塑造的

In the Water Margin, Li Kui is portrayed lively and vividly.He is a lifelike figure.He is born honest,pure,rash,sincere,and uninhibited.He pays much attention to the loyalty of the rivers and lakes.However,he admires Song Jiang blindly because of his morality of rivers and lakes.He has more original wild nature and bloodthirstiness than the childish naive.

内容摘要：李逵是《水浒传》中塑造的一个血肉丰满的形象，他生性耿直、单纯、莽撞、率真豪爽、讲究江湖义气，然而正是他的单纯的江湖道义，使他对宋江盲目崇拜，除了顽童般的天真外，他的单纯更多了几分原始的野性和嗜血性。

While the defence compensates what it lacks in depth with mental grit and the midfield is looking more plastically brilliant than it has in years, the tip of the sword is still distressingly blunt.

当他们的后卫线眼下仍然缺乏足够的精神磨练，他们的中场看起来比往年可以塑造的更耀眼。他们的箭头仍然令人感到沮丧的显得生钝。

I had read of the potter's clay and wheel in Scripture, but it had never occurred to me that the pots we use were not such as had come down unbroken from those days, or grown on trees like gourds somewhere, and I was pleased to hear that so fictile an art was ever practiced in my neighborhood.

我只在经文之中读到过制陶器的陶土和辘盘，我却从未注意过，我们所用的陶器并不是从那时留传到今天的丝毫无损的古代陶器，或者在哪儿像葫芦般长在树上的，我很高兴地听说，这样一种塑造的艺术，在我们附近，也有人干了。

This is very difficult before Internet appears, they should find a customer, they want to carry common mail, correspondence, can envisage Internet fictile these impetus, so I feel very glad for this, we begin to cast from ten years like Yahoo, gu Ge such company, to China I myself also enlisted company of a lot of Internet, we also invested enterprise of a lot of Internet, be opposite for these platform Chinese development, to China what dreamy youth realizes aspiration platform is build, for us this economy realizes the innovation spirit of diversity to feel glad truly.

这个在互联网出现之前很难，他们要找到顾客，他们想通过普通的邮件，信件，可以想像互联网塑造的这些推动力，所以我为此感到非常兴奋，我们从十几年就开始投像雅虎，谷歌这样的公司，到中国我本人也参与了很多互联网企业，我们也投资了很多互联网企业，为这些平台对中国的发展，对中国有梦想的年轻人实现抱负平台的搭建，为我们这个经济真正实现多元化的创新精神感到兴奋。

I had done a similar thing in, in Central Station where as we were on the road and when we saw the religious processions in that part of Brazil, we soon incorporated them into the film and it didn't exist in the original screenplay either and here the boy started to imitate, you know, as we went back and forth to the location and the animals were there, he started to imitate all of them and then suddenly we started to incorporate that as well, er, same thing with the fire-eater, when she started to show us what she could do, we, we immediately started to, you know, to organically incorporate those elements into the screenplay and that is really a fascinating part of our film, it's the collaborative aspect of it, you know, it's when you realise that without every single person's input, the film wouldn't be the same and this is what really makes cinema depart from most medium, is that you have to accept it's democratic quality, you know, essence in order for a film to really be alive and interesting to watch, I guess.

唔，有趣的是当卡戴尔看完电影就跑来对我说，你知道吗这是最忠于原著的改编版，可很多元素都不同，最后，我认为当你改编小说时，当你把文学转化成电影时，真正需要重视的是小说精髓之处，这比什么都要紧，并且创造出一种两者如对立沟通式的对白而不只是改编，ipsis literis，你知道这书，运用他作为深刻的灵感来源，他允许你探究，你知道，没有素材来源不可能投入进去，有次我看库布里克的访谈，其中说到他偏爱主人公容易塑造的小说而不是小说本身，如此他就能专注于故事构架和情节而不是依照原本，这我可以明白，但换个角度说，如果我自己没有被故事打动，如果是这样，故事无法让我产生共鸣那进行二次创作很困难，因为人物本身就显得很单薄无法定位和改编，但我真的能理解他的感受。

Two works of his,The Heathen Chinese,a poem,and Wan Lee,the Pagan,a story,take Chinese as the main characters,and they both disclose Harte's ambivalent attitude toward the Chinese: While he condemns the brutality and injustice inflicted upon the Chinese,he provides his readers with a biased and ex parte stereotype of the Chinese ...

哈特的两篇作品《异教徒中国佬》和《异教徒李顽》都以中国移民为主人公，但在对待华人的态度上，哈特是自相矛盾的：他一方面谴责针对华人的暴行，同情华人受到的不公正待遇，另一方面，他所塑造的华人形象是歪曲、片面的"刻板印象"，反映了作者和美国大众的东方主义思想。

Eustacia, the heroine of The Return of the Native, has received various criticisms. For example, Saturday Reviewer sees Eustacia as "a wayward and impulsive woman". Albert J. Guerard thinks that Eustacia is "the first of Hardy"s irresponsible and mildly neurotic hedonists." Havelock Ellis holds the view that "uperficially she was timid; it was beneath that timidity that her stronger and more rebellious spirit dwelt.

其中《还乡》的女主角游苔沙历来受到了批评家的关注，例如《星期六评论》认为游苔沙是一个"任性、冲动的女人"；A·格拉德说游苔沙是"哈代所塑造的那些缺少责任感而且有点神经质的享乐主义者中的头一个"；H·艾利斯则指出："表面看来，她羞怯，但在这种羞怯下面，却有着坚强、叛逆的精神"。

The believer is as the non-believer; neither will find the truth, for their thought is shaped by their education, by their environment, by their culture, and by their own hopes and fears, joys and sorrows.

信仰者和非信仰者是一样的；如果人们的思想是由他们的教育、环境、文化、自身的希望和恐惧、快乐和悲伤所塑造的，他们就不会找到真理。

Uncritical and childish conformists, they took for granted the grandeur, dignity, morality, and happiness of the artificial societies of the ancient world.

这些无批判力的，孩子气的信奉者，他们将古代世界这一切依人的意志所塑造的社会的宏伟，高贵，道德和幸福视为理所当然。

CORE has decided to model not just the capacity of a nation, but also the quality and spread of industrialization throughout a country, as well as a national focus, called Industrial proficiencies.

CORE决定塑造的不仅有一个国家的工业能力，还有相关的质量和工业化在一个国中的传播，以及一个国家的中心点，被称之为工业熟练度。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。