塑造了的

A dead-on feel for characterization; She avoids big scenes...preferring to rely on small gestures and dead-on dialogue- Peter S.Prescott.

对人物塑造完全正确的感觉；她避免了使用大场景……情愿依靠细微的姿态和恰如其分的对话——彼得·s·普林斯考特。

Working in a usher and mobile disc jockey, all helped shape his vivid, funny.

曾经担任法警和音乐电台主持人的工作经验帮他塑造栩栩如生、幽默风趣的角色起到了很大的作用。

In the fourth chapter the discusser focused on the principle, the news characteristic, the issue mode, the advertisement strategy and the brand about the newspaper.

在第四章文章对这份报纸的办报理念、新闻特色、发行模式、广告策略与品牌塑造等各方面展开了论述，还对这张报纸未来发展所遇到的一些问题提出自己的思考。

This text passes the writing background of divertimento and analysis of the works of"""""""" tour in winter"""""""" to romanticism composer Schubert, Propose that this structure is huge, and has all achieved the artistic characteristics of the divertimento of very high achievement in characterization and psychology portrayed: Expressing the deep thought with the tactics that suggest, development music and ideal of the literature poesy are combined ; The creative development piano accompanies on the functional function of art, the artistic conception of making every effort to portray the musical image and playing up the song from many aspects; The song is tuneful and smooth naturally, has folk song and succinct and simple; It is quiet and symmetrical that the whole divertimento has dramaticism but a magnum opus of a romanticism remains classicism throughout.

本文通过对十九世纪奥地利浪漫主义作曲家舒伯特《冬之旅》套曲之写作背景与作品分析的研究，总结出这部结构庞大、而且在人物塑造和心理刻画上都达到极高艺术造诣的套曲的艺术特色，即：用暗喻的手法表达作品深刻的思想内含，并在很大程度上完成了音乐与文学诗词之间的理想结合；创造性地发展了钢琴伴奏艺术的功能性作用，力求从多方面刻画音乐艺术形象和渲染歌曲的意境；转调频繁，特别是同名大小调转调运用巧妙；歌曲的旋律优美、自然、流畅，有民歌的简洁和朴素；全套曲具有戏剧性，是一部浪漫主义力作，但仍始终保持着古典主义的静谧与对称。

This text pases the writing background of divertimento and analysis of the works of tour in winter to romanticism composer Schubert,Propose that this structure is huge,and has all achieved the artistic characteristics of the divertiment of very high achievement in characterizayion and psychology portrayed:Expressing the deep thought with the tactics that suggest,development music and ideal of the literature poesy are combined;The creayive development piano accompanies on the functional funcyion of art,the artisitic conception of making every effort to portray the musical image and smooth naturally,has folk song and succinct and simple;It is quiet and symmetrical that the whole divertimento has dramaticism but a magnum opus of a romanticism remains classicism throughout.

本文通过对19世纪奥地利浪漫主义作曲家舒伯特《冬之旅》套曲之写作背景与作品分析的研究，总结出这部结构庞大、而且在人物塑造和心理刻画上都达到极高艺术造诣的套曲的艺术特色，即：用暗喻的手法表达作品深刻的思想内含，并在很大程度上完成了音乐与文学诗词之间的理想结合；创作性的发展了钢琴伴奏艺术的功能性作用，力求从多方面刻画音乐艺术形象和渲染歌曲的意境；转调频繁，特别是同名大小调转调运用巧妙；歌曲的旋律优美、自然、流畅，有民歌的简洁和朴素；全套曲具有戏剧性，是一部浪漫主义力作，但仍始终保持着古典主义的静谧与对称。

Through the demonstration of the no-desire and selfless characteristics of ordinary people, we only discover the class nature which emasculate one′s personal desires in Jia Pingwas early works. Then through revealing the humanity shine in suffering characters we can find the distortion of human nature.

通过展现其初期创作里面普通人物身上无私无欲的个性特点，探析贾平凹早期小说中那种阉割了个人欲望的阶级性；又通过受难人物身上闪耀的人性光芒来揭示其人物塑造的失真。

While critics exclaim at his astonishing technical innovation and his ingenious handling of different narrations, many of them also criticize him on his characterization of the heroine Caddy because Faulkner keeps her absent as a narrator.

当一些评论家惊叹于他那令人瞠目的技巧创新和天才的叙述能力时，也有很多人对女主人公凯蒂的形象塑造提出了批评，原因是福克纳始终没有让凯蒂以主体身份进行叙述。

In the next chapter, the essay reveals the courses of the medieval gender discourse by using the concept of Foucault's discourse, and analyzes newly the influences of such historical phenomena as ecclesiastical law, virgin worship and courtly love on the shaping of female with such psychological concepts as Gender stereotypes, masculinty and feminity etc .

文章在第二部分运用福柯的话语概念，阐述了中世纪性别话语的来源，并借用心理学上的性别刻板定型、两性气质等概念，重新剖析教会法、圣母崇拜、典雅爱情等历史现象对女性性别塑造的影响。

The character that Beck spy fictile breaks up is opposite not only traditional Thespian and aesthetic view posed a challenge, and with a kind brand-new angle shows real world.

贝克特塑造的分裂的人物不仅对传统的戏剧审美观提出了挑战，而且以一种全新的角度来展现现实世界。

The focus of this argument is whether the Chinese images created by Lin embody the significance of Chinese culture, and whether they express the Chinese culture in accordance with the inherence of Chinese culture.

其中问题的焦点是：林语堂所塑造的中国形象是否承载了中国文化的意义，是否是按照中国文化的固有面貌来展示中国文化。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。