塔状的

Kauffmann survives, but many of the others are now obscure outside academia: Elizabeth Montagu, a critic—"Queen of the Blues", as Dr Johnson dubbed her—whose portrait by Allan Ramsay shows her looking faintly amused in a froth of lace and pink silk, leaning on a volume by David Hume, the Scottish philosopher and historian; or Anna Seward, a poet who is portrayed turning a page in her Milton—plainly waiting to get back to it; or Elizabeth Carter, poet, classicist, rival of Alexander Pope and translator of Epictetus, helmeted as Minerva, the goddess of wisdom, and carrying a volume of Plato.

经过历史的涤荡，考芙曼的声誉不减当年。而其他的女学者除了在学术界尚有影响以外，已逐渐变得鲜为人知。比如批评家伊丽莎白·蒙塔古。他被约翰森博士称为。在Allan Ramsay为她所做的肖像画上，她身着镶有泡状蕾丝的粉色丝质衣衫，斜斜地倚在由苏格兰哲学家和历史家大卫·修所著的书册上，散发出了令人晕眩的美。再比如诗人安娜·西沃德。在画家笔下，她正在翻动手头的弥尔顿诗篇，很明显，她盼着继续阅读。又比如伊丽莎白·卡特。她既是位诗人，又是古典派作家，与亚历山大·蒲柏齐名，她翻译了的作品。在画中，她扮成智慧女神米诺娃的样子，手执柏拉图的书卷。

To be specific: there is Jenna Bush, in her youthfully elegant slim-line and sleeveless Oscar de La Renta wedding dress bedecked in organza blooms, her hair loose and twisted lightly with flowers, standing on a grassy expanse at her parents' ranch, her husband in a dark blue suit. Here is Peter and his Canadian bride, she all meringue pouf, tiara and veil, he in morning suit, on the steps of St George's chapel in Windsor.

仔细对比一下：那边是詹娜布什，年轻，优雅，身材苗条，一袭奥斯卡德拉伦塔的无袖婚纱，点缀着透明硬纱制成的花朵，她的头发散放在肩上，用花儿轻轻缠绕起来，站在她父母农场的草地上，她的丈夫穿着深蓝色西服；这边是彼得菲利浦斯和他的加拿大籍新娘，她全身裹在蓬松的婚纱里，戴着冠状头饰和面纱，他穿着晨礼服，双双站在温莎堡圣乔治礼拜堂的台阶上。

His story was Patagonia's, a tale of 19th-century settlement, of his grandfather arriving in a desert and fencing a 32,000-hectare spread into five pastures which radiated out, like sections of a spoked wheel, from the hub of farm buildings.

他的故事是巴塔哥尼亚的故事，是关于19世纪祖先在此定居的传说——他祖父来到这片广漠的土地，用栅栏圈出一片总面积32000英亩的5个牧场，它们以农舍为中心像轮辐一样呈放射状分布。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。