塑造了的

I got it, I suppose, because I had been in the Navy. It was alluring to shoot in a submarine, with hand cameras and so forth. But it was a miserable little story. Here the auteurship of the studio comes in. But I did want to do pictures about America. Not just appeal to American tastes. The French call it contes moraux - a series of episodes. Not so much moral tales, as tales about peoples' morality.

于是制片公司的主导权要发威了，而我又不想把故事放在美国，不想只是迎合美国人的口味，法国人把这称为道德故事集，就是一系列故事，但我没有太多涉及道德的东西，比如《天妒红颜》，我想在里面展示你在所有电影里见到的愚蠢女人，这在妇女解放运动之前，我想塑造一个没有底限的，一点也不让人喜欢的女人，我想把赌博式的伪装的世界和非现实的东西与一个新女性的世界做一比较。

To analyze people's music image, the article mainly discusses three main arias which show the development of Chan Juan's character; to exhibit figural extemporizes, the article analyzes various techno-lays such as vocality volume, timbre and breath in term of the movement of Chan Juan's emotions.

本文在梳理歌剧创作背景的基础上，聚焦于婵娟的人物刻画和艺术形象的塑造，并通过重点分析剧中展现婵娟人物性格发展脉络的三个主要咏叹调来具体展开讨论。本文还依托剧情，按照婵娟的感情变化，在歌唱的气息、音色、语言、形体表演处理等各种技术层面上对婵娟的演唱处理进行了全面总结。

Western traditional construction attention independent "shape" the mold,the construction justs like a place entity the sculpture to be ordinary,also because of so,causes the building effect to the light shade utilization strongly,the exaggeration,to be succinct,to be pure,for human different psychological feeling.

&建筑是凝固的音乐，建筑是石头的史书，建筑是居住的机器&，直观地总结了建筑的特征。西方的传统建筑注重独立的&形&的塑造，建筑犹如一座座实体的雕塑一般，也因为如此，对光影的运用使得建筑效果浓烈、夸张、简洁、单纯，给人不同的心理感受。

The article deals with narration including the content, the structure and the paroles. What I made is a systematic study of the theme, the figure, the structure and the paroles. My work is trying to get a conclusion of the narrative of Zhang Yi-Mou's creation in the field of film in order to provide a vivid case of the narration analysis.

本文尝试从叙事学的角度，综合运用电影叙事学、电影语言学的知识对张艺谋导演的电影作品加以梳理和分析，从叙事内容、叙事结构、叙事话语等三大方面，将张艺谋电影的题材选取、人物塑造及其叙事模式和基本话语进行了比较系统的论说；试图总结出张艺谋在叙事方面的优长与缺失，并希冀自己的工作会为电影叙事学的分析和研究提供一个生动的案例。

Chapter One presents the western yearning and the imagination of China, the motivation of Portuguese navigation as well as the formation of the Portuguese social psychology; these were the elements that construct the differences in the shaping of the Chinese image. Chapter Two outlines the images of China for the Portuguese in the 16th century and how these images were used or manipulated. Chapter Three identifies the reasons for Fernao Mendes Pintos excessive praise for China. Chapter Four discusses the attitude held towards China by poets and missionaries, and the European misinterpretations of the Chinese image. Chapter Five reviews the Chinese image portrayed by Eca de Queiroz, a Portuguese novelist, and the translations of Chinese poems by certain poets. Chapter Six investigates how poets, especially those who had once stayed in Macao, viewed and perceived China.

第一章概述西方对中国的向往和想象、葡萄牙海外扩张的动机以及民族心理的构成，这决定了他们在塑造中国形象时的某些相异性；第二章论述16世纪葡萄牙人眼中的中国形象，以及对这一形象的利用；第三章集中讨论费尔南·门德斯·平托狂想式赞颂中国的原因；第四章评述诗人和教士对中国的态度以及欧洲对中国形象的&误读&；第五章论及小说家埃萨(Eca de Queiróz)笔下的中国形象以及一些诗人对中国诗歌的翻译；最后一章聚焦澳门，考察在澳门生活过的葡萄牙作家是如何描述中国的。

Cao Wenxuan's children novels are one of children's literature creation harvests in the last few years .He pursues the classic writing , which makes his novels to be in a special class . the publication of three novels -----"grass house""red tile" and "root bird" about growth has received readers and commentators attention. experts and readers appreciate them highly.

