境界

The only way I am able to view Doric art and the Doric state is as a perpetual military encampment of the Apollinian forces.

因此，以我看，我只能把多里斯境界和多里斯艺术理解为梦神文化的惨淡经营的堡垒。

The third realm of the "eternal" and "as soon as" the integration of the same, then people with limited time and space beyond, after a double negation to reach Heaven and Man of the territory after.

而第三境界中的"万古"与"一朝"的融合同一，则说明人对有限时空的超越，经过否定之否定之后达到天人合一之境。

Such concern about the expressive methods of dramatic art strengthened the integral"dramaticism"of some chuanqi plays, which together with the traditional lyrical characteristics of Chinese drama, opened a new dramaturgical realm.

此种对於戏剧表现手段的关注，使明清传奇中部分剧作整体之「戏剧性」逐渐增强，因而得以与中国戏曲传统之抒情特质陶熔出新的境界。

It also displays the spirit of enjoyable picture that enjoyable picture combines poem, book, drawing and print into one.

表现了写意画集诗、书、画、印于一体的精神和意外意、味外味的艺术境界。

In short, getting to the point where our economy can thrive without fiscal support may be a difficult, drawn-out process.

简言之，美国经济到达不需财政方面的支撑就能繁荣的境界，可能是艰钜的漫长过程。

He slept for a while and lapse d into dreaminess.

他睡了一会儿就堕入恍忽迷离的境界。

It throws into the ability and energy of the designer and producer, has reflected the personal styles of the designer and persons who dress, it is supreme form and realm of the fashion.

它倾注设计师与制作者的才能与精力，体现了设计师与穿戴者的个人风格，是时装的最高形式与境界。

In the subjective period, the whole universe is devided into a dualist world with the confrontation between the subject and object.

在混沌性存在境域，人的境界是"无我之境"，人以原始直观的方式感受世界。

To playing dulcimer, the player forms some psychological compass and the thoughts of inner visible model during the playing.

就扬琴演奏而言，表演者在演奏状态中形成一定的心理境界和内心视觉形象思维活动。

I went over to Staples to attempt to buy Vista and was dumbfounded by the twelve 12!

我走到跟前，试图购买主食是目瞪口呆的境界1212！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。