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By the fashioning of the rebellious women figures, Faulkner expresses his negative attitude to the myth of Southern ladyhood and his complex feelings of sympathy and perplexity, understanding and contradiction, and sustaining and reservation.

福克纳通过对塑造的叛逆者形象的塑造,表明了他本人对南方淑女神话的强烈否定,以及对南方新女性挑战传统,并进而构建女性主体身份所抱有的既同情又困惑、既理解又矛盾、既支持又保留的复杂心态。

When depicted as the avaricious images, they are usually protagonists in the stories, and their avarice and miserliness are described incisively and vividly. However, when depicted the accommodating images, few words are often used by the novelists.

小说中同是塑造徽商"贪财吝啬的形象时,往往将徽商作为故事的主角,详细描述其吝啬之态,贪财之形;但是在塑造徽商"乐施助人的形象时,小说家们便有些吝惜其笔墨了。

The objective substantialism is good at analysis of the endogensis and objective attribute of the nation, but ignores the subjective attribute of nation, and other and relation for the forming of nation-self. The subjective substantialism focuses on the subjective attribute of nation. In the theory, the attribute is amplified that it is struck in the rut of defining the term nation using the relation between the nation and nationalism.

前者长于民族的客观属性分析与内生分析,但忽略了民族的主观属性,忽略了他者和关系对民族自我的塑造作用;后者最为看重民族的主观属性,强调民族主义对民族的塑造作用,但放大了民族的主观属性,且落入从民族主义与民族两者的关系来界定民族的案臼。

Once it has the attempts to carry out identity strategies effectively, promote its own identity levels, one scientific, standardized systematic, well-aimed and well-operated identity construction frame must be built, and scientific arrangement, analysis and study by aiming at the existing problems in real situation on the basis of present situation should be made, too.

该部分以外部公众和内部公众为调查对象,实施问卷调查,并根据统计数据,分析了重庆市北碚区中等职业学校形象现状及其存在的问题,为形象塑造奠定了基础。第三部分,重庆市北碚区中等职业学校形象塑造的策略。

Chapter four deals with the pursuing of people's all-round development in bettering the enterprise inner conditions.

本章主要从企业价值观的演变中提出新的价值观的塑造问题,接着具体论述了塑造企业新价值观的意义、原则和途径。

The mould theory philosophy takes"harmony"as its soul, and parsing and answering why harmony can be possible as its important mission, selects the harmonious substance of man and nature as its study object, tries to utilize the philosophical method of metaphysics to analyze harmony between"existence"and"substance", mental existence and physical existence, deeply argues why harmony between the subjective and the objective can become possible, discloses that civilized human being and human being's culture are contradictory and unified, explains why unification and harmony between intelligential human being and spiritualism in the nature can become possible from the perspective of science and humanism, and points out that people's pursue of value should be harmonious unification of"essence, goodness, benefit, and beauty".

塑造论哲学以&和谐&为思想精髓,以解析回答&和谐何以可能&为重要使命,选取人与自然的和谐体&塑造之物&作为研究的&上手之物&,尝试运用区分&两阶形而下&和&两阶形而上&的哲学方法,剖析了&形而上&与&形而下&即&存在&与&物在&、&心在&与&身在&的和谐,深刻论证了主客体关系和谐何以成为可能,揭示了文化人类和人类文化是对立统一的,并从科学和人文的角度阐释了有灵性的人与自然界灵性的统一和谐何以可能,指明了人存在的价值追求应是&真、善、益、美&的和谐统一。

Chapter three point out how to propagandize and spread the city image on the basis of the design of the city image.

第四章:城市形象的塑造。具体剖析了在城市形象设计的基础上进行城市形象塑造的战略。

But I don't feel any loyalty from them. I think if I were home sick for a day, they'd spend most of their time gabbing at the water fountain.

出发点是儿子比别人不行,得把儿子塑造成自己想塑造的人,得保护儿子,于是损伤了儿子的自尊和自我价值。

In such a way a series of vivid characters were produced during this period of timeIn the later half of 1940,movie literature scripts complied with the historical process of the Chinese modem literature,and echoed the turbulent tide of the times.Either emphasized on the consciousness of social criticism,or inclined to the consciousness of humanism,its ideological nature and the direction for creation was very explicit.But this "directional" expression and the demand were not conceptual,or stiffly inbreathed. It is the "concrete image",the "metaphor" of the text,revealed naturally in accordance with the development of the plot and the molding of characters.It can be said as "the wind rippled the surface of the water naturally" and presented excellent artistic technique and high standard.The film scripts writers of the society group undertook the Chinese movie tradition of moving with the history,on an unusual level achieved a new altitude of ideology,and obtained a new artistic achievements.

由于电影文学剧本独特的语言表达方式,其在人物塑造上具有不同于小说、戏剧的特点。1940年代后半期电影剧作者高度重视电影文学剧本中人物形象的塑造,运用电影化的思维方式来刻画人物,依托人物性格的发展来展开故事,使得这时期电影文学剧本在引人入胜的故事书写中,绘就出了一长串内涵丰富、形象生动、有血有肉的人物群。1940年代后半期电影文学剧本既顺应着中国现代文学的历史进程,又呼应着动荡巨变的时代大潮,无论是侧重社会批判意识的,还是倾向人文关怀意识的,其思想性或方向性是非常明确的,但这种&方向性&的表达和诉求既不是概念性的,也不是生硬的灌输,而是&具体形象&的,是&隐寓&文本之中,在故事情节发展和人物性格塑造之中自然而然地流露出来的,可以说是&风行水上,自然成纹&,呈现出高超的艺术技艺和水准。

Therefore, this paper has brought in the ecological development concept of "Man and nature in harmony" after analyzing the elements of its city image from the perspec tives o f its history and natural mechanism, and further repositioned and shaped the city image of Yangzhong.

首先回顾了扬中市以往规划建设过程中对城市形象塑造的探索和实践,认为扬中市的城市特色仍未得到充分彰显,并从扬中市的历史发展和自然机理出发解析扬中市城市形象的元素,引入天人合一的生态发展观,对扬中市城市形象进行重新定位和塑造。

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