曹文轩的儿童小说是近几年来儿童文学创作收获之一，本文从曹文轩儿童文学创作观的角度入手，通过&美&、&永恒&、&民族性格&几个方面分别论述，提炼了曹文轩的几个创作观：对自然的诗意刻画；对&苦难&的优美抒写；追求瞬间和成长的永恒；塑造儿童民族性格，结合曹文轩小说的内容进行分析。

We could lose We could fail In the moment It takes To make plans Or mistakes 30 minutes, a blink of an eye 30 minutes,to alter our lives 30 minutes,to make up my mind 30 minutes,to finally decide 30 minutes,to whisper your name 30 minutes,to shoulder the blame 30 minutes,of bliss, thirty lies 30 minutes,to finally decide Carousels In the sky That we shape With our eyes Under shade Silhouettes Casting shade Crying rain Can we fly?

我们输得起我们可以失败在这一刻它来了起飞还是错误？ 30分钟，双眼的失明 30分钟，我们生活的改变 30分钟，作出我的决定 30分钟，最后的决定 30分钟，呢喃着你的名字 30分钟，肩负起过失 30分钟，祝福，为30个谎言 30分钟，作出最后的决定在天空里，喧闹的酒会，用我们的眼睛去塑造在影子之下黑色半身侧面影逃离阴影嘶鸣的雨我们能飞翔吗？

Two works of his,The Heathen Chinese,a poem,and Wan Lee,the Pagan,a story,take Chinese as the main characters,and they both disclose Harte's ambivalent attitude toward the Chinese: While he condemns the brutality and injustice inflicted upon the Chinese,he provides his readers with a biased and ex parte stereotype of the Chinese ...

哈特的两篇作品《异教徒中国佬》和《异教徒李顽》都以中国移民为主人公，但在对待华人的态度上，哈特是自相矛盾的：他一方面谴责针对华人的暴行，同情华人受到的不公正待遇，另一方面，他所塑造的华人形象是歪曲、片面的&刻板印象&，反映了作者和美国大众的东方主义思想。

Eustacia, the heroine of The Return of the Native, has received various criticisms. For example, Saturday Reviewer sees Eustacia as "a wayward and impulsive woman". Albert J. Guerard thinks that Eustacia is "the first of Hardy"s irresponsible and mildly neurotic hedonists." Havelock Ellis holds the view that "uperficially she was timid; it was beneath that timidity that her stronger and more rebellious spirit dwelt.

其中《还乡》的女主角游苔沙历来受到了批评家的关注，例如《星期六评论》认为游苔沙是一个&任性、冲动的女人&；A·格拉德说游苔沙是&哈代所塑造的那些缺少责任感而且有点神经质的享乐主义者中的头一个&；H·艾利斯则指出：&表面看来，她羞怯，但在这种羞怯下面，却有着坚强、叛逆的精神&。

But Mr Horspool's achievement is to show the sheer extent to which rebellion in its many different shapes and forms has been a continuous and conscious tradition shaping the behaviour of both the ruled and their rulers. The Levellers in the 17th century saw their oppression as dating from the imposition of the "Norman yoke" in the 11th century; the 19th-century Chartists took their inspiration from Magna Carta in the 13th century; and those late 20th- century rebels defying Mrs Thatcher's poll tax referred directly back to the Peasants' Revolt of the 14th century.

但是，霍斯普先生的成就在于他表明了：各种形式的反叛，在某种决定性的意义上，构成了一种有意识的，不断地在塑造着统治者与被统治者行为的历史传统。17世纪的平等派把他们所受到的镇压一直追溯到11世纪的&诺曼之轭&[注4]，19世纪的宪章派从13世纪的大宪章汲取灵感，而在20世纪后期反抗撒切尔人头税的人们，则把14世纪农民起义看作自己的直接渊源。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了