塑造了的

Analysis of antetype imago in the story revealed that the story of Cinderella controlled by paternity follows a set of gender orders. Gender power relations operate behind the set of orders gender, by which various imagoes are fixed in position.Through these imagoes some values are transmitted.The story of Cinderella belongs to some culture attribute, which women against the social background of paternity have to obey the male values and aesthetic ideal if wishing to improve their Social position .

通过对故事中原型意象的分析可以看出，在父权制操控下的"灰姑娘"型故事遵循着一套性别秩序，这套秩序背后有性别权力关系在运作，它为童话的各类意象安排好了固定的位置，并通过这类意象传达出一个价值观：灰姑娘型故事只不过是在父权社会背景下，女性希望改变自己的地位而不得不按照男性的价值观念和审美理想去塑造自己的文化属性。

Counterargument: although biology can help us understand the behavior of other animals, human behavior is much more complex and almost completely shaped by learning, culture, the social environment, and other nonbiological factors.

更重要的是(1)基因需要很长的时间才有显著的改变(2)因为99％的人类存在於与当代很不一样的环境，早期的人类环境塑造了我们的生理行为(biologically influenced behavior)。

Mary,for whose grave-stone he wrote the description'Youn9,Beautifuland Good',became the inspiration for theidealized innocent girls in his novels who are nevershown as mature married women,most notablythe tragic figure of Little Nell in The 014 CuriosityShop.

他在玛丽的墓碑上写上这样的碑文："年轻、貌美、温良"。玛丽成了他在小说中塑造理想的、天真无邪的姑娘的灵感的源泉。这种女孩从来没有以成熟的已婚女性形象出现过。其中最出名的悲剧人物就是《老古玩店》一书中的小内尔。

In his works, Faulkner renders all kinds of women. But the readers usually are impressed with negative woman figures, such as the cruel mothers, depraved daughters, the evil-minded cats, the abnormal virgins and the women with necrophilia like Emily so on.

在福克纳在其作品中塑造了形形色色的女性人物，但给读者留下深刻印象的，却似乎都是反面形象：冷酷的母亲、堕落的女儿、心若毒蝎的恶妇、变态的老处女，还有那散发着浓烈恋尸癖的爱米莉。

From the pursuing of the"democratic island"in central Asian to the occuring of"Tulip Revolution",and from the believing inwestern democracy to centralized regime.from the blindfold imitation of exoticcivilization to relapsation into the circle of"democratic-authoritical"as the useless ofmany kinds of systems,and from too much modification in law to the uncertainingabout"presidentialism"and"parliamentarism"to cause a weak regime and so on.

由中亚"民主岛"的狂热追求到"郁金香革命"的骤然发生，由奉西方自由民主制度为圭臬到集权政体的回归，由对外来文明的盲从模仿到因制度"叠合"的无效性而陷入"民主——专制"的怪圈，由多次修宪到至今尚未厘清"总统制"与"议会制"而塑造了一个模糊不清的脆弱的政权体系，凡此等等，像吉尔吉斯斯坦这样政治转型所表现出的大起大落、摇摆不定等现象在后苏联转型国家中并不多见。

In his way﹐Wang Du was fashioning his concept of the artist as self-media at the same time as a number of other artists who were active in this regard﹐including Pierre Huyghe and his Mobil TV﹐created with melik Ohanian in 1995 and 1998﹔Lincoln Tobier and Rirkrit Tiravanja and Radio Printemps＆... in 1996 and Polyradiobuket in 2000﹔Gregory Green and his

以他的独特的方式，王度塑造了他对于自助媒体的观念，与此同时，还有1995年和1998年皮埃尔·雨戈和梅里克·欧阿年制作的《移动电视》，林肯·托比耶和里尔克利特·提拉瓦尼亚在1996年制作的《春天广播电台及其它》和2000年的《多功能电台舱》，格里高利·格林和他在2000年制作的《

From the "town hall" meeting in Shanghai stuffed with carefully schooled patsies of the Communist Youth League to the joint press conference with President Hu Jintao at which no questions were allowed, Mr Obama cut an uncharacteristically wooden, stilted figure.

从他在上海的&市政厅会议&中被小心翼翼的共产主义青年团羔羊填充，到与胡锦涛主席共同召开的不允许提问的新闻发布会，奥巴马先生塑造了一个僵硬、呆板的非典型形象。

PartⅡ. Dickinsons Letters from John Chinaman(also titled Letters from a Chinese official: beingan eastern view of western civilization) depicted the image of China superior to the occidentalworld in religion, social system, civilian life, art and aesthetics by contrasting Chinese andoccidental civilization. The author made use of the image of China as background to criticize Britishsociety, point out the obvious problems and latent crisis, refute the sayings in the Occident whichregarded China as yellow peril, an uncivilized nation.

第二部分。狄金逊的《约翰中国佬》(又名《中国官员来信：对西方文明的看法》)通过中西文化、文明对比的方式，塑造了在思想信仰、社会制度、民众生活、艺术审美等方面均优越于西方的乌托邦式的中国形象，以此来批判英国社会、揭示其存在的危机和弊端。

As the tattoo of 80 generation, Transformers show the trend of Kidult in modern society consumerism of China. This leads to the public culture to the other side, which prefers more popular and unreal.

变形金刚作为&80代&的图腾标志，塑造了他们消费主义的精神结构，而&80代&对变形金刚的意义再生产，令他们有可能不再作为跨国资本设计的消费意识形态的被动承受者，而成为恰恰成为设计的起点。

Rilke's Pink Hydrangea - While reading Rilke's poem "Pink Hydrangea," the picture of a beautiful flower appears before the reader - but the image of a flower step by step dissolves in the image of pink color as a separate and self-developing substance; and this is, I believe, one of the most important means in this poem to express its meaning and to create the necessary images in the head of the reader....

里尔克的粉红八仙-在阅读里尔克的诗句：&粉红色八仙&，塑造了一个看似美丽花朵读者面前，但花形象一步步溶化在粉红色彩形象作为单独和自我发展的实质；这就是我相信，其中最重要的就是这首诗来表达自己的意思，并创造必要的意象团长读者

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。