塞加尔

Edgar Zilsel is a famous Austral philosopher of science, historian of science and sociologist of science in 20th century.

埃德加·齐尔塞尔是20世纪奥地利著名的科学哲学家、科学史学家和科学社会学家。

Not only Homer, Dante, Goethe, not only Aristotle, Plato, Epictetus , not only Rabelais, Cervantes, Swift, not only Walt Whitman, Edgar Allan Poe, Baudelaire, Villon, Carducci, Manzoni, Lope de Vega, not only Nietzsche, Schopenhauer, Kant, Hegel, Darwin, Spencer, Huxley ?

不仅读过荷马、但丁、歌德、柏拉图、埃庇克泰德，不仅读过拉伯雷、塞万提斯、斯威夫特民不仅读过瓦尔特？惠特曼、埃德加？艾伦？坡、波德莱尔、维荣、卡尔杜齐、曼佐尼、洛卡？

However, after Arthas' defection, the Death Knight led the Undead army to the gates of the city and, when the Archmage Antonidas refused to surrender, assisted Kel'Thuzad the Lich as he summoned Archimonde the Defiler into the world of Azeroth.

当阿尔塞斯背叛后，新生的死亡骑士带领着不死军团来到达拉然城门前。大法师安东尼达斯拒绝投降，于是亡灵巫师克尔苏加德在阿尔塞斯的帮助下召唤了污染者阿克蒙德。

In addition, essays by Anne Wilkes Tucker, Stuart Alexander, Martin Gasser, Jeff L. Rosenheim, Michel Frizot and Luc Sante offer focused analyses of Frank's relationship with Louis Faurer, Edward Steichen, Gotthard Schuh, Walker Evans, Robert Delpire and Jack Kerouac, while Philip Brookman writes about his work with Frank on several exhibitions in the last 30 years.

此外，通过安妮威尔克斯塔克，斯图尔特亚历山大，马丁加塞，杰夫湖罗森海姆，米歇尔Frizot和Luc桑特提供散文集中的弗兰克与路易斯Faurer，爱德华斯泰肯，哥达舒，沃克埃文斯，罗伯特德尔皮尔和杰克凯鲁亚克的关系分析，而菲利普布鲁克曼写几个展览，在过去30年来他与弗兰克工作。

It seems to me sufficient to take all those emperors who succeeded to the empire from Marcus the philosopher down to Maximinus; they were Marcus and his son Commodus, Pertinax, Julian, Severus and his son Antoninus Caracalla, Macrinus, Heliogabalus, Alexander, and Maximinus.

我觉得，列举那些继承罗马帝国帝位的皇帝们，上起哲学家马尔科下至马西米诺为例就足够了。这些皇帝包括马尔科、他的儿子科姆莫多、佩尔蒂纳切、尤利亚诺、塞韦罗、其子安托尼诺·卡拉卡拉、马克里诺、埃利奥加巴洛、亚历山大和马西米诺。

He was already in the forefront of literary and artistic circles, being a close friend of the Pre-Raphaelite painter Dante Gabriel Rossetti and his circle and a champion of contemporary French poets, including Baudelelaire.

当时他作为前拉裴尔派画家丹蒂·加布里埃尔·罗塞蒂及其圈内人物的亲密朋友，已在文学和艺术领域位居前列，而且还是包括波德莱尔在内的法国同时代诗人中的领袖人物。

INTER: Toldo; J Zanetti, Cordoba, Mihajlovic, Favalli; Veron (Emre 73), C Zanetti (van der Meyde 85), Cambiasso (Adriano 79), Stankovic; Martins, Vieri MILAN: Dida; Cafu, Nesta, Maldini, Kaladze (Serginho 37); Gattuso, Pirlo, Seedorf (Ambrosini 80); Kaka, Rui Costa (Costacurta 65); Crespo

米兰：迪达；卡福，内斯塔，马尔蒂尼，卡拉泽（塞尔吉尼奥 37'）；加图索，皮尔洛，西多夫（安布罗西尼 80'）；卡卡，鲁伊。

The renovated and expanded galleries feature all of the Museum's most loved 19th-century paintings by artists such as Cézanne, Manet, Monet, Renoir and Van Gogh, as well as major early-modern works by Bonnard, Vuillard, Matisse, Picasso, and many others.

经重新翻修并扩张的画廊将展出观众最喜爱的19世纪画家塞尚、莫奈、马奈、雷诺阿和凡高的作品，以及早期现代绘画皮尔·勃纳尔、爱多艾德·维亚尔、马蒂斯、毕加索等。

Also present were John Elkann, Michel Platini, Giampiero Boniperti, Franzo Grande Stevens, Jean-Claude Blanc and the board of directors, Roberto Bettega, sport and political institutions, representatives from that year's team namely Bonini, Brio, Briaschi, Tacconi and Vignola as well as Alessandro Del Piero, Mariella Scirea, Giovanni Cobolli Gigli, Francesco Morini and Giuseppe Furino.

同样出席的还有约翰。埃尔坎、米歇尔。普拉蒂尼、博尼佩尔蒂、斯蒂文斯、布兰科以及各位董事会成员、贝特加、体育和政治组织、那一年球队中的代表Bonini、Brio、Briaschi、Tacconi和Vignola，还有亚历山德罗。德尔。皮耶罗、玛丽亚拉。西雷阿、吉利、莫里尼和朱塞佩。

Also present were John Elkann, Michel Platini, Giampiero Boniperti, Franzo Grande Stevens, Jean-Claude Blanc and the board of directors, Roberto Bettega, sport and political institutions, representatives from that year's team namely Bonini, Brio, Briaschi, Tacconi and Vignola as well as Alessandro Del Piero, Mariella Scirea, Giovanni Cobolli Gigli, Francesco Morini and Giuseppe Furino.

同样出席的还有约翰·埃尔坎、米歇尔·普拉蒂尼、博尼佩尔蒂、斯蒂文斯、布兰科以及各位董事会成员、贝特加、体育和政治组织、那一年球队中的代表Bonini、Brio、Briaschi、Tacconi和Vignola，还有亚历山德罗·德尔·皮耶罗、玛丽亚拉·西雷阿、吉利、莫里尼和朱塞佩·弗里诺。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。