塑造的

It's the first step in shaping a graduate management experience that's all about you.

这是在塑造一个研究生管理经验，这对你的第一步。

Efficient and safe dispensing, microbiological integrity and A-Z customer service help to shape your protection.

高效率及安全配药，微生物完整和阿尔克马尔客户服务有助于塑造你的保护。

The duty of the drame and the music which was give by the subject was accomplished by three elements used in this dissertation as following:the musical theme"La Roi S'amuse"(from the opera"Rigoletto")was the center clue;the forming precess of the three main characters (Rigoletto、Duke and Gilda)was the major may to interprete the drama subject; meanwhile, their own Arias were used to rebuild the musical figures; and the chorus between each of them was the main means to put forward the plot of the drama.

本论文以歌剧《黎戈莱托》的主题"诅咒"作为主轴线，以歌剧中三个主人公(黎戈莱托、曼图阿公爵、黎戈莱托的女儿吉尔达)在歌剧中各自音乐形象的塑造过程作为对歌剧主题诠译的主要手段，同时又以他们各自在歌剧中的咏叹调作为塑造音乐形象的主要方式，以他们相互之间的合唱作为歌剧情节向前发展的重要方式，从而完成歌剧主题所赋予的戏剧任务和音乐任务。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

The objective substantialism is good at analysis of the endogensis and objective attribute of the nation, but ignores the subjective attribute of nation, and other and relation for the forming of nation-self. The subjective substantialism focuses on the subjective attribute of nation. In the theory, the attribute is amplified that it is struck in the rut of defining the term nation using the relation between the nation and nationalism.

前者长于民族的客观属性分析与内生分析，但忽略了民族的主观属性，忽略了他者和关系对民族自我的塑造作用；后者最为看重民族的主观属性，强调民族主义对民族的塑造作用，但放大了民族的主观属性，且落入从民族主义与民族两者的关系来界定民族的案臼。

The novel "Bailu Yuan" is successful in transcending the traditional syllogistic principles of narration into the aesthetic syllogism. The syllogism in image building has shaped lively figures in the development of the story, displaying their complex characters and excavating the tragic meaning of their fates. The syllogism in plot development has strengthened the readability of the novel through depicting rich and co...

白鹿原》成功地将传统故事叙事三段原理创化为审美三段论：人物塑造三段论在发展中塑造了鲜活的人物形象，展示出复杂的人物性格，挖掘出人物命运的悲剧意义；情节演进三段论通过丰富复杂的意象情节变化强化了作品的可读性，探寻到人物的心路走向，展示出广阔的社会生活和历史真实；主题意蕴三段论在社会事物的互动发展中揭示了民族文化心理的演变轨迹，反思和建构了民族文化。

The mould theory philosophy takes"harmony"as its soul, and parsing and answering why harmony can be possible as its important mission, selects the harmonious substance of man and nature as its study object, tries to utilize the philosophical method of metaphysics to analyze harmony between"existence"and"substance", mental existence and physical existence, deeply argues why harmony between the subjective and the objective can become possible, discloses that civilized human being and human being's culture are contradictory and unified, explains why unification and harmony between intelligential human being and spiritualism in the nature can become possible from the perspective of science and humanism, and points out that people's pursue of value should be harmonious unification of"essence, goodness, benefit, and beauty".

塑造论哲学以&和谐&为思想精髓，以解析回答&和谐何以可能&为重要使命，选取人与自然的和谐体&塑造之物&作为研究的&上手之物&，尝试运用区分&两阶形而下&和&两阶形而上&的哲学方法，剖析了&形而上&与&形而下&即&存在&与&物在&、&心在&与&身在&的和谐，深刻论证了主客体关系和谐何以成为可能，揭示了文化人类和人类文化是对立统一的，并从科学和人文的角度阐释了有灵性的人与自然界灵性的统一和谐何以可能，指明了人存在的价值追求应是&真、善、益、美&的和谐统一。

This text analyzed the process of figuring the image of Naren Gaowa, explored the skill of singing in opera and figuring the image about the actress in Chinese opera by the analyse about the only woman----- Naren Gaowa in this appear, deeply understanding the status and the influence in the history of Chinese opera., which would enhance the intellect and expressive force of me in vocality.

本文通过对剧中唯一女主角——娜仁高娃的歌剧形象的分析，在前人时贤的有关《苍原》的研究基础之上，挖掘娜仁高娃这一形象的塑造过程，探索中国歌剧中女性人物的演唱技巧和形象塑造，进而深层认识《苍原》在中国歌剧发展史上的地位和作用，同时也能提高笔者在声乐演唱上的理解力和表现力。

By analyzing the images of women in the male-dominated society in which women were only regarded as men's accessories or marginalized and sexual politics embodied in Marrow narrative discourses,it hints that Conrad was influenced by patriarchic ideologies ,and he characterized binary women in the gender construction and characterization ,and this sugg.

通过分析马洛话语下的女性形象，在父权思想占统治地位的社会，女性只能作为男性的附庸，或者被边缘化，作品中展现的性别政治观点，折射出作者康拉德受父权思想的影响，在性别的建构和人物的塑造问题上，塑造了二元对立的女性形象，体现了他的性别歧视。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。