hokusai's "the Thirty-six Scenes of Fuyue" was the beginning of the popularity of Ukiyo-e prints. His work absorbed the factors of western world. Many of his works presented grandeur in front of people. The works of Utagawa Hiroshiga were also outstanding. His works revealed a sort of " Japanese complex".

浮世绘方面,铃木春信的创作旺盛期是在晚年,《风流艳色小豆人》、《风流闺室八景》和《荡女鉴镜图》三组美人画非常著名;喜多川歌磨有着独到的审美意识,展示女性的妩媚动人和优雅神态;役者绘大师东洲斋写乐的作品不多,仅仅出现在一个极短的期间,犹如历史夜空中一闪而过的彗星;葛饰北斋的&富岳三十六景&是浮世绘风景画流行的开端,作品吸取西洋的绘画元素,大多雄伟壮丽;歌川广重的&名所绘&出类拔萃,画中流露一种&日本情结&。

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