境界

If Anthroposophy is what it claims to be, a modern path to the spirit,then it is a source of new energy in our lives, for on the level ofaffects everything one does. Just think how a new insight can

如果人智学如其所述的一样，是现代的一条通过精神世界之路，那么，它就是我们生活的新的动力源泉，因为，从精神层面来讲，人已经进入了一种创造出精神力量的境界，而这种力量直接影响人的行为。

There were also primitivists who believed that in their age of the Spirit the restrictions of private property could no longer apply, and in addition to apocalyptic Fifth Monarchy men there were antinomian Ranters, who interpreted their lack of conscience over sexual irregularities as a certain sign that they had been lifted far beyond mundane restriction into a new realm of liberty in the Spirit.

也有primitivists谁认为，在他们的年龄的精神，限制私有财产的，可以不再适用，并在除了世界末日第五君主立宪制的男子有antinomian ranters ，谁的解释，他们缺乏良知超过性违规行为作为某些迹象他们已经解除远远超出了世俗的限制，进入一个新的境界，自由在精神。

Apatite is said to enhance one's insight, learning abilities and creativity, and to give increased self-confidence. It also is said to help achieve deeper states of meditation.

人们相信磷灰石可以增强人的洞察力、学习力和创造力，会给人以自信，之外，还会助人到达深层次的冥想境界。

For instance, within certain cultures good imitation is deemed to be the apex of creativity.

举例来说，对某些文化而言，惟妙惟肖的模仿是一种创意的最高境界。

Nietzsche s thoughts mainly include:(1) Spirit of art, namely, Apollonian and Dionysian spirit.

这种艺术精神具有酒神，日神两种精神，从而分为梦境和醉境两种境界。

To reach a closer understanding of both these tendencies, let us begin by reviewing them as the separate art realms of dream and intoxication, two physiological phenomena standing toward one another in much the same relationship as the Apollonian and Dionysiac.

5楼为了更深理解这两种倾向，让我们首先把它们看作两个分歧的艺术境界，梦境与醉境，这两种生理现象显出一种对照，类似阿波罗型与狄奥尼索斯型的对照。

Archaism, ancient charm and ancient raining spring are the ambit of Guyuchun Tea.

"古风，古韵，古雨春"是古雨春茶的境界。

One who attains the state of an Arhat no longer has any faults, bad habits, or idle thoughts.

在证得阿罗汉的境界，就什麼毛病也没有了。

In his nominalism, he opposed much of the thought of St. Thomas Aquinas and of medieval Aristotelianism; he also rejected the Pope's power in the secular realm.

在他的唯名，他反对大量的思想多瑪斯和中世纪的亚里士多德，他也拒绝了教皇的权力，在世俗的境界。

I've also said recently in another place that the highest state to which art can attain is artlessness.

我最近还在另一个地方说过：艺术的最高境界是无技巧。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